Conventional poetry
Found in 3963 Collections and/or Records:
CONRAN Circle Pamphlet, No. 9: Space Poem, 1970
Conran's poem is set into a black grid with primary colored, constructivistic designs by Tyson, reflecting the meaning of the lines of poetry. -- Source of annotation: Marvin or Ruth Sackner.
Constellations; Reasons & Methods / Kempton, Karl ; Robertson, Kirk., 1981
The conventional poems by Robertson were illustrated by the typewriter art of Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Contexto: A danco do ventre inchado ou a quina oeste do universo. No.7/May / Nunes R ; Partum A ; Sales T ; Bruscky P ; Dantas CH., 1978
This issue was printed as a special supplement to the newspaper, "A Republica." -- Source of annotation: Marvin or Ruth Sackner.
Contexto: Mail Art. No.12/Jul / Schulz T ; Silva F ; Medeiros J ; Bzdok H ; Bruscky P ; Azevedo CA., 1978
This issue was printed as a special supplement to the newspaper, "A Republica." -- Source of annotation: Marvin or Ruth Sackner.
Contexto: Natal Lanca Publicacao Internacional de Vanguarda. No.3/Jan / Dantas CH ; Silva F., 1978
This issue was printed as a special supplement to the newspaper, "A Republica." The first page describes an exhibition of visual and semiotic poetry, "Projecto - Documento 4/5." -- Source of annotation: Marvin or Ruth Sackner.
Continue / Copithorne, Judith., 1989
Continuum / Lopes, Damian., 1998
Continuum / Trevor, Stan., 1991
Two of the poems in this book, "In This House" and "Dancer" are reminiscent of the poetic style of John Giorno. -- Source of annotation: Marvin or Ruth Sackner.
Cop Kisser / Zultanski, Steven., 2010
Amazon.com: "KISSER is a book of 18 poems in a variety of modes. Some are quasiconceptual, some repetitively relational, and some are hyperactive lyric collage. These modes have been ordered intuitively into what appears as a totalizing structure. Thus, it's a big book, and deceptively so. Really there are only about two ideas in here. See if you can find them all! But be careful: don't let COP KISSER fool you. It doesn't want to know what it's about, and wasn't written for the betterment of the reader. In fact, it was barely written. It's just one of those things that showed up one day and refused to leave--like love, enemies, or authorship." -- Source of annotation: Marvin or Ruth Sackner.
Corno Emplumado, El. No.15/Jul / Sergio Mondragon, Margaret Randall, editors ; Hitchcock G ; levy da ; Sandberg D ; Randall M ; Dawson F ; Raworth T ; Bowering G ; Creeley R ; Blackburn P., 1965
Corno Emplumado, El: The Man in Yellow Boots. No.16/Oct / George Bowering., 1965
counting them down / Horvath, Alan., 2007
Crab Grass: Analytical Edition. No.2 / John Gilbert, editor., 1977
Crabby Times. No.1., 1994
Crawling Eye, The. No.1/Spr / Pat Steele, editor., 1995
Credo / Hirschman, Jack A.., 1989
Poem written for National Poetry Festival October 17, 1989 which was cancelled because of the San Francisco earthquake. -- Source of annotation: Marvin or Ruth Sackner.
Creeping Bent. No.6-7/Win-Spr / Huth G ; Dweller C., 1988
A number of the poems are accompanied by comments by the poet or editor or both. Clift Dweller's poem is based upon the cut-up technique pioneered by William Burroughs. -- Source of annotation: Marvin or Ruth Sackner.