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Critical text

 Subject
Subject Source: Sackner Database

Found in 3304 Collections and/or Records:

Regenerativ / Koehler, Reinhold ; Riha K., 1990

 Item
Identifier: CC-07759-7911
Scope and Contents

Also designated Vergessene Autoren der Moderne No.45. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Regina Silveira / Silveira, Regina., 2011

 Item
Identifier: CC-52748-73885
Scope and Contents

This book features works by Silveira dating from 1996 on and does not discuss her earlier poetic and rubberstamped works. A large number are gallery installations and outdoor pieces.. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011

Reinventing the Wheel / Helfand, Jessica ; Apianus P ; Duchamp M ; Eggers D ; Acconci V ; Apollinaire G ; Hesse E., 2004

 Item
Identifier: CC-42292-44302
Scope and Contents This book served as the catalogue at the Grolier Club exhibition in New York but was published one year before the exhibition. The Sackner Archive lent two works to the exhibition.tSTEP inside design, March/April 2003 review: Lately I've been indulging in books of unusual visual richness, and for me the most exhilarating illustrated book of the season is Jessica Helfand's Reinventing the Wheel. Helfand is a designer, a scholar, and as the book shows in spades a passionate collector of ephemera. The ephemera in question here are those odd wheel charts widely used from the 1920s to 1960s for purposes as diverse as telling fortunes, managing diets, identifying birds, spotting aircraft, charting the stars, and learning French grammar (remember the Cuthbertson Verb Wheel?). Helfand's gorgeously designed book reproduces more than a hundred of these volvelles, as hey're technically known, traces their history back to early astronomy indeed to the properties of the circle itself as a...
Dates: 2004

Rene Crevel / Pound, Ezra., 1992

 Item
Identifier: CC-04639-4726
Scope and Contents

This book is a reprint of an essay (with poetic license by the book designer, Michael Caine) first published by Pound in The Criterion, Jan. 1939. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Report on the Present State of the Jean Brown Collection / Vos, Eric; Nonack S., 1989

 Item
Identifier: CC-00691-708
Scope and Contents

Several comparisons to Sackner Archive are made by Vos. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Representative Works: 1938-1985 / Mac Low, Jackson ; Rothenberg J., 1986

 Item
Identifier: CC-37916-39796
Scope and Contents

Jerome Rothenberg wrote the introduction and Mac Low supplied notes throughout the book that documented the varied works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

Representative Works: 1938-1985 / Mac Low, Jackson ; Rothenberg J ; Sackner MA ; Sackner RK., 1986

 Item
Identifier: CC-37915-39795
Scope and Contents

Jerome Rothenberg wrote the introduction and Mac Low supplied notes throughout the book that documented the varied works. The handwritten poem on the last two pages of the book, "Ruth and Marvin Sackner," spells out the namesby a diastatic-chance method by drawing words from this book by placement of the names. For example, the first line of the poem is righteous number out nothing is obtained as follows. Righteous (page 18), nUmber (page 21), ouT (page 20), notHing (page 8). The page numbers correspond toplaces of the required letters in the alphabet: the words in stanza 1, from "018"; 2 from "118," etc. Mac Low has also handwritten a list of errata near the title page. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

Repression and Recovery: Modern American Poetry and the Politics of Cultural Memory 1910-1945 / Nelson, Cary ; DeZayas M ; Brown B ; Crosby H ; Zukofsky L ; Patchen K ; Lissitzky E ; Apollinaire G ; Meyer A ; Lewis WP ; Gillespie AL., 1989

 Item
Identifier: CC-05534-5641
Scope and Contents

Nelson describes the work of "forgotten" poets involved in avant garde cultural and political movements during the period 1910-1945. Includes a great deal of poetry with critical text and documentation by blacks and leftists. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Res Publica: The Public Works 1968-1999, 1999

 Item
Identifier: CC-34554-36253
Scope and Contents

Although Gerz began as a visual poet, his later work dealt often with the events of the Holocaust. Gerz's public works frequently took the form of interviews and participation of the viewer. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Res Publica: The Public Works 1968-1999 / Gerz, Jochen ; Hapkemeyer A., 1999

 Item
Identifier: CC-33700-35362
Scope and Contents

This catalogue was edited by Andreas Hapkemeyer and Marion Hohlfeldt who also contributed critical essays on Gerz's works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Research on the Origin / Filliou, Robert., 1974

 Item
Identifier: CC-13105-13400
Scope and Contents

The references in the booklet explain Filliou's search into the physical and metaphysical origins of the universe with quotations from texts of astronomy, astrophysics, Watson and Cricks' DNA discovery, Darwin and Tao Te Ching. The scroll is Filliou's interpretation of these universal themes using squares, rectangles, dots, arrows, numbers. This is a facsimile reproduction of a handwritten manuscript that has the appearance of being an original. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974

Retorica della Fotografia / Miccini, Eugenio ; Mucci E., 1984

 Item
Identifier: CC-44044-46158
Scope and Contents

This is also issue number 10 of Architettura e citta. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Retour Du Futur: L'Art a contre-courant, 2010

 Item
Identifier: CC-60203-10003216
Scope and Contents

In this dense, heavily annotated essay, Moineau explains that to resist globalization and commodification of art, other trends have appeared advocating all kinds of back: back to modernism, back to the author, return to morality, return to ethics, etc. But in vain he said, because these too reactive attempts end up caught by reification and absorbed by the global art. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

Retrospectiva. Obras 1954-2004 / Ferrari, Leon ; Camnitzer L ; Artaud A., 2004

 Item
Identifier: CC-44919-47091
Scope and Contents This is a massive, profusely illustrated catalogue with extensive documentation. The WEB site of this exhibition states: The exhibition of Leon Ferrari is a retrospective one that includes fifty years of his work, from the beginnings, in 1954, until the present. It presents a sample of works of different periods with the purpose of unfolding the creative process of the artist. The exhibition does not include the totality of its works, but a selection of each series or creative moment. If in the retrospective exhibition of an artist a period of its work were eliminated, it would be being been clipping or censuring his production. Leon Ferrari is expressed in a poetic and controversial sense. His creations explore the possibilities of the plane, the space and the meaning with drawings, sculptures, collages, brailles and objects. In them, he uses metals, inks, pencils, engravings, heliografi­as, dummies, bottles, birds, fish, excrements, images, reliefs in brailles, videos. As much...
Dates: 2004

Retrospectiva. Obras 1954-2006 / Ferrari, Leon ; Camnitzer L ; Artaud A., 2006

 Item
Identifier: CC-46084-48793
Scope and Contents This massive, profusely illustrated catalogue with extensive documentation is a reprint of Leon Ferrari retrospective catalogue of 2004 with additions to bring it up to 2006. The catalogue has been translated from Spanish into Portuguese and was edited by Andrea Giunta. It presents a sample of works of different periods with the purpose of unfolding the creative process of the artist. The exhibition does not include the totality of its works, but a selection of each series or creative moment. If in the retrospective exhibition of an artist a period of its work were eliminated, it would be being been clipping or censuring his production. Leon Ferrari is expressed in a poetic and controversial sense. His creations explore the possibilities of the plane, the space and the meaning with drawings, sculptures, collages, brailles and objects. In them, he uses metals, inks, pencils, engravings, heliografi­as, dummies, bottles, birds, fish, excrements, images, reliefs in brailles, videos....
Dates: 2006

Retrospective 1953 - 1973 / Gaul, Winfred., 1973

 Item
Identifier: CC-52737-73874
Scope and Contents

Page 81 depicts four images of visual poems similar to the piece held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973