Correspondence art
Found in 1819 Collections and/or Records:
Tensetendoned. No.27/Sep / Michael B. Corbett, editor ; Vigo EA ; Padin C ; Gomez A ; Graf H ; Olbrich JO ; Collins P ; Bennett JM ; CrackerJackKid ; Porter B., 1995
The envelope for this issue is a light green color. -- Source of annotation: Marvin or Ruth Sackner.
Text-Lines Text-Images Textual Concepts / Ruch, Gunther ; Higgins D ; Nomads., 1987
The Address Is The Art / Pawson, Mark., 2009
This book is comprised of envelopes Pawson received over the course of two decades. It is hand sewn, hand stamped, hand distributed. -- Source of annotation: Marvin or Ruth Sackner.
The Alden Carr Archive / Carr, Alden., 1991 - 1992
The Art Is in the Mail / Jeromack, Paul; Johnson R., 1999
This review of Ray Johnson's exhibition at the Whitney Museum of American Art describes him as "the irrascible American artist who sent his comic strip-style work in chain leters to friends and refused to exhibit in his lifetime, gets his first show." -- Source of annotation: Marvin or Ruth Sackner.
The Care and Cleaning of Mail Art / Spaulding, D.C.; Spiegelman L; Bates K; Stake C; Strangulensis F; Fierens L., 2008
The Crash of `79 / Mutt, Richard, editor ; Pyros J ; Saunders R ; Scott M., 1980
The Cyclus of Mail-Art Consignments / Bogdanovic, Nenad ; Ivan Stojiljkovic, translator ; Tisma A., 1983
This booklet consists of statements regarding mail art and pages that reproduce the covers of envelopes mailed to Bogdanavic. -- Source of annotation: Marvin or Ruth Sackner.
The E-Mail Interview with Guy Bleus / Janssen, Ruud., 1998
Bleus states, "In netland a lot of artists can find a constructional and satisfying alternative for the morbid situation of the contemporary arts-industry. Mail-art has no real manifestos, restrictions or rules. Yet, the strict indications to organize a project, (no fee, no jury, no returns, and a catalogue to every participant), must be respected. Only the implementation of these basic rules will maintain the everlasting network during the new millennium. Mail-art is an alliance of marginal networkers. They know that netland is not utopia, but it is a good place to live." -- Source of annotation: Marvin or Ruth Sackner.
The End of Mail Art / Anonymous., 1990
This card was made in opposition to the Canadian postal worker's cutbacks called for by the government. -- Source of annotation: Marvin or Ruth Sackner.
The E.O.N. Seals of Sillyness / Baroni, Vittore., 2007
The Fake Picabia Bros.: 50 Favorite Mail Art Catalogs / Gaglione, Bill, editor ; Held, John Jr., editor ; Johnson R ; Carrion U ; Baroni V ; Bleus G ; Bulatov D ; Cohen R ; Cole D ; Crane M ; Crozier R ; Diamantini C ; Felter J ; Filliou R ; Gutierrez PJ ; Held Jjr ; Hompson DD ; Kamperelic D ; Kantor I ; Keller B ; Laszlo JN ; Lobach B ; McHale B ; Maggi R ; Gutierrez-Marx G ; Mayor D ; Padin C ; Perkins S ; Rypson P ; Spiegelman L ; Todorovic M ; Zabala H., 1996
Includes an introductory essay entitledm "Mail Art Catalogs: Documenting the Underground," and a concluding essay by John Held Jr entitled, "Curating a Mail Art Show." -- Source of annotation: Marvin or Ruth Sackner.
The Final (Anal) Statement of the Mad Diarheaist / Havens, Steve., 1984
Submitted as entry to the Homage To The Mad Diarist exhibition. Steve Havens also uses the name, God McDevil. -- Source of annotation: Marvin or Ruth Sackner.
The Final Brief Case / Sloy., 1997
The drawing forms one surface of a postcard. -- Source of annotation: Marvin or Ruth Sackner.
The Friendly Post Card / Bille, Phillipe., 1985
The Future of Mail Art? / Maggi, Ruggero., 1990
The Golden Mean / Bantock, Nick., 1993
The third and concluding volume of the correspondence between Griffin and Sabine. -- Source of annotation: Marvin or Ruth Sackner.
[The Grisly Circus] / Welch, Chuck., 2014
Chuck Welsh aka Cracker Jack Kid has corresponded with the Sackners around the border of an original collage. The print is a replica of the collage. -- Source of annotation: Marvin or Ruth Sackner.
The Gryphon / Bantock, Nick., 2001
This is the fourth volume in the series "in which the extraordinary correspondence of Griffin & Sabine is rediscovered." The story is written and illustrated by Bantock who uses postcards and letters in an intriguing correspondence among the characters involved in the mysterious story. -- Source of annotation: Marvin or Ruth Sackner.