Conventional poetry
Found in 3963 Collections and/or Records:
La Dame de Paris / Larbouillat, Bernard., 2000
The French poem that forms the shape of Notre Dame Cathedrale is printed on the verso of the card. Cathedrale ta forme - sauf a perdre ame - est celle haute enorme - et couchee d'une femme. -- Source of annotation: Marvin or Ruth Sackner.
La Definizione del Prezzo, 1991
The drawings by Della Casa that are reproduced in this book depict images of Spatola. -- Source of annotation: Marvin or Ruth Sackner.
La Galere/Die Galeere / Genet, Jean ; Vennekamp, Johannes., 1991
La Lettre / Iliazd ; Picasso, Pablo ; Andre Markowicz, translator., 1991
Reprints of book first published in 1948. -- Source of annotation: Marvin or Ruth Sackner.
La Main Espacée, 1990
La Piedra Colectiva: Canciones con Movimiento, 1978
Includes reproduction of print by Claudio Parmiggiani. Also designated Exit 2. -- Source of annotation: Marvin or Ruth Sackner.
La Poesia S.P.A. / Binga, Tomaso., 1981
La Poesie Arabe / Koraichi, Rachid., 2000
This sophisticated children's book combines a conventional poem in French, a translation in Arabic and a multi-colored calligraphic interpretation by Koraichi on facing pages. The poems were selected by Farouk Mardam-Bey and the conventional Arabic calligraphy was done by Abdullah Akkar. -- Source of annotation: Marvin or Ruth Sackner.
La Poesie / Frontier, Alain ; Mallarme S ; Gysin B ; Albert-Birot P ; Apollinaire G ; Cendrars B ; Duchamp M ; Chopin H ; Heidsieck B ; Isou I ; Hubaut J ; DeVree P ; Gette PA ; Roche M ; Queneau R ; Parant JL ; Pavl A., 1992
This book provides a detailed historic survey of French poetry. -- Source of annotation: Marvin or Ruth Sackner.
La Prose du Transsiberien et la Petite Jehanne de France (facsimile) / Delaunay, Sonia ; Cendrars, Blaise ; Sackner MA ; Sackner RK., 2008
This is a facsimile of the artist's book originally published in 1913, made after an original copy in the collection of the Beinecke Rare Book & Manuscript Library at Yale University. The original copy was purchased from the Sackner Archive. This edition also includes a new English translation and essay by curator Timothy Young in an accompanying book. The facsimile was reproduced from scanned images of the original and printed on Mohawk Superfine Ultrawhite Eggshell 100 text. It was letterpress scored, then hand folded like the original and assembled. The slipcase was base on the original vellum cover, which was hand-painted by Sonya Delaunay and glued to the text block. This work is stored with "Metaphor Taking Shape." -- Source of annotation: Marvin or Ruth Sackner.
Labris. No.1/Jan / Vroom I ; VanEssche L., 1969
Lanf of Scoundrels / Doctorovich, Fabio; Bennett, John M.., 1995
Lap Gun Cut, 2006
Lapoemago Maggiore / Minarelli, Enzo., 1986
L'Arbre de Vie / de Charmoy, Cozette ; Wiame, Sarah., 1997
The pages depict printed calligraphic, rubberstamped, and typeset poetry composed by de Charmoy. The background drawings on the pages that depict trees and abstract markings as well as the collage were done by Sarah Wiame. The rubberstampings are shaped like trees or branches. -- Source of annotation: Marvin or Ruth Sackner.
L'Arc de Sant Marti / Calleja, J.M.; Ballbe i Aumalle, M-A.; Peran i Rafart, M.; Sicart i Roig, X.; Lorman, J.; Araujo, J.; Boneti Julve, D.., 1979
Each broadside has a single arc of rainbow color; the texts are related to the colors. -- Source of annotation: Marvin or Ruth Sackner.
Last Words / Burroughs, William S.., 1997
The essay consists of excerpts from the journal of Burroughs from May 3 to his final entry on "August 1, Fliday," the day before his death. It reads, "Love? What is it? Most natural painkiller. What there is. LOVE." -- Source of annotation: Marvin or Ruth Sackner.
Latin American Assembling / Schraenen, Guy, editor; Bruscky P; Carrion U; Dermisache M; Padin C; Spada S; Ehrenberg F., 1977
Lay-Out: Curvd H&Z In Print / curry, jw., 1991
Although curry wrote to the Sackners that this was the layout for a catalogue, there is no such listing in the Sackner Archive. It was the first production where he used annotations for the works. -- Source of annotation: Marvin or Ruth Sackner.