Skip to main content

Conventional poetry

 Subject
Subject Source: Sackner Database

Found in 3963 Collections and/or Records:

Who's Marvin Who's Jurgen And Where Is Ruth! / Olbrich, Jurgen O.., 1993

 Item
Identifier: CC-05275-5378
Scope and Contents

Christmas card 1992. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Why the Solstice is always so.......Punctual / Soll, Ivan; Gomez, Marta., 2003

 Item
Identifier: CC-42029-44027
Scope and Contents

This is a New Year's greeting card. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2003

Wingbook / Joyce Cutler-Shaw., 1982

 Item
Identifier: CC-18926-19304
Scope and Contents

The plexiglas box and the pages have the shape of a carrier pigeon's wing. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

Wingbook / Joyce Cutler-Shaw., 1982

 Item
Identifier: CC-18926-19304
Scope and Contents

The plexiglas box and the pages have the shape of a carrier pigeon's wing. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

Winter 1973-1974 / Cutts, Simon ; Cutts S ; Fidler M ; Duncalf S ; Roberts K ; Mills S., 1973 - 1974

 Item
Identifier: CC-18055-18425
Scope and Contents

The pages have printed handwritten texts. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973 - 1974

Winter Solstice / Cox, Kenelm., 1967

 Item
Identifier: CC-18841-19219
Scope and Contents Internet Virtual Museum of Modernism: Ken (Albert Richard William Kenelm) Cox was born in 1927, in Wotton Under Edge, Gloucestershire. In 1949 he enrolled at UWE Art College in Bristol, where he did first drawings and murals. During the same year he changed to Camberwell Art School where he studied painting until 1951. After leaving Camberwell, he worked as a teacher in Lasborough, Gloucestershire, and in 1955 turned towards landscape painting. From 1958 to 1962 Cox lived in London, where he taught at the Acland Burghley School and continued to do landscape paintings. With yet another relocation to The Park, Kingscote, Gloucestershire, his artistic interests shifted. He established close contacts with artists and poets, among them Dom Sylvester Houédard and John Furnival, that would shape his future work. First Wall Sculpturesemerged, along with motorized objects and sign machines (Harmonograph Drawing Machine, 1966), works that led him entirely away from painting. Increasingly,...
Dates: 1967