Critical text
Found in 3293 Collections and/or Records:
Transfutur: Visuelle Poesie / DeCampos A ; DeCampos H ; Claus CF ; Hapkemeyer A ; Jungle T ; Konstriktor B ; Leirner B ; Mon F ; Nikonova R ; Olbrich JO ; Pignatari D ; Ruhm G ; Schmidt SJ ; Segay S ; Silveira W ; Tragtenberg L ; Zauner H ; Scherstjanoi V ; Afanasjev V ; Bachterev I ; Perevesenzev P ; Scherstjanoi L ; Sigov A ; Tishkov L ; Antunes A ; deBarros L ; Figueirido L ; Miranda P ; Vallias A ; Khouri O ; Block F ; Claus CF ; Hapkemeyer A ; Haukauf P ; Kowalski J ; Sachse K ; Steinbacher C ; Weber FJ., 1990
Friedrich Block curated this exhibition with works drawn from Brazilian, Russian and German Poets. This limited edition of the catalogue is marked by an artist designed dust jacket. -- Source of annotation: Marvin or Ruth Sackner.
Transfutur: Visuelle Poesie / DeCampos A ; DeCampos H ; Claus CF ; Hapkemeyer A ; Jungle T ; Konstriktor B ; Leirner B ; Mon F ; Nikonova R ; Olbrich JO ; Pignatari D ; Ruhm G ; Schmidt SJ ; Segay S ; Silveira W ; Tragtenberg L ; Zauner H ; Scherstjanoi V ; Afanasjev V ; Bachterev I ; Perevesenzev P ; Scherstjanoi L ; Sigov A ; Tishkov L ; Antunes A ; deBarros L ; Figueirido L ; Miranda P ; Vallias A ; Khouri O ; Block F ; Claus CF ; Hapkemeyer A ; Haukauf P ; Kowalski J ; Sachse K ; Steinbacher C ; Weber FJ., 1990
Friedrich Block curated this exhibition with works drawn from Brazilian, Russian and German Poets. This limited edition of the catalogue is marked by an artist designed dust jacket. -- Source of annotation: Marvin or Ruth Sackner.
Transfutur: Visuelle Poesie / Frederich Block, curator ; DeCampos A ; DeCampos H ; Claus CF ; Hapkemeyer A ; Jungle T ; Konstriktor B ; Leirner B ; Mon F ; Nikonova R ; Olbrich JO ; Pignatari D ; Ruhm G ; Schmidt SJ ; Segay S ; Silveira W ; Tragtenberg L ; Zauner H ; Scherstjanoi V ; Afanasjev V ; Bachterev I ; Perevesenzev P ; Scherstjanoi L ; Sigov A ; Tishkov L ; Antunes A ; deBarros L ; Figueirido L ; Miranda P ; Vallias A ; Khouri O ; Block F ; Claus CF ; Hapkemeyer A ; Haukauf P ; Kowalski J ; Sachse K ; Steinbacher C ; Weber FJ., 1990
This exhibition was drawn from Brazilian, Russian and German Poets. -- Source of annotation: Marvin or Ruth Sackner.
Transgressions / Lipsky, David ; Spector, Buzz., 1990
Transit of Venus / Willetts, David ; Bann S., 1975
This series of nature drawings use densely packed cross hatching marks. Steven Bann contributed an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.
Translations et plissements flux laminaires et fractals / Pessin, Marc., 2007
Translations / Jess ; Duncan, Robert., 1971
This book was published in conjunction with an exhibition of oil paintings held at the Odyssia Gallery, New York in 1971. -- Source of annotation: Marvin or Ruth Sackner.
Translucent Writing / Adrian R ; Dwyer N ; Holzer J ; Jaar A ; Kosuth J ; Locher T ; Ruscha E ; Weibel P ; Nannucci M ; Mallarme S ; Merz M ; Nauman B ; Ray M ; Insam G ; Eerdekens F., 1994
The works in this exhibition featured neon, computer generated, video, and LED word works. Ferdinand Schmatz contributed an essay entitled "Word-Writing-Space - The NON-written Book: Approaches to Mallarme, Light and Time." Peter Weibel's essay is "The Medium Writing in the Age of the Turing Galaxy." Curator Grita Insam, guest curator, contributed a catalogue epilogue relating to the theme of the exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Transparence / Henri Chopin; Marc Battier., 1995
The cover of the compact disc case contains a rounded, typewriter poem print formed by heavy overtyping of the letter "b" in its upper half and the letter "c" in its lower half. In its upper half, Chopin has typed a line of text, "B.C.- vous pour une musique neuve." The postcards are computer images of Henri Chopin's voice. In the brochure, Battier explains how audiopoems become music through the computer. He comments: "I want to invent the sound poet's voice as music." -- Source of annotation: Marvin or Ruth Sackner.
Transparence / Henri Chopin; Marc Battier., 1995
The cover of the compact disc case contains a rounded, typewriter poem print formed by heavy overtyping of the letter "b" in its upper half and the letter "c" in its lower half. In its upper half, Chopin has typed a line of text, "B.C.- vous pour une musique neuve." The postcards are computer images of Henri Chopin's voice. In the brochure, Battier explains how audiopoems become music through the computer. He comments: "I want to invent the sound poet's voice as music." -- Source of annotation: Marvin or Ruth Sackner.
Transparency / Bilak, Peter ; Samuels D ; McLuhan M ; Brody N., 1997
The text is printed in red and blue colors and the reader is supplied with two pieces of plastic film, one red, the other blue. By using one or the other film over the text, the reader sees mainly the blue or the red texts. -- Source of annotation: Marvin or Ruth Sackner.
Transponance. No.21 / Rea Nikonova, Serge Segay, editors ; Konstriktor B ; Segay S ; Bakhterev I ; Nikonova R ; Kudryakov B ; Zvezdochetov K ; Al'tshuler A ; Aronzon L ; Unksova K ; Kruchenykh A ; Gnedov V ; Erl V ; Kharms D ; Vasilev A., 1984
This issue includes a collection of translations of Hans Arp, Anselm Hollo, Franz Mon and Gerard Ruhm by the OBERIU group. -- Source of annotation: Marvin or Ruth Sackner.
Transponance. No.22 / Rea Nikonova, Serge Segay, editors ; Nikonova R ; Konstriktor B ; Segay S ; Arbenyev Y ; Nik A ; Erl V ; Vne ; Sapgir G ; Bakhterev I ; Nikidimov N ; Zvezdochetov K ; Buka F ; Kruchenykh A ; Zakharov V., 1984
Transponance. No.23 / Rea Nikonova, Serge Segay, editors ; Nikonova R ; Segay S ; Nik A ; Ey A ; Bakhterev I ; Konstriktor B ; Nikol'skaya T ; Tufanov A ; Marr Y ; Egunov A., 1984
The cover illustration was done by Gleb Bogomolov. -- Source of annotation: Marvin or Ruth Sackner.
Transponance. No.24 / Rea Nikonova, Serge Segay, editors ; Len V ; Kropivnitsky L ; Buka F ; Bakhterