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Critical text

 Subject
Subject Source: Sackner Database

Found in 3293 Collections and/or Records:

The Four Horsemen of the Apocalypse / Burroughs, William S.., 1984

 Item
Identifier: CC-22380-22803
Scope and Contents

Speech delivered 1980 at the occasion of the Institute of Ecotechnics' "1980 Planet Earth Conference" in Aix-en-Provence. Book was illustrated by Christof Kohlhofer. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

The Four Seasons / Tuchman, Ellen Frances., 2001

 Item
Identifier: CC-38854-40779
Dates: 2001
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

The French Paintings / Hill, Charles Christopher., 1995

 Item
Identifier: CC-38860-40785
Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

The Fugs Take a Look Back at 67's "Summer of Love" / Holden, Stephen; Sanders E., 1987

 Item
Identifier: CC-08955-9131
Scope and Contents

Many Ed Sanders' books are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

The Future Dictionary of America, 2004

 Item
Identifier: CC-60584-10003480
Scope and Contents

An unprecedented book - CD package to benefit progressive causes featuring over 200 of America's best writers, artists & musicians. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / BOOKS

The Future of the Book of the Future / Rubini, Gail, curator ; Gleber, Conrad, curator ; Wilson M ; McCarney S ; Phillpot C ; Rutkovsky P ; Peters R., 1994

 Item
Identifier: CC-11128-11343
Scope and Contents

This catalog is concerned with the various forms book of the future. The constantly changing exhibition will travel until 2000, including an opening at the Miami Book Fair in 1995. Kim MacQueen contributes an essay which examines the format of the book from manuscript to CD-ROM in the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

The Gates of Paradise / Daniels, David., 2002

 Item
Identifier: CC-39480-41436
Scope and Contents

Daniels describes his method of creating his major work from initial thoughts to the computer process. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

The Georgous Nothings / Dickinson, Emily ; Werner M ; Bervin J ; Clay S ; Howe S., 2013

 Item
Identifier: CC-59715-10002773
Scope and Contents Amazon.com: These pieces are highly condensed art, thought in motion, playful, provocative, engaging, rich. The photo reproductions let you see not only how Dickinson adapted to the spaces of these texts but how she did so intentionally. This is concrete poetry avant la lettre, wonderful, powerful, meditative, and profound. This is a gorgeous book and well worth your attention. The people who put it together have superb editorial and artistic sensibility, and the book takes one so close to Dickinson's modes of thinking and composition that it practically brings shivers. Having spent some time in archives, seeing some of the sketchings of words and images on cards and all sorts of paper, of Charles Olson and David Jones, I think there is something quite opening (to the mind and sensibilities) about such encounters. I have perhaps some slight qualms about then putting them into books, as it's not the same thing, i.e. it makes something a little more formal and distanced out of the...
Dates: 2013
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

The Ghost Dance Anthology: 25 years of poetry from GHOST DANCE 1968-1993 / Fox, Hugh, editor ; Andrews B ; Ascher S ; Straus DL ; Beining G ; Bennett J ; Bennett JM ; Bukowski C ; Cridisque L ; Eigner L ; Kostelanetz R ; Lifshin L ; Potts C ; Richmond S ; Smith H ; Ginsberg A ; Rothenberg J ; levy da ; Krech R ; Morris R ; Higgins D ; MacLow J., 1994

 Item
Identifier: CC-48241-69265
Scope and Contents

Fox mentions that there was a correspondence between Alan Ginsberg and da levy but levy was not published in a Ghost Dance magazine because he had committed suicide prior to its first publication. Sored with issues of Ghost Dance. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

The Ghost Dance Anthology: 25 years of poetry from GHOST DANCE 1968-1993 / Fox, Hugh, editor ; Andrews B ; Ascher S ; Straus DL ; Beining G ; Bennett J ; Bukowski C ; Kostelanetz R ; Lifshin L ; Richmond S ; levy da ; Smith H ; Bennett JM ; Khlebnikov V ; Kruchenykh A ; Huelsenbeck R ; Evason G ; Tzara T ; Cridisque L ; Finlay IH ; Stein G ; Weiner H., 1994

