Critical text
Found in 3304 Collections and/or Records:
Tam Tam. No.28 / Adriano Spatola, Giulia Niccolai, editors ; Albani P ; Ramous M ; Lombardi D ; Spatola A ; Vangelisti P ; Xerra W ; Cena S ; D'Egidio B., 1981
Tam Tam. No.30 / Adriano Spatola, Giulia Niccolai, editors ; DellaCasa G ; Xerra W ; Fontana G ; Gualtieri M ; Garnier I ; Sotiropulu E., 1982
ersi sotiropoulu contributed a two page, typewriter, sound poem. -- Source of annotation: Marvin or Ruth Sackner.
Tam Tam: reattivi. No.41B / gian paolo roffi ; Spatola A., 1984
Tam Tam: Rebus 1/25. No.44B/Jun / Luigi Pasotelli ; Spatola A., 1985
The cover was designed by Adriano Spatola. Pasotelli's interpretation of the rebuses is idiosynchratic. -- Source of annotation: Marvin or Ruth Sackner.
Tam Tam: Rebus 1/25. No.44B/Jun / Luigi Pasotelli ; Spatola A., 1985
The cover was designed by Adriano Spatola. Pasotelli's interpretation of the rebuses is idiosynchratic. -- Source of annotation: Marvin or Ruth Sackner.
Tam Tam: Sonetti di Stornelli. No.44A / Cetta Petrollo ; Rosselli A., 1985
Tam Tam: tacere w tra/dire. No.26A / simonetta m. bondoni., 1981
Tam Tam: Uomini di Pane. No.48B / Gianfranco Baruchello ; Spatola A., 1986
Tam Tam: Usura Del Silenzio. No.47A / Michele De Giacomo ; Ramous M., 1986
Tam Tam: Viaggio Nell 'Utopia 1954 - 1984 - 2014. No.49A / Enzo Miglietta ; Spatola A., 1986
Tangled Alphabets / Ferrari, Leon ; Schendel, Mira ; Giunta A ; Naves R ; Perez-Oramas L ; Duchamp M ; Broodthaers M ; Kosuth J ; Brett G., 2009
This catalogue was edited by Luis Perez-Oramus. Amazon.com "Leon Ferrari (born in 1920) and Mira Schendel (1919-1988) are among the most significant Latin American artists of the twentieth century. Active simultaneously in the 1960s, 1970s and 1980s in the neighboring countries of Argentina and Brazil, they found inspiration in the written word and in the eloquence of spoken language, and they both used language as important visual subject matter. Published to accompany the first comprehensive survey of the work of each artist in the United States, this essential catalogue presents new insights into the artists' groundbreaking work and examines the connections and collisions between the visual arts, writing, politics and religion in their oeuvres." -- Source of annotation: Marvin or Ruth Sackner.
Tapestries / Kentridge, William., 2008
Tara, Maca, Cottisure, Bruise / Estrada, Pau; Cortadellas, Montserrat; Monzo, Quim., 1984
The drug, cocaine, is the theme of the text. -- Source of annotation: Marvin or Ruth Sackner.
Tarocco Meccanico, 1990
This book is also designated Supplement No.1 of the 4th series of Altri Termini. It is a score for a "sound novel" (rather than a sound poem) first performed in 1972. The drawing adjacent to Fontana's signature is an abstract depiction of musical notation. -- Source of annotation: Marvin or Ruth Sackner.
Tav. XV / Colonna, Gaetano; Martini SM., 1990
TAX / van Roden, William., 1999
The 'T,' placed above the letters 'A' & 'X,' is shaped like an axe of this concrete poem illustrates an article written by economist Martin Feldstein titled "Finally, We're Ready ot Cut, but How?" -- Source of annotation: Marvin or Ruth Sackner.
Tear / Repair / Arnovitz, Andi., 2010
Techne, Quaderni di: Appunti Per Una Umanita Piccola. No.44/Sep / Kiki Francheschi ; Dorfles G., 1977
Edited by Eugenio Miccini. -- Source of annotation: Marvin or Ruth Sackner.
Techne, Quaderni di: Appunti Per Una Umanita Piccola. No.47/May / Kiki Francheschi ; Dorfles G., 1978
Edited by Eugenio Miccini. -- Source of annotation: Marvin or Ruth Sackner.