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Critical text

 Subject
Subject Source: Sackner Database

Found in 3304 Collections and/or Records:

Readies (edited and with an Afterword by Craig Saper) / Brown, Bob ; Saper C., 2009

 Item
Identifier: CC-50347-71415
Scope and Contents

This is a reprint of the 1931 edition of the book that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Reading in Four Dimensions: The Poetics of the Contemporary Experimental Book / Schwartzburg, Mary Alden ; Sackner RK ; Sackner MA ; Phillips T ; Barron S ; Spector B ; McCaffery S ; Gins M ; Hejinian L ; Nichol bp ; Hubert RR ; Moeglin-Delcroix A ; Stein G ; Burroughs WS ; Howe S ; Traister D ; Smith K ; Sterne L ; Drucker J ; Kostelanetz R ; Phillpot C ; Broodthaers M ; Vostell W ; McLuhan M ; Finlay IH ; Acconci V ; Cutts S ; Finlay IH., 2004

 Item
Identifier: CC-43609-45687
Scope and Contents

Schwartzburg provides a very intelligent analysis of Tom Phillips' "A Humument" in Chapter 3. She mentions the following. Stanford's single copy of 'A Human Document' "has lain motionless on the shelves for so long that it has no circulation history prior to three times it was checked out since 1997, when the latest edition of 'A Humument" was taught in a graduate seminar. Phillips' very recovery of Mallock's text demonstrates its loss, for it is only being read now as an extension of 'A Humument.. It is entirely dependent on 'A Humument' - not prior to it." Three major sections of Schwartburg's book deal with works held by the Sackner Archive, Tom Phillips' "A Humument," Susan Barron's unique book, "Twisting Silence," and Ian Hamilton Finlay's "Two Poems." A great deal of research for this thesis was done by Schwartzberg in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Reading Landscape / Bing, Xu., 2001

 Item
Identifier: CC-36089-37867
Scope and Contents

Huston Paschal prepared this gallery guide for the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Reading Pictures, Viewing Texts / Gandelman, Claude ; Bense M ; Ulrichs T ; McCarthy C ; Heissenbuttel H., 1991

 Item
Identifier: CC-10210-10411
Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

reading visual poetry / Bohn, Willard ; Albert-Birot P ; Cansinos-Asens R ; deTorre G ; Huidobro V ; Bauitista J ; delVando-Vilar I ; Raida P ; Nimero A ; Vighi F ; Quintanilla L ; Novo S ; Gonzalez deMendoza JM ; Frias JD ; Hidalgo A ; Girondo O ; Tzara T ; Breton A ; Scurto I ; Masnata P ; Crali T ; DeCampos A ; DeCampos H ; Pignatari D ; Grunewald JL ; Kac E ; Sackner MA ; Sackner RK ; Puche E ; Apollinaire G., 2011

 Item
Identifier: CC-52069-73171
Scope and Contents It should be noted that Bohn does not differentiate concrete poetry (words only in Sackner's definition) from visual poetry (integrated words and images in Sackner's definitions). Bohn also includes a chapter on digital poetry. The back cover reads the following. "Visual poetry can be defined as poetry that is meant to be seen. Combining painting and poetry, it attempts to synthesize the principles underlying each discipline. Visual poems are immediately recognizable by their refusal to adhere to a rectilinear grid and by their tendency to flout their plasticity. In contrast to traditional poetry, they are conceived not only as literary works but also as works of art. Although they continue to provide visual cues that aid in deciphering the text, they function simultaneously as visual compositions. Whether the visual elements form a rudimentary pattern or whether they constitute a highly sophisticated design, they transform the poem into a picture. Reading Visual Poetry examines...
Dates: 2011
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Reasons to Be Cheerful: The Life and Work of Barney Bubbles edited by Paul Gorman / Bubbles, Barney ; Saville P ; Beck J ; Bedford D ; Brown P ; Medalla D ; VanDoesburg T ; Edmonds T ; Ginsberg A ; Glaser M ; Kitaj R ; Lissitzky E., 2008

