Andrews states that this book is divided into three sections. "The first, POSITION, sets out an overall personal perspective in a sequence of summary statements on poetics, ending with efforts to drive the question of meaning into a trajectory of social embodiment, dialog, & resistance. The second, VERB, offers a parallel record of interviews & symposia responses on a clutch of related themes, with an eye toward recharting the 'socially possible' through language & (more) radical praxis. And the third, BODY, makes a mosaic out of pieces on a variety of postwar English-language poetries & matters up for grabs in reading (& thus personally reconvening & rewriting) them." -- Source of annotation: Marvin or Ruth Sackner.

Article is adapted from author's presentation at the Artists' Books Conference, Boston 1985. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition that was curated by Lucilla Sacca is subtitled "Firenze: Storia di una Rivoluzione Colta (1960-1980). In Ori's biography, it is mentioned that the Sackner Archive holds his works. The works in the exhibition catalogue are extensively annotated by the curator. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue depicts the highest quality images and the most in depth coverage of word-image art. Many of the multiple pieces depicted in this catalogue are held by the Sackner Archive. The 1986 Sackner Archive catalogue is listed in "Testi critici e repertori." -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive is mentioned in a listing of archives of visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue provided listing of the works in the exhibition and 18 illustrations. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition of 83 artist books depicted in color by Italian artists/poets was curated by Franco Spena. Apolloni's book object "Ti amo all'infito" (1999) of a wooden closed suitcase with a painted calligraphic caption is the same as that held by the Sackner Archive with a different caption. Another copy of Elizabetta Gut's "Little Book in a Cage" (1981) that is held by the Sackner Archive is depicted on page 74. -- Source of annotation: Marvin or Ruth Sackner.

Although the text is oriented to Italian poets of the region, it covers the entire concrete and poetic international movement of the 1960s. -- Source of annotation: Marvin or Ruth Sackner.

Alain de Botton contributed an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue documents a collaborative video installation project of Hillary Leone and Jennifer Macdonald. "Passing chronicles the more quotidian drama of misreading and misrecognition through which someone can be said to pass for something or someone that they are not." -- Source of annotation: Marvin or Ruth Sackner.

Includes an introductory essay by Thomas A. Clark on the significance of Pastorales. -- Source of annotation: Marvin or Ruth Sackner.

Patria is "a cycle of twelve related music dramas created and performed over the last thirty years. Each play in the cycle has a common theme - the search of two lovers for one another through the many labyrinths of life on Earth... This new, definitive edition of Patria contains all twelve parts of the cycle, plus photos, pages from the scores (complex visual artworks in their own right), commentary on the performance of the pieces and Schafer's personal essays on aestheticism. In these remarkable works, the arts court one another: theatre meets ritual, mythology fuses with art, and the line between performer and audience blurs." -- Source of annotation: Marvin or Ruth Sackner.

This publication was edited by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

The works depicted in this booklet were part of an exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Several of Caruso's textural visual poems are reproduced in this booklet. This publication was edited by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

Poetics Today is published by Duke University Press. In vol.10, no.2 Higgins discusses the roots of pattern poetry and its contemporary influence. The Sackner Archive catalogue is listed as a reference. -- Source of annotation: Marvin or Ruth Sackner.