The cover of this book with a concrete poem composed of calligraphic text over text was designed by Rolf Gunter Dienst. In Hollo's introduction, he cites a letter from Allen Ginsberg (March 1961), "Do you know a funny 17 yr old german kid who runs a magazine, weird, Rhinozeros - ask him for a copy - Rolf Gunter Dienst..." -- Source of annotation: Marvin or Ruth Sackner.

Amazon.com: The fourth volume of the landmark Poems for the Millennium series, edited by Pierre Joris and Habib Tengour is a comprehensive gathering of the written and oral literatures of the Maghreb, the region of North Africa that spans the modern nation states of Libya, Tunisia, Algeria, Morocco, and Mauritania, and including a section on the influential Arabo-Berber and Jewish literary culture of Al-Andalus, which flourished in Spain between the ninth and fifteenth centuries. Beginning with the earliest pictograms and rock drawings and ending with the work of the current generation of post-independence and diasporic writers, this volume takes in a range of cultures and voices, including Berber, Phoenician, Jewish, Roman, Vandal, Arab, Ottoman, and French. The selections are contextualized by a general introduction that situates the importance of this little-known culture area and individual commentaries for nearly each author. -- Source of annotation: Marvin or Ruth Sackner.

Amazon.com: The fourth volume of the landmark Poems for the Millennium series, edited by Pierre Joris and Habib Tengour is a comprehensive gathering of the written and oral literatures of the Maghreb, the region of North Africa that spans the modern nation states of Libya, Tunisia, Algeria, Morocco, and Mauritania, and including a section on the influential Arabo-Berber and Jewish literary culture of Al-Andalus, which flourished in Spain between the ninth and fifteenth centuries. Beginning with the earliest pictograms and rock drawings and ending with the work of the current generation of post-independence and diasporic writers, this volume takes in a range of cultures and voices, including Berber, Phoenician, Jewish, Roman, Vandal, Arab, Ottoman, and French. The selections are contextualized by a general introduction that situates the importance of this little-known culture area and individual commentaries for nearly each author. -- Source of annotation: Marvin or Ruth Sackner.

This extensive poetry anthology has brief comments that accompany each poem. It includes an English translation of Cendrars and Delaunay's 'The Prose of the Trans-Siberian and of Little Jeanne of France,' a work held in the original by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This extensive poetry anthology has brief comments that accompany each poem. It includes an English translation of Cendrars and Delaunay's 'The Prose of the Trans-Siberian and of Little Jeanne of France,' a work held in the original by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The cover design depicts a page of Tom Phillips' A Humument. This extensive poetry anthology has brief comments that accompany some of the poems, -- Source of annotation: Marvin or Ruth Sackner.

The cover design depicts a page of Tom Phillips' A Humument. There are brief comments that accompany some of the poems in this extensive poetry anthology. -- Source of annotation: Marvin or Ruth Sackner.

Kurt Schwitters has written, "I pasted words and sentences together into poems in such a way that their rhythmic composition created a kind of drawing. The other way around, I pasted together pictures and drawings containing sentences that demand to be read. I drove nails into pictures in such a way that besides the pictorial effect a plastic relief effect arose. I did this in order to erase the boundaries between the arts." -- Source of annotation: Marvin or Ruth Sackner.

This book provides an excellent chronology of Brazilian concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

This book deals with a critical analysis of selected Brazilian concrete, neo-concrete and semiotic poems. -- Source of annotation: Marvin or Ruth Sackner.

This a reprint of a text originally published in Folha da Manha in 1957 in Sao Paolo, Brazil. -- Source of annotation: Marvin or Ruth Sackner.

Ignacio Gomez de Liano contributes an essay "La nueva poesia y los problemas de la Estetica contemporanea." Maria Aurora Marques writes about "Poesia Experimental en Espana" and Maria Lluisa Borras describes "La Poesia Visual en Cataluna." -- Source of annotation: Marvin or Ruth Sackner.