This book is an anthology of definitive, critical essays and documentation of bp Nichol's long poem entitled "The Martyrology" that was15 years in the making. -- Source of annotation: Marvin or Ruth Sackner.

This work features poems involving travel as a Hobo on trains. In this copy for distribution, the page orientation is horizontal. In the initial draft, also owned by the Sackner Archive, the orientation is vertical and the cover photograph is different. -- Source of annotation: Marvin or Ruth Sackner.

This work features poems involving travel as a Hobo on trains. In this first draft copy labeled "tentative," the page orientation is vertical. In the copies for distribution, the page orientation is horizontal and the cover photograph differs. -- Source of annotation: Marvin or Ruth Sackner.

The cover was designed by Ulli McCarthy. The editors indicate that the poets in this issue are anonymous. -- Source of annotation: Marvin or Ruth Sackner.

This is issue No.8 but mislabeled as No.9. -- Source of annotation: Marvin or Ruth Sackner.

This is an extension of the work started by bp Nichol, Translating Translating Translating Apollinaire, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The poems, a homage to Kruchenykh, were typed upon translucent paper. The collages consist of individually hand cut Russian letters from journals and abstract colored paper shapes. This is a literary supplement to Transponance. Feofan Buka is another name for N. Khardzhiev. -- Source of annotation: Marvin or Ruth Sackner.

Includes a listing and brief description of the issues 1 to 34 of this periodical. This issue includes trnslations of texts by Kurt Schwitters and Konrad Bayer. The final issue of this periodical No.37 was published in 1990 in one copy for the exhibition "Fanzine as an Object." it was displayed in several museums in Europe. The Sackner Archive does not hold this issue. -- Source of annotation: Marvin or Ruth Sackner.

This is designated the first copy printed. H.G. stands for Hans Gunther. Adler (1910--88) was born in Prague and was imprisoned in Theresienstadt (Ruhenthal) and Auschwitz. In his wanderings after the war, he later came to consider himself a freelancer and teacher. He was the father of Jeremy Adler, the British concrete poet. -- Source of annotation: Marvin or Ruth Sackner.

H.G. stands for Hans Gunther. Adler (1910--88) was born in Prague and was imprisoned in Theresienstadt (Ruhenthal) and Auschwitz. In his wanderings after the war, he later came to consider himself a freelancer and teacher. He was the father of Jeremy Adler, the British concrete poet. -- Source of annotation: Marvin or Ruth Sackner.

The images in this catalogue depict visual poetic pinball machines. -- Source of annotation: Marvin or Ruth Sackner.

Includes several poems previously published in the form of folded cards and booklets (held by the Sackner Archive), viz., A Package of Balloons, Balcon Programme, Pails of Weather, etc. -- Source of annotation: Marvin or Ruth Sackner.

Alan Horvath did the illustrations for this work. This work is also designated as Card 11 from "Stories from the Flats." -- Source of annotation: Marvin or Ruth Sackner.

This page contains five dated poems. -- Source of annotation: Marvin or Ruth Sackner.

Trilce was published in the same year as The Waste Land and is, like the Eliot poem, a masterpiece of early modernism, a ground-breaking work which has had an indelible effect on all subsequent poetry in its language. The book, a first edition, includes seventy-seven poems that are considered Vallejo's most complex and radical work. According to Eshelman, one early critic of these poems stated that Vallejo (1892-1938) invented surrealism before Surrealism. -- Source of annotation: Marvin or Ruth Sackner.