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Correspondence art

 Subject
Subject Source: Sackner Database

Found in 1831 Collections and/or Records:

[Untitled] / Rehfeldt, Robert., 1985

 Item
Identifier: CC-62558-47719
Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

[Untitled] / Rocola, Robert., 1991

 Item
Identifier: CC-03473-3529
Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[Untitled] / Saunders, Robert., 1992

 Item
Identifier: CC-02478-2518
Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[Untitled] / Segay, Serge ; Nikonova R ; Cavellini GA ; Welch C ; Kruchenykh A ; Schwitters K ; Chicherin A., 1995

 Item
Identifier: CC-03107-3155
Scope and Contents

In an interview, Segay mentions "Transponance," the Samizdat art magazine by Segay and Nikonova that is held in the Sackner Archive. Also, he discusses problems with mail communucations from Russia. Indicates that he works as curator in the Yesjk Museum in Eysk. States that his rubberstampings of pictographs were based on Chicherin's manifesto, "Kan Fun" (1926) and influenced by rubberstampings of Zaum language by Kruchenkh (1916). This book contains 20 rubberstampings, one to a page. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

[Untitled] / Soto, Jose Carlos., 1997

 Item
Identifier: CC-30814-32260
Scope and Contents

The envelope was successfully sent through the mail without postage and was stamped postage due. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[Untitled] / Summers, C.W., 1984

 Item
Identifier: CC-01974-2011
Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[Untitled] / Tisma, Andrej ; Held Jjr ; Fricker HR ; Stake C., 1996

 Item
Identifier: CC-01754-1790
Scope and Contents

Includes reprints of interviews by Tisma of H.R. Fricker & Chuck Stake, as well as several essays that appeared in periodicals by Tisma. A great number of rubberstampings by Tisma are reproduced in red throughout this catalog. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

USA ...E Getta / Maggi, Ruggero., 1989

 Item
Identifier: CC-05771-5879
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

VE / Corfou, Michel., 1991

 Item
Identifier: CC-18560-18932
Scope and Contents

This artwork was actually sent through the mails to Christiane Rangues living in Cosme d'Allies, France. It probably made it through the system because Corfou is employed as a postal worker. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Very Alternative Art / Perneczky, Geza., 1987

 Item
Identifier: CC-03911-3984
Scope and Contents

Content consists of the word "feces" rubberstamped on sheets of toilet paper in different languages. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

View of E.O.N. Archive / Baroni, Vittore., 1991

 Item
Identifier: CC-23194-23632
Scope and Contents

In the photograph of Baroni's apartment, the Purgatory Pie Press card on Chicken Soup designed by Sackner and Faust is depicted. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Vile Cover Series, 1974 - 1982

 Item — Box 322: [Barcode: 31858072490885]
Identifier: CC-21664-22075
Scope and Contents

These nine cards reproduce magazine covers of Vile. There are four duplicates, No.4, 7, 8, and 9. Stored in Vile box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974 - 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES

Visas 1972, Hieroglyphics 1992 / Radin, Betty., 1992

 Item
Identifier: CC-03591-3656
Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Visit the Stickerman Museum / Baroni, Vittore., 1992

 Item
Identifier: CC-23437-23881
Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Visual Communication / Lohr, Helmut ; Clausen T ; Fahrner B ; Irland B ; Olbrich JO ; Spector B ; Sackner MA ; Sackner RK ; Warnke U ; Phillpot C ; Tuttle R ; Frank P ; Ox J ; Lorenz A ; Nieblich W ; Bart H., 1992

 Item
Identifier: CC-07316-7460
Scope and Contents

This is the publication of a correspondence art project in which Lohr sent an undecipherible letter to his friends with their responses. The Sackners were included as collaborators. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Visual Poem , 1996

 Item — Box 320: [Barcode: 31858072490851]
Identifier: CC-60282-10003283
Scope and Contents

This work was included in pete spence's archive. This "visual poem" as designated by Babenko consists solely of language. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES

Visual Poetry: Mail Art Project / Luc Fierens, curator ; Matsumoto A ; deAraujo A ; Restrepo T ; Rose M ; Adasme ; Galdamez J ; Paz H ; Altemus R ; Pontes H ; Kostelanetz R ; Marlowe W ; Todorovic M ; spence p ; Nakamura K ; Perkins S ; Pittore-Eurifico C ; Izumi N ; Ebel G ; Padin C ; Vleeskens C ; Stetser C ; Boschi A ; Bulatov D ; Chirot D ; Bentivoglio M ; Bennett JM ; Ferrando B ; Calleja JM ; Basinski M ; Garnier P ; Nikonova R ; Rabascall J ; Aguiar F ; Gappmayr H ; Pelati L ; Dencker KP ; DeVree F ; Sarenco ; Blaine J ; Castellin P ; Warnke U., 2002

 Item
Identifier: CC-54934-990349
Scope and Contents Klaus Peter Dencker contributes an essay, From Concrete to Visual Poetry with a Glance into th Electronic Future: Since the 1960s I have established myself in the middle ground between literature, visual art, and film, practically and theoretically; what has been especially exciting has been investigating the origin and history of these border zones. Thus, beginning with the origins of writing, the picture alphabets, we have examples of the mixing of image &nd text from the Greek magical papyri to the early figure poems of the Greek bucolic poets, Porfiry's Latin gris poems, the variants of the successors to the Carolingean Renaissance, the Baroque text figures, the scrolls of the sixteenth century and their predecessors up to the free text-pictures of the turn of the century somewhat as in Mallarme and Apollinaire, which the experiments of the futurists and dadaists followed, continued, and expanded, to entirely unique forms brought through by the artists of concrete and...
Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Visual Voices Unpublished; Poem Stripped Bare of Print Trappings Collapses into Dissolute Prose; page 11 / Weiss, Irving., 1994

 Item
Identifier: CC-57242-10000564
Scope and Contents

This poem is based upon Praed, "Sonnet to R.C. Hillyard, October 15, 1836" -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Visual Voices Unpublished; Poem with Centuries-Old Major Fault Revealed; page 5 / Weiss, Irving., 1994

 Item
Identifier: CC-57241-10000563
Scope and Contents

This poem is based upon Fulke Greville, from Caelica (xiv) -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Visual Voices Unpublished; Poem with Vowel Music (Strung Too Tight) Sprung; page 32 / Weiss, Irving., 1994

 Item
Identifier: CC-57254-10000576
Scope and Contents

This poem is based upon Tennyson, "To a Lady Sleeping" -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

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