One thousand copies of this book were published; 800 were signed and numbered, 200 were not. This copy is from the 200 which were unnumbered; however, both Mayrocker and Gomringer signed the book. The book consists of Mayrocker's poems with an afterward by Gomringer. -- Source of annotation: Marvin or Ruth Sackner.

This essay focuses on the material and visual traces of everyday life, in particular his engagement with photgraphs and postcards as objects of art. Joe Moran, the author, describes Phillips project "20 Sites n Years." He also points out the similarity in the compulsive interest between Phillips and George Perec. Phillips use of postcards as in "The Postcard Century" and in his semial painting "Benches" is noted. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue essay by John Pull examines Phillips exploration of Mallock's text and of his own London neighborhood in relationship to his translation and illustration of Dante's Inferno. Pull designed the cover by printing seven permutations of Tom Phillips' name, e.g., Slim Philpot, Tim Pillshop, etc. -- Source of annotation: Marvin or Ruth Sackner.

The asemic writing on the photocopied colored pages by Leftwich makes each book unique -- Source of annotation: Marvin or Ruth Sackner.

Concerns the publication of "Timothy McSweeney's Books." -- Source of annotation: Marvin or Ruth Sackner.

Book Depository WEB 2014: "This is an extensive primer to modern poetics, focusing especially on the Concrete poets. The problem is not only to transform poetry into something new compared to poetic tradition, but above all that through this transformation poetry becomes a total art. New experimental poetry is no longer exclusively interpretable as a force modifying the usual instruments of poetic creation, or as the necessity of overcoming national linguistic barriers to an explicitly international poetry. Today it seeks to become a total medium, to escape all limitations to include theater, photography, music, painting, typography, cinematographic techniques, and every other aspect of culture, in a utopian ambition to return to origins - from the back." -- Source of annotation: Marvin or Ruth Sackner.

This essay deals with the character of Dom Sylvester Houedard. Luytens is a religious commentator. This essay is stored with Houedard material. -- Source of annotation: Marvin or Ruth Sackner.

This pamphlet explores the state of the arts and the "intermedia" at the end of the 1960's and beginning of the 1970's. Higgins presents a very pessimistic view on the future monetary value of paintings by mainstreet artists which time has proven him wrong. -- Source of annotation: Marvin or Ruth Sackner.

This book is an anthology of definitive, critical essays and documentation of bp Nichol's long poem entitled "The Martyrology" that was15 years in the making. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition travelled to the Jewish Museum in New York. The major part of the exhibition dealt with El Lissitzky's hebrew artworks. The editor was Ruth Apter-Gabriel. -- Source of annotation: Marvin or Ruth Sackner.

This anthology deals mainly with Signalist poetry. -- Source of annotation: Marvin or Ruth Sackner.

Essays by Frances Butler and Alastair Johnston present a historical, personal view of the founding of Poltroon, its philosophy and their artistic journeys during the twenty years of the press, a private voice in the public realm. They mention seeing the exhibition, "The Altered Page" at the Center for Book Arts, NYC consisting of works from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Baroni contributes three articles titled "To Be Memorized and Destroyed," "Not Words But Facts," and "Independent Music Meeting." -- Source of annotation: Marvin or Ruth Sackner.