Conventional poetry
Found in 3963 Collections and/or Records:
[In jazz] / Miroshnychenko, Mykola., 1985
In Light of a Luau / Afungusboy., 1989
In. on. or about the Premises / Blackburn, Paul ; Stuart M., 1968
The coverillustration and three in the text were composed by Michelle Stuart. -- Source of annotation: Marvin or Ruth Sackner.
In One Side & Out the Other / Phillips, Tom ; James, John ; Crozier, Andrew., 1970
Phillips' illustrations on 21 pages were based upon "A Humument" style of images. -- Source of annotation: Marvin or Ruth Sackner.
In One Side & Out the Other / Phillips, Tom ; James, John ; Crozier, Andrew., 1970
Phillips' contributed 21 illustrations based upon "A Humument" imagery. -- Source of annotation: Marvin or Ruth Sackner.
In the Changing Poetry, It's the Abstract in "Concrete" Form / Davis, Douglas M.; Williams E; Gomringer E; Bremer C; Dohl R; Giorno J; Gross R., 1967
In the Field at the Solstice / Williams, Jonathan; Lowenfels W; Patchen K., 1976
In the Museum of Temporary Art / Baizer, Eric., 1979
In the Open Air / Clark, Thomas A.; Christie, John., 1982
Incisions / Duggan, MB; curry, jw., 1986
This work documents a correspondence between Duggan and curry. -- Source of annotation: Marvin or Ruth Sackner.
Independent Group: Postwar Britain and the Aesthetics of Plenty, The / Paolozzi E ; Wright E ; McHale J ; Hamilton R., 1990
Recounts the history of The Institute of Contempoary Arts, London 1950-1962 with emphasis on the artists who launched the Pop Art movement in England. There are several essays on British artists of this period including John McHale (1922-1978), who made artworks from cut-up newspaper headlines. -- Source of annotation: Marvin or Ruth Sackner.
Indirect Narration / Power, Nicholas., 1983
This was the fifth publication of Nicholas Power's press. The poems were generated from the text of a Latin grammer. The cover is marred by bleeding from an adjacent photocopied publication. -- Source of annotation: Marvin or Ruth Sackner.
Industrial Sabotage No.50: Lineage (Mock-Up) / curry, jw; Baker C; Bennett JM; bissett b; Coleman V; DiMichele B; Duggan MB; Dutton P; Grumman B; Laba M; Jupitter-Larsen G; Nichol bp; Ross S; Silliman R; Truhlar R; Tzara T; Troendle Y; Drake LB; lore q., 1990
Also includes R. Beland, jw curry, K. Connely, G. Evason, M. Fratocelli, E. Bushmiller, A. Darlington, L. Banjii, D. Cunliffe, J. Glass, D. Jensen, T. Kupferberg, R. Lieberman, M. Peach, H. Polkinhorn, and G. Reitzenstein as contributors. This mock-up of Curvd H&Z No.415 is missing full page originals that were directly printed from works by G. Evason, b. bissett, M. Peach and G. Reitzenstein. -- Source of annotation: Marvin or Ruth Sackner.
Infinito Trionfo / Lora-Totino, Arrigo., 1996
The folded loose sheet is a reproduction of a poem that Lora-Totino wrote in 1980. -- Source of annotation: Marvin or Ruth Sackner.
Informer. No.9 / Keith Armstrong, David Gill, editors ; Lucie-Smith E ; Houedard DS ; Cobbing B ; Carroll N ; Dowden G ; Etlinger A ; Lysohorsky O ; Morris S ; Pilcher BE ; Armstrong K., 1971
Ink layer: Poems and Masonry 1978 - 82 / Mendel, Mark ; Diane Shamash, curator., 1982
inkorrect thots, 1992
Inscape / Finlay IH ; Overy P., 1976
This exhibition which was selected by Paul Overy, featured Finlay and five Scottish visual artists. -- Source of annotation: Marvin or Ruth Sackner. 2 copies