Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

The reproductions of antique cat portraits are from the post card collection of Tom Phillips. -- Source of annotation: Marvin or Ruth Sackner.

Starting from the work of pioneers of the historical avant-gardes, this volume reconstructs synthetically the vicissitudes of artists' postcards, ranging from the conceptual mailings of Fluxus to the multicoloured oddities of the planetary circuit of mail art, from unusual unique pieces" to the most stimulating alternative and New Pop editions, up to the phenomenon of promotional free-cards and to the virtual e-cards via Internet." -- Source of annotation: Marvin or Ruth Sackner.

Perloff states "It is the paradox of postmodern genre that the more radical the dissolution of traditional generic boundaries, the more important the concept of genericity becomes. "Hubert contributes an essay critically analyzing the book "Une Piece Ciruclaire" and Perloff one on Cage's "Roaratorio;" both books are held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The author "constructs the repertory of motifs and devices, and the system of relations and differences, shared by a particular class of texts" in postmodern fiction. This is an excellent reference source for examples of postmodernist fiction. -- Source of annotation: Marvin or Ruth Sackner.

The artist produces works based on binary code, handstamping onto rock surfaces in her native South Africa. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition and catalogue were organized as a memorial to Dufrene who died in 1982. -- Source of annotation: Marvin or Ruth Sackner.

The prints are inserted in the folds of the dust jacket. -- Source of annotation: Marvin or Ruth Sackner.

This volume is the first collection of Rothenberg's poetic writings and includes ideas and excerpts from his books and essays. Rothenberg indicates that Abulalfia (1240-c.1291) himself writes of the abstracting/spiritualizing process which he then employs & by which the world is apprehended as language/sound: "Know that the method of tseruf (the combination of letters) can be compared to music; for the ear hears sounds from various combinations,in accordance with the character of the melodu & the instrument. In touch with yogic currents fgrom the East, Abulafia's intention was mantric, but his practice of a systemic & concrete poetry also closely resembles the 20th century Lettrisme of Isidore Isou, the asymmetries & nuclei of Jackson Mac Low & the blues Kabbalah improvisions of Jack Hirschman, all of whom he may have influenced. -- Source of annotation: Marvin or Ruth Sackner.

This text describes the association of Thomson amd Stein in creating their opera "Four Saints in Three Acts," the first Modernist revolutionary work. The opera's success depended on a small group of Harvard graduates who shaped America's first museums of modern art and defined modern taste in the 1920's and 1930's. -- Source of annotation: Marvin or Ruth Sackner.

Subitiled "L'art vivant autour du musee de Lodz," the exhibition and catalogue was more than a panorama or a retrospective of the intellectual, artistique and spiritual center of art in Poland. It was a multi-discipline manifestation of a utopian community which started in the 1930's and gave a voice to the cultural and artistic collaboration between Poland and France. The Sackners attended this exhibition held at the Pompidou Centre. -- Source of annotation: Marvin or Ruth Sackner.

The Sackners saw this exhibition and were impressed with the consistant high quality of the work. They particularly enjoyed the droll work of Andrea Deszo. -- Source of annotation: Marvin or Ruth Sackner.