Critical text
Found in 3298 Collections and/or Records:
Plagiarism: Art as Commodity and Strategies for its Negation / Home, Stewart, editor., 1987
Plaisir D'Amour / Ernst, Kathy; Young K., 2002
Karl Young provides an introductory essay that analyzes Ernst's scanned and electronically manipulated visual poems. The suite of poems evolve from valentine text and heart shaped forms. -- Source of annotation: Marvin or Ruth Sackner.
Plakatabrisse aus der Sammlung Cremer / Dufrene, Francois ; Hains, Raymond ; Rotella, Mimmo ; Villegle, Jacques ; Vostell, Wolf., 1971
Planetary Culture / Todorovic, Miroljub., 1995
This book documents books and periodicals dealing with concrete and visual poetry. The Sackner Archive is mentioned on pages 92 and 94. -- Source of annotation: Marvin or Ruth Sackner.
[Plastic Arts of the 20th Century: Catalogue III) / Vasarely, Victor., 1974
Plastique, 2009
Playing with words: The spoken word in artistic practice / Lane , Cathy, editor ; Hanson S ; La Barbara J ; Wendt L ; Anderson L ; Piringer J ; Bodin LG ; Tomkins S ; Toop D ; Cobbing B ; Taylor JM., 2008
Playtexts: Ludics in Contemporary Literature / Motte, Warren Jr. ; Perec G ; Derrida J ; Breton A ; Mathews H ; Calvino I., 1995
Motte provides a critical analysis of Perec's lipogram novel, "La Disparition." -- Source of annotation: Marvin or Ruth Sackner.
Plumes. No.19/Jul-Aug / Nicholas Orlowski, editor ; Mallarme S ; Iliazd ; Melin C ; Hausmann R ; Ben ; Leger F ; Verdier F ; Bleus G ; Isou I ; Ben ; Leger F ; Boetti A ; Macintosh D ; Miro J ; Oppenheim D ; Pessoa F ; Hausmann R., 1998
This issue includes a review of Claude Melin's book, "Chansons de Geste." Valerie Marchand contributed an illustrated essay on the Chinese calligraphic work of Fabienne Verdier. Renaud Siegmann provided an illustrated revew of the Mail Art exhibition, "Le Coup du Mail 98," at Maison des Arts de Laon, France as well as an article on Fabienne Jouvin, a correspondence artist. Rubin Dupre-Marcellin contributed an illustrated article about artists who use writing in their paintings. -- Source of annotation: Marvin or Ruth Sackner.
Plural. No.28 / Kazuya Sakai, editor ; Sarduy S ; Paz O ; Manzoni P ; Gerz J ; Ray M ; Ionesco E ; Duchamp M., 1974
Po-Ex: Textos Teoricos e Documentos da Poesia Experimental Portuguesa, 1979
A table of chronology of Portuguese concrete poetry included in this book indicates that it began in 1962 with publication of de Melo e Castro's book, "Ideogramas." The book reprints texts and correspondence from the early days of concrete poetry in Portugal. -- Source of annotation: Marvin or Ruth Sackner.
po(e li)tical object: Experimental Poetry from Spain / Estrella de Diego, curator ; Arias-Misson A ; Gomez de Liano I ; Boso F ; Brossa J ; Campal JL ; Castillejo JL ; Pino F ; Finlay IH ; Spatola A ; Pignatari D ; Hidalgo J ; Millan F ; Sarmiento J ; Viladot G ; Ullan JM ; Sanchez A ; Calleja JM ; Canals X ; Gradoli A ; Aberasturi JC., 1989
Joan Brossa's print "Poema Visuale" is depicted in this catalogue; the Sackner Archive holds this print. The stapled pages constitute a check list of the exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Poem Machines and Other Book Works / Lijn, Liliane., 1998
The brochure is the exhibition catalogue. The article is a reprint from the journal Leonardo by Liliane Lijn entitled "Body and Soul: Interactions between the Material and the Immaterial in Sculpture." -- Source of annotation: Marvin or Ruth Sackner.