 Item
Identifier: CC-51198-72286
Scope and Contents Colin Fulcher aka Barney Bubbles (30 July 1942 - 14 November 1983 death by suicide) was a radical English graphic artist, whose work primarily encompassed the disciplines of graphic design, painting and music video direction. He is most renowned for his distinctive contribution to the graphic design associated with the British independent music scene during the 1970s and early 1980s. His symbol-laden and riddle-laden record sleeves were his most visible output.Hellorinis "Hellorinis" Amazon.com writes: "I was not at all familiar with Barney Bubbles the designer. I knew some of the images by Bubbles but the story and the context of his work is incredibly interesting. I was not prepared for the superb quality of both the book's design and the quality of scholarship and research put into it. This is a hardcover book with lots of text combined with images, and filled with stories from those who were part of the various scenes Barney had participated in. Printed in excellent paper....
Dates: 2008
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Rebound: Dissections and Excavations in Book Art / Karen Ann Myers, curator ; Beube D ; Dettmer B., 2013

 Item
Identifier: CC-59782-10002839
Dates: 2013
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Rebus / Afrika (Sergei Bugaev) ; Mayakovsky V ; Cameron D., 1994

 Item
Identifier: CC-26790-27260
Scope and Contents

Published in conjunction with Afrika's 1995 exhibition at the Osterreichisches Museum fur angewandte Kunst in Vienna. The folded sheets, placed in the bound-in envelope, contain eight rebuses each. The soft cover book is also bound into the folder. The brown paper used throughout is reminiscent of the paper in Russian Avant Garde books from 1910-1930. This book describes and depicts the copper engraved work of Afrika. It serves as an introduction to Afrika's copper book of engraved rebuses that is held by the Sackner Archive. There were 500 other copies not held by the Sackner Archive that included one copper plate. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Rebus Paintings / Hammond, Jane., 2003

 Item
Identifier: CC-48590-69621
Dates: 2003
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Recent Experiments in Holopoetry and Computer Holopoetry, 1991

 Item
Identifier: CC-08058-8218
Scope and Contents

Kac comments on "Adrift," a holographic poem commissioned for the Sackner Archive. It is composed of 7 words that dissolve into space along the Z axis as the viewer reads them back and forth. The letters that make up the words are floating freely along the Z axis except for the word "breathe," which is somewhere integrated into the overall light field. This word blows life to the other words as its letters actually move away from their original position to dissolve again into the light field. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Recent Paintings / Herbert, Albert., 1994

 Item
Identifier: CC-09738-9931
Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Recent Work / Kenny, Chris., 2000

 Item
Identifier: CC-42910-44953
Dates: 2000
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Recenti Zeroglifici / Spatola, Adriano ; Barelli R ; Oliva AB., 1985

 Item
Identifier: CC-31430-32919
Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Recriacoes Augustas / Anonymous; DeCampos A; DeCampos H; Pignatari D., 1986

 Item
Identifier: CC-27167-27642
Scope and Contents

Consists of a review of DeCampos book "Anticritico". -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Rediscovered Avant-Gardes in Painting / Satie, Alain., 1999

 Item
Identifier: CC-32467-34041
Scope and Contents

Subtitled "concerning the sclerosis of a rudderless art world and the means of reaffirming its fundamental principle: Creation. A response to the Detractors of Contemporary Art." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Reduchamp, 1976

 Item
Identifier: CC-14885-15198
Dates: 1976
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / BOOKS

Reflex / Muniz, Vik., 2006

 Item
Identifier: CC-44573-46726
Dates: 2006
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Reflexe / Eckart, Frank., 2000

 Item
Identifier: CC-39062-41000
Dates: 2000
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Re/form: art - law - justice / Tipping R., 1998

 Item
Identifier: CC-30730-32175
Scope and Contents

This exhibition from the Griffith University art collection was organized into categories such as Indigenous Australians, Women and the Law, Gay and Lesbian Rights, Legislating for the Environment and Copyright and Intellectual Property. Four works by Richard Tipping are exhibited in the last category including "Meat Mart" that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

regarde de tous tes yeux regarde; l'art contemporain de Georges Perec / Jean-Pierre Salgas, curator ; Perec G ; Duchamp M ; Andre C ; Boltanski C ; Calle S ; Closky C ; Darboven H ; Erro ; Feldmann HP ; Hains R ; Kabakov I ; Kawara O ; LeWitt S ; Matta-Clark G ; Opalka R ; Rosler M ; Ruscha E ; Villegle J., 2008

 Item
Identifier: CC-48907-69945
Scope and Contents

This exhibition was carried out as a homage to Georges Perec. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

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