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Conventional poetry

 Subject
Subject Source: Sackner Database

Found in 3963 Collections and/or Records:

Curvd H&Z: Woman Cops. No.42/Jan / Jasmine Jupiter Silverwind., 1980

 Item
Identifier: CC-18165-18537
Scope and Contents

Also designated pomez a penny #25. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Curvd H&Z: Writing in Sand. No.103/Sep / Peggy lefler., 1981

 Item
Identifier: CC-18221-18593
Scope and Contents

Also designated pomez a penny #67. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Curvd H&Z: Writing in Sand. No.128/Mar / Peggy lefler., 1982

 Item
Identifier: CC-18244-18616
Scope and Contents

This is the 2nd edition of the poem that was first published as Curvd H&Z No.103. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Curvd H&Z: Wuns I Saw It Raining Frogs. No.136/May / bill bissett., 1982

 Item
Identifier: CC-18252-18624
Dates: 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Curvd H&Z: You. No.77/Jan / Randall Brock., 1981

 Item
Identifier: CC-18195-18567
Scope and Contents

Also designated pomez a penny #47. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Cuts: - 10 Poems / Hall, John; Breakwell I., 1969

 Item
Identifier: CC-60341-58050
Scope and Contents

Stored with Exit publications. This work was designed by Ian Breakwell. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Cymbalum Pataphysicum: Sacre Nox.... / Robert Gilbert Leconte., 1978

 Item
Identifier: CC-19571-19956
Scope and Contents

Also designated Collection Maramouteenne 2. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

[Cyrillic Title], 2001

 Item
Identifier: CC-41197-43180
Dates: 2001
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / BOOKS / BOOKS (moved to alphabetical shelves)

D Jackson / Hirschman, Jack ; Stockwell D ; Kempton K., 1974

 Item
Identifier: CC-48190-69214
Scope and Contents

Also designated as th unita gargoyl #1. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets

d-r-e-a-m-s, 1968

 Item — Box Arb-Avrin: [Barcode: 31858072490778]
Identifier: CC-51109-72194
Scope and Contents

The Sackner Archive holds three typewriter poems by Armstrong. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / ARTIST BOOKS AND POETRY/BOOK OBJECTS

d.a. levy / Skyline Books ; levy da ; Wagner Dr., 1997

 Item
Identifier: CC-29997-31389
Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

d.a. levy & the Cleveland Scene / Maser, Jeff ; levy da ; Horvath A ; Sorcic J ; Blazek D ; Potts C ; Miller B ; Wagner Dr ; Bory JF ; Simon A ; Bukowski C ; Lowenfels W ; Lowell J ; Davenport G ; Williams J ; Olson C ; Atkins R ; Baxter ER-III ; Berge C ; Dominique ; Dowden G ; Fox H ; Katzman A ; Kryss TL ; McCord H ; rjs ; Rhody R ; Taylor K ; Zack D ; O'Connelly B., 2005

 Item
Identifier: CC-47920-68942
Dates: 2005
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

d.a. levy & the mimeograph revolution / Smith, Larry, editor ; Swanberg, Ingrid Markhardt, editor ; Sackner RK ; Sackner MA ; Smith L ; Frost A ; Swanberg I ; rjs ; Taylor K ; Sanders E ; Salamon R ; Young K ; Lipman J ; Jacob JP ; Basinski M ; Malone M ; Nichol bp ; Manson D ; Kryss TL ; Petrochuk K., 2007

 Item
Identifier: CC-46611-49341
Scope and Contents Joel Lipman quotes from the Sackner Archive catalogue of 1984 on page 170 of the Sackners opinion of levy's works. Douglas Manson contributes a scathing rview of Mike Golden's book, The Buddhist Third Class Junkmail Oracle." The dvd is an edited copy of a documentary film "if i scratch, if i write" about da levy by Kon Petrochuk first made in 1985 and fully realized for this book.Page 28 "February 1967 sees the launching of the Underground Thought Patrol, so named by John Scott, as a way of bluffing about inside sources of information, and playing off the group's interest in telepathy (Scott named it after a Frank Zappa song, "Who Are the Brain Police?"). A photo from an earlier Gate reading assigned those in the photo as the UTP, including: rjs, D.r. Wagner, Kent Taylor, John Cornillon, Walter R. Keller, Carl Woideck. The group is projected tribe of sympathetic listeners who announce police warnings and have great fun cutting up; the first time the term UTP appears in print is in...
Dates: 2007
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Da Strato A Strato / Cepollaro, Biagio., 2009

 Item
Identifier: CC-51101-72183
Dates: 2009
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Dancing Dave / Hirschman, Jack A.., 1991

 Item
Identifier: CC-09160-9341
Scope and Contents

This book was made as a memorial to the death of David Bronk, a San Francisco street poet. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Dandelions & Dreams, 1990

 Item
Identifier: CC-10105-10306
Scope and Contents

The illustrations and cover design were done by Brenda Shelley Clark. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / BOOKS

Dante's Inferno / Birk, Sandow ; Sanders, Marcus., 2004

 Item
Identifier: CC-44818-46989
Scope and Contents San Francisco Chronicle Review: Creative people who don't write sometimes enjoy a honeymoon with the press -- right up until they put pen to paper. It happened with Madonna. She used to give interviews saying what an old-fashioned girl she really was at heart, how all she'd really like to do was find a nice writer and settle down. Consequently, she barely ever saw a bad review -- until she made the mistake of writing her first book. Critics promptly saw they'd been kidding themselves all along, and they turned on her. So when word got around that the visionary California painter and book artist Sandow Birk was not just illustrating but co-writing a new adaptation of Dante's "Divine Comedy," some of us who cherish his work feared the worst. Sure, he could concoct historical canvases, sketches and propaganda posters about a bloody civil war between San Francisco and Los Angeles, as he did with "In Smog and Thunder: Historical Works From the Great War of the Californias." And OK, he...
Dates: 2004
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Dante's Inferno (Deluxe Edition) / Phillips, Tom ; Sackner RK ; Sackner MA., 1985

 Item
Identifier: CC-46418-49145
Scope and Contents

In a section entitled "A Note on the Original Edition," Phillips mentions the following, "Heartening support was given by Ruth and Leo Phillips as well as the many patient collectors who bought their copies before a picture or a line was printed. Amongst those I should particularly like to mention Marvin and Ruth Sackner without those staunch encouragement the seven year trial of making the edition would have seemed so much less suprerable." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Dante's Inferno: Materials for a Book / Phillips, Tom., 1983

 Item
Identifier: CC-38847-40762
Scope and Contents

Phillips annotates "A Dante Diary," "The Archive Copies," and the "The Notebooks." All of these works are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Dante's Inferno / Phillips, Tom., 1985

 Item
Identifier: CC-37693-39567
Scope and Contents This is the first edition of Dante's Inferno in which both the translation and the illustrations were done by the same person. Two representive illustrations are depicted in this record. In the image illustrating Canto III, Phillips describes the changes in his notes to the book. "Not satisfied with any of the colour trials I made in the first version of this, which depicted the dreary waters of the Styx, I cut the various proofs into strips and brought different versions into conjunction, hence the appropriate half repetition of the short text which, together with the recapitulations of the same stretch of the sombre steam, suggests the monotony of Charon's task as Ferryman. The words 'bitter boating' seemed also to echo his mocking speech."In the image that illustrates Canto V from the initial proof copy, Phillips eliminated the calligraphic text of the poem, changed the background from black to gray and pink, painted a giant phallus with balls entering the vagina, printed the...
Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

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