 Item
Identifier: CC-30991-32450
Scope and Contents In introductory essays, Fox critiques the work of each poet included in this anthology and also writes a summarizing appendix. He reprints a statement from John M. Bennett about his poem BLENDER published in GHOST DANCE No.38, 1983. In an inquiry directed to explaining the poem BLENDER, Bennett responded. In general about my work I would say that it differs basically from mainstream American poetries in that it doesn't attempt to provide recipes for life or to conclude with "correct" moral postures, or to be in any other way didactic. My writing wants to be a life; complete and full of it all, a symbolic representation of the universe as perceived through my experience, my consciousness, and my writing itself.... BLENDER specifically seems to represent a transition phase between two styles of mine-from a kind of surrealist narrative toward an anaphoric style (one where the poems were structured around repetitions of key nouns or verbs in each phrase, or repetitions of short...
Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

The God-Shed / Falleder, Arnold ; Burns G., 1991

 Item
Identifier: CC-10804-11014
Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

The Graphic Works / Phillips, Tom; Hurrell B., 2000

 Item
Identifier: CC-34837-36545
Scope and Contents

This postcard portfolio was accompanied a small exhibition of Phillips' graphic works. The images in this suite held by the Sackner Archive included "Wittgenstein's Dilemma," the original drawings of "A Humument on the Hill" and "Give Me Tomorrow" and "Bill Toge Doing Italy" and "the Bank Manger. The Archive also holds "Salman R. as D.I.Y. Zola" in a limited edition print book, "Beatrice: The Magic Number," the drawing of "Dante on Copacabana Beach" from A Dante Diary, and the silkscreen "Sixteen Appearances of the Union Jack." Bill Hurrell contributed as essay on the background of Phillips work. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

The Great American Poetry Bake-Off: Fourth Series / Peters, Robert, editor ; Higgins D ; Vangelisti P., 1991

 Item
Identifier: CC-04704-4793
Scope and Contents

Consists mainly of reviews of books by American poets. Includes review of Dick Higgins' Pattern Poetry -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

The Greek Magical Papyri in Translation: Including the Demotic Spells / Betz, Hans Dieter., 1986

 Item
Identifier: CC-21331-21742
Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

The Guadalajara Book Fair, a Festival of Reading / Taibo, Paco Ignacio II., 1996

 Item
Identifier: CC-37966-39848
Scope and Contents

This is an article written for a travel magazine. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

The Hekatompathia or Passionate Centurie of Love (1582) / Watson, Thomas ; Heninger Sjr., 1977

 Item
Identifier: CC-00587-601
Scope and Contents

This book consists of a facsimile of the poem along with an introductory essay. The previous owner was Dick Higgins. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

The History of Performance Art According to Me / Martha Wilson; S Mallarme; FT Marinetti; G Apollinaire; V Mayakovsky; J Holzer; D Higgins; L Weiner; R Johnson., 2005

 Item
Identifier: CC-48128-69151
Scope and Contents

This is a copy of a lecture given by Martha Wilson. It includes a listing of the slides she used to illustrate her historical points or reference. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Audiovisual Materials (unprocessed)

The History of Performance Art According to Me / Martha Wilson; S Mallarme; FT Marinetti; G Apollinaire; V Mayakovsky; J Holzer; D Higgins; L Weiner; R Johnson., 2005

 Item
Identifier: CC-48128-69151
Scope and Contents

This is a copy of a lecture given by Martha Wilson. It includes a listing of the slides she used to illustrate her historical points or reference. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Audiovisual Materials (unprocessed)

The History of Performance Art According to Me / Wilson, Martha; Mallarme S; Marinetti FT; Apollinaire G; Mayakovsky V; Holzer J; Higgins D; Weiner L; Johnson R., 2008

 Item
Identifier: CC-48127-69150
Scope and Contents

This is a copy of a lecture given by Martha Wilson. It includes a listing of the slides she used to illustrate her historical points or reference. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

The Hours (flowers in the sky) / Katz, Leandro., 2012

 Item
Identifier: CC-54834-990264
Dates: 2012
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

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