Correspondence art
Subject
Subject Source: Sackner Database
Found in 1831 Collections and/or Records:
Nachdenklichlachdenknich / Haarmann, Rainer ; Neumann, Max ; Rosz, Martin., 1981
Item
Identifier: CC-31692-33201
Scope and Contents
This book reproduces 88 postcards from correspondence among the three authors. There were 25 copies in which three original postcards were included; the Sackner copies are from the series without this addition. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1981
Nagging Questions and Aphoristic Remarks / Baroni, Vittore., 2008
Item
Identifier: CC-48251-69276
Scope and Contents
Reed Altemus is the publisher of Live Matter. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2008
Nagging Questions and Aphoristic Remarks / Baroni, Vittore., 2008
Item
Identifier: CC-48252-69277
Scope and Contents
Reed Altemus is the publisher of Live Matter. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2008
National Cremation of Mail Art, The / Banana A ; Cook G ; Fish P ; Gnazzo A ; Spiegelman L ; Pyros J ; Helmes S ; Saunders R ; Saville K ; Andre C ; Benes BL ; DiPalma R ; Jackson L ; Hompson DD ; Perfetti M ; Buchwalder E ; Bruscky P ; Crozier R ; Petasz P., 1979
Item
Identifier: CC-05468-5573
Scope and Contents
All works were burned, a portion of the ashes affixed to one page of this catalog. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1979
Nature Gives... (Priroda Daje) / Andrej Tisma, curator ; Gutierrez-Marx G ; Paz H ; Cerebral Shorts ; Bleus G ; Fierens L ; Schraenen G ; Duch LF ; Bruscky P ; Keppler Ro ; Sevcik P ; Daligand D ; Lenoir P ; Massa J ; Laszlo JN ; Suel L ; Deisler G ; Groschopp A ; Groschopp M ; Jacob S ; Tarlatt U ; Winnes F ; Baroni V ; Cavellini GA ; Colonna G ; Diotallevi M ; Fontana G ; Liuzzi O ; Lubrano C ; Maggi R ; Morandi E ; Strada G ; Lora-Totino A ; Zito R ; Shimamoto S ; Bogdanovic N ; Kamperelic D ; Kamperelic R ; Tisma A ; Todorovic M ; Duquette M ; Baik KN ; Swierkiewicz R ; Dudek-Durer A ; Petasz P ; Ropiecki W ; Aguiar F ; Figueiredo C ; Andre C ; Barbot F ; Barbot G ; Bloch M ; Cole D ; Dogfish ; Fallico A ; Gnazzo A ; Harley ; Held Jjr ; Kucharski L ; Minoy ; Pittore-Eurifico C ; Porter B ; Private World ; Rocola R ; Rutkovsky F ; Siff E ; Winkler C ; Calleja JM ; Ruch G ; Caraballo J ; Padin C ; Bates K ; Crozier R ; Jarvis D ; Pilcher BE ; Hainke W ; Mittendorf A ; Mittendorf H ; Olbrich JO ; Perneczky G ; Schnyder A ; Pawson M ; Rabascall J ; Perkins S ; Schmuel., 1992
Item
Identifier: CC-44676-46840
Scope and Contents
The exhibition was curated by Andrej Tisma. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1992
Nature Is Life / Huber, Joseph., 1982
Item
Identifier: CC-08928-9104
Scope and Contents
Joseph Huber aka Wolfgang Huber. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1982
Negro sobre Blanco / Groh K ; Rehfeldt R ; Wolf-Rehfeldt R ; Gutierrez-Marx G ; Bruscky P ; Duch LF ; Deisler G ; Valoch J ; Blaine J ; Corfou M ; Qotbi M ; Rabascall J ; Carrion U ; Tot E ; Crozier R ; Cavellini GA ; Ferro A ; Maggi R ; Perfetti M ; Petasz P ; Schulz T ; Banana A ; Bennett JM ; Cleveland B ; Cook G ; Essary L ; Gaglione B ; Kostelanetz R ; Milliken DP ; Mutt R ; Souza A ; Szombathy B ; Todorovic M ; Below P ; Schmidt A ; Staeck K ; Vigo EA ; Lisboa U ; Silva F ; Felter J ; Marin J ; Klivar M ; Rossell B ; DeJonge K ; Toth G ; Jackson T ; Zabala H ; Burch C ; Dreva J ; Mew T ; Milliken DP ; Musicmaster ; Serrano J., 1978
Item
Identifier: CC-32923-34539
Scope and Contents
The introductory essay on mail art entitled "Art on the Margin of Art" was written by Mata. Endre Tot's contribution consists of an image of the text, "If You Read...," the same text of the painting held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1978
Neoism Now / Cantsin, Monty, editor ; Private World ; Baroni V ; Padin C ; Cole D ; Crozier R ; Bogdanovic N ; Ciani P ; Fricker HR ; Bennett JM ; Held Jjr., 1987
Item
Identifier: CC-17211-17569
Scope and Contents
Istvan Kantor (a.k.a. Monty Cantsin) is active in the fields of robotics, sound, video, performance and new media. His work has been shown at many prestigious international art events, including Documenta '87 and Ars Electronica 2000. He has received the Telefilm Canada Award for Best Canadian Video (1998 Images festival, Toronto), as well as the Transmediale 01 award in Berlin, Germany for his new video Broadcast. Infamous for his blood-x donations" to the collections of the Museum of Modern Art (New York), the National Gallery (Ottawa), AGO (Toronto), and the Ludwig Museum (Koln), just to mention a few, Kantor/Cantsin's criminal records are even longer than his list of awards. The media and critics have described his work as rebellious, anti-authoritarian, and intellectually assaulting, as well as technically innovative and highly experimental. Internationally known as the founder of Neoism, Kantor has lived in Budapest, Paris, Montreal, Portland and New York. He has lived in...
