Conventional poetry
Found in 3927 Collections and/or Records:
Vices of Mark Laba / curry, jw., 1997
Views of Lyonnesse Books 2 & 3: 1st Copy / Upton, Lawrence., 1978
Inscribed by Bob Cobbing. -- Source of annotation: Marvin or Ruth Sackner.
Views of Lyonnesse: Books 2 & 3 / Upton, Lawrence., 1978
Vigie des Minuits Polaires, La. No.7/Nov / Hirschman J., 1980
Visible Language. No.1., 1997
This issue is composed of essays concerned with past, present and future views of literacy. -- Source of annotation: Marvin or Ruth Sackner.
Visions International. No.31., 1989
Visitations / curry, jw ; Power, Nicholas ; Venright, Steve ; curry jw ; Power N ; Venright S ; Swede G., 1984
[see pdf for full text] This work was distributed at a poetry reading held at The Groaning Board, Toronto, 1984. As noted in curry's Gesture checklist (1992), it xonsisted of the following:VISITATIONS. edited by jwcurry, Nicholas Power & Steve Venright. 98 copies (of a stated loo), aug'29'84. 14 fascicules in a printed envelope, some of which were also released separately. of the 12 poems by jwcurry/Mark Laba, they were distributed variously 4 to an envelope & thus all issued in editions of less than loo. the individual items consist of the following but there were no complete work issued; the items marked 'X' are included in the Sackner copy. ... -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.6, 2002
Leftwich formed his contribution with scanned crumpled texts, Altemus with computer generated text. Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.14, 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.24 / Reed Altemus ; Crag Hill., 2002
Altemus based his poem upon the cut-up technique and Hill added typed phrases. Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Achromatic Poem with Drone in four breathes; pages 130--131 / Weiss, Irving., 1994
This poem is based upon Alfred, Lord Tennyson (1809-1892), "Alexander." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Barnacled Poem, Being Dragged Down Under pages 24-25 / Weiss, Irving., 1994
This poem is based upon John Milton (1608-1674). Page excerpt from "Lycidas" in the Norton Anthology of English Literature. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Caressed and Overloved Poem pages 10-11 / Weiss, Irving., 1994
This poem is based upon Thomas Campion (1567-1620) "Rose -cheek'd Laura." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Consubstantial Poem pages 8-9 / Weiss, Irving., 1994
This poem that is repeated three times is based uan anonymous source. Wikipedia: Consubstantial is an adjective used in Latin Christian christology, coined by Tertullian in Against Hermogenes 44, used to translate the Greek term homoousios. "Consubstantial" describes the relationship among the Divine persons of the Christian Trinity and connotes that God the Father, God the Son, and God the Holy Spirit are "of one being" in that the Son is "generated" ("born" or "begotten") "before all ages" or "eternally" of the Father's own being, from which the Spirit also eternally "proceeds." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Graffiti Poem pages 18-19 / Weiss, Irving., 1994
This poem is based upon "Sources for the images on pages 20-22." Published in Rampike (1985). -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Intaglio Poem; pages 122--123 / Weiss, Irving; Herrick R., 1994
This poem is based upon Robert Herrick (1591-1674), "Cherry Ripe." Poem set in teh prose of a tree handbook's entry on cherry trees. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Luminous, or Keyhole Poem; pages 102--103 / Weiss, Irving., 1994
This poem is based upon John Clare, Sonnet -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Onomatopoeic Poem; pages 142-143 / Weiss, Irving., 1994
This poem is based upon Anonymous, "Western wind." The meeting of visual and voice. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Page Poem; pages 116--117 / Weiss, Irving., 1994
This poem is based upon Anonymous both, that part of " Now sprinkles the spray," followed by that part of " Spring Song" that appear on one anthology page together. A Page Poem is whatever verses appear on a single page even if they belong to more than one poem. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem Making Ten Nifty Points; pages 126--127 / Weiss, Irving., 1994
This poem is based upon John Greenleaf Whittier (1807-1892), from Prelude to "Among the Hills." -- Source of annotation: Marvin or Ruth Sackner.