This issue features works of native indigenous writers and artists from Canada, the United States, Hawaii, and New Zealand. -- Source of annotation: Marvin or Ruth Sackner.

The typings to simulate artworks of well known artists has also been used by Jiri Kolar in several works held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue doocuments the first major retrospective of Hausmann's work for the exhibition that was shown in the three countries in which Hausmann lived, France, Germany and Spain (Ibiza). Several scholary essays are included in the catalogue tracing his early years as a Dadaist, collages and photomontages, the photographic works, sound poetry, abstract paintings and later Dada works. Chistopher Phillips essay, "In the Chaotic Cave of the Mouth," describes Hausmann's sound poems, which are considered "among the most difficult and perplexing" of this "recondite genre." -- Source of annotation: Marvin or Ruth Sackner.

Reproduces a copy of the patent application by Daniel Broido and Raoul Hausmann for the Optophon (1934-1936) a primative mechanical computer. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue deals with the exhibition of the books and Archival material collected by Ray Safford who was a in charge of retail operations Scribner's bookshop and publishing company in the late 19th and early 20th century. -- Source of annotation: Marvin or Ruth Sackner.

Steve McCaffery edited and wrote the introductory essay for this book that consists of the collected research reports of the Toronto Research Group (TRG) 1973-1992. There is a discussion of the experimental fiction of Steve Katz, Raymond Federman, Madeline Gins, Scott Symons, and B.S. Johnson on pages 79-88. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Panel 13 Information No.3. -- Source of annotation: Marvin or Ruth Sackner.

This is designated Dossiers 4. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of 72 essays or partial essays of established writers, poets and philosphers. Also included are five texts relating to perspectives of Pettibon by contemporary writers and critics. Pettibon's drawings that are dispersed throughout the texts, are described as "disjunctive, and all inclusive...His initial style relied on the carefully acquired tricks and conventions of cartoon illustration...Pettibon's genius rests on the mysterious alchemy of image and text that his drawings effect. His is a poetry that defies verbal of visual categories, but relies on effacing th boundaries of each." Walter Benjamin contributed an essay, "Unpacking My Library; A Talk about Book Collecting." -- Source of annotation: Marvin or Ruth Sackner.

Kenneth W. Rendell contributes an essay, "The Future of the Manuscript and Rare Book Business" that includes bookselling through private dealers, auction and the internet. Eric Holzenberg presents an in-depth description of "Second-hand and Antiquarian Books on the Internet." -- Source of annotation: Marvin or Ruth Sackner.

Werner Gundersheimer contributed an essay, "Against the Grain," in which he discussed the changing role of the research library. He indicated that electronic surrogates should serve "students not as the end source but, rather, as first exposure....the new media also provide efficient means for introducing students to different formats - maps, manuscripts, painting and sculpture, letters, diaries, account books." Daniel Traister contributed a polemic essay, "Is There a Future for Special Collections? And should there Be?" -- Source of annotation: Marvin or Ruth Sackner.

Marvin Tayor contributes an essay "I'll Be Your Mirror, Reflect What You Are : Postmodern Documentation and the Downtown New York Scene from 1975 to the Present." -- Source of annotation: Marvin or Ruth Sackner.

David Carr contributes an inciteful essay, "In the Contexts of the Possible: Libraries and Museums as Incendiary Cultural Institutions." In it he challenges the thoughtful person to reimagine our cultural collections and programs which have to do as much for the future as for the past. -- Source of annotation: Marvin or Ruth Sackner.

Stephen Ennis contributes an essay entitled, "In the Author's hand: Artifacts of Origin and Twentieth-Century Reading Practice," in which he comments on the importance of original manuscripts as a source of literary artistic inspiration. -- Source of annotation: Marvin or Ruth Sackner.

The book of the same title initially was published by Pulp Press in 1975. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips provided an introductory essay and David Lodge a foreward. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprint of the 1931 edition of the book that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.