Dates:
1987
NET / Koszowski, Jaroskaw ; Lestozowaki, Anrsej ; Blaine J ; Carrega U ; Groh K ; Lakner L ; McCallion B ; Perneczky G ; Urban J ; Vazan B., 1993
Item
Identifier: CC-08012-8170
Scope and Contents
Reprint of the rules for the first network published May 22, 1972 in Poznan, Poland. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1993
Networker Congress , 1992
Item — Box 327: [Barcode: 31858072490943]
Identifier: CC-23625-24072
Networking Artists: Assemblings from the Ruth & Marvin Sackner Archive of Concrete & Visual Poetry / Craig Saper, curator ; Shores M ; Mark A ; Kostelanetz R ; Meade R ; Baroni V ; curry jw ; Cortese R ; Zagoricnik F ; Huth G ; Gagnon JC ; CrackerJackKid ; Black J ; Gerlovin V ; Gerlovina R ; Nikonova R ; Neaderland L ; Warnke U ; Fabry A ; Deisler G ; Ebel G ; Ahnert C ; Forsyth I ; Pollard J ; Vigo EA ; Copley W ; Crandall J ; Boumans B ; Beltrametti F ; Lora-Totino A ; Spatola A ; Damen H ; Chopin H ; Lemaitre M ; Saper C ; Ryan M ; McLuhan M ; Sackner MA ; Sackner RK ; Saritsky A ; Carlander K ; Drucker J ; Patasz P ; Cardella J ; Warhol A ; Bowles J ; Wohl B ; Maggi R ; Adler J ; Dias-Pino W ; Lemaitre M ; Targowski H., 1997
Item
Identifier: CC-30106-31504
Scope and Contents
Craig Saper curated this exhibition through loan of "Assemblings" entirely from the Sackner Archive. It might have been the largest exhibition of assemblings in a gallery space to date. His extensive essay describes the history of this international, alternative distribution system with its roots in Fluxus, Lettrisme, Situationism, Conceptualism and Cobra. Circumventing the established art gallery system, bookmakers, artists, visual poets, media artists send from 50 to 100 works to an assembler or compiler who distributes the assemblings to the participants and to subscribers. Worldwide networking systems developed, basically using the postal system and a few avant garde institutions, in an attempt to reach a wide audience and democratize art making. Assemblings combine both crafts and mechanized reproduction. Saper writes, "The artists cherish the production of carefully constructed individualized visual poems and constructions as well as the insistence that readers recuperate,...
Dates:
1997
Networking Artists: Assemblings from the Ruth & Marvin Sackner Archive of Concrete & Visual Poetry / Craig Saper, curator ; Shores M ; Mark A ; Kostelanetz R ; Meade R ; Baroni V ; curry jw ; Cortese R ; Zagoricnik F ; Huth G ; Gagnon JC ; CrackerJackKid ; Black J ; Gerlovin V ; Gerlovina R ; Nikonova R ; Neaderland L ; Warnke U ; Fabry A ; Deisler G ; Ebel G ; Ahnert C ; Forsyth I ; Pollard J ; Vigo EA ; Copley W ; Crandall J ; Boumans B ; Beltrametti F ; Lora-Totino A ; Spatola A ; Damen H ; Chopin H ; Lemaitre M ; Saper C ; Ryan M ; McLuhan M ; Sackner MA ; Sackner RK ; Saritsky A ; Carlander K ; Drucker J ; Patasz P ; Cardella J ; Warhol A ; Bowles J ; Wohl B ; Maggi R ; Adler J ; Dias-Pino W ; Lemaitre M ; Targowski H., 1997
Item
Identifier: CC-32240-33798
Scope and Contents
Craig Saper curated this exhibition through loan of "Assemblings" entirely from the Sackner Archive. It might have been the largest exhibition of assemblings in a gallery space to date. His extensive essay describes the history of this international, alternative distribution system with its roots in Fluxus, Lettrisme, Situationism, Conceptualism and Cobra. Circumventing the established art gallery system, bookmakers, artists, visual poets, media artists send from 50 to 100 works to an assembler or compiler who distributes the assemblings to the participants and to subscribers. Worldwide networking systems developed, basically using the postal system and a few avant garde institutions, in an attempt to reach a wide audience and democratize art making. Assemblings combine both crafts and mechanized reproduction. Saper writes, "The artists cherish the production of carefully constructed individualized visual poems and constructions as well as the insistence that readers recuperate,...
Dates:
1997
Networking Artists: Assemblings from the Ruth & Marvin Sackner Archive of Concrete & Visual Poetry / Craig Saper, curator ; Shores M ; Mark A ; Kostelanetz R ; Meade R ; Baroni V ; curry jw ; Cortese R ; Zagoricnik F ; Huth G ; Gagnon JC ; CrackerJackKid ; Black J ; Gerlovin V ; Gerlovina R ; Nikonova R ; Neaderland L ; Warnke U ; Fabry A ; Deisler G ; Ebel G ; Ahnert C ; Forsyth I ; Pollard J ; Vigo EA ; Copley W ; Crandall J ; Boumans B ; Beltrametti F ; Lora-Totino A ; Spatola A ; Damen H ; Chopin H ; Lemaitre M ; Saper C ; Ryan M ; McLuhan M ; Sackner MA ; Sackner RK ; Saritsky A ; Carlander K ; Drucker J ; Patasz P ; Cardella J ; Warhol A ; Bowles J ; Wohl B ; Maggi R ; Adler J ; Dias-Pino W ; Lemaitre M ; Targowski H., 1997
Item
Identifier: CC-32241-33799
Scope and Contents
Craig Saper curated this exhibition through loan of "Assemblings" entirely from the Sackner Archive. It might have been the largest exhibition of assemblings in a gallery space to date. His extensive essay describes the history of this international, alternative distribution system with its roots in Fluxus, Lettrisme, Situationism, Conceptualism and Cobra. Circumventing the established art gallery system, bookmakers, artists, visual poets, media artists send from 50 to 100 works to an assembler or compiler who distributes the assemblings to the participants and to subscribers. Worldwide networking systems developed, basically using the postal system and a few avant garde institutions, in an attempt to reach a wide audience and democratize art making. Assemblings combine both crafts and mechanized reproduction. Saper writes, "The artists cherish the production of carefully constructed individualized visual poems and constructions as well as the insistence that readers recuperate,...
Dates:
1997
Networking Blues / Baroni, Vittore., 1992
Item
Identifier: CC-23548-23993
Networking Yearbook '93 / Kustermann, Peter ; Kustermann, Angela., 1994
Item
Identifier: CC-33162-34789
Scope and Contents
The Kustermanns are also known as Netmail. Several of the collaged elements are photocopied colored stamps and paper sheets. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1994
New Art as Plastic Conduct / Mittendorf, Henning., 2000
Item
Identifier: CC-39433-41385
Scope and Contents
The chapters in this book are entitled, The New Art, The New Concept of Mail Art, and Outlook. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2000
New Studies in Dada: Essays and Documents / Sheppard, Richard, editor ; Huelsenbeck R ; Grosz G ; Arp H ; Kuenzli R ; Hausmann R ; Tzara T ; Baader J ; Richter H ; Ball H., 1981
Item
Identifier: CC-54059-67035
New York Correspondence School of San Francisco / Gaglione, Bill., 1997
Item
Identifier: CC-43628-45713
News/Sinews / Crag Hill, editor ; Was E ; Stetser C ; Hill C ; Bennett JM ; And M--Porter B ; Fish P ; Lipman J ; Random S ; Bogdanovic N ; Olbrich JO ; Groh K ; Schnyder A ; Roberts C ; Baroni V ; Maggi R ; Deisler G ; Padin C., 1987
Item
Identifier: CC-05481-5586
[No Message] / Liversidge, Peter., 2000
Item
Identifier: CC-34783-36489
Scope and Contents
The card is completely blank. It is addressed to the Sackner Archive in Dutch. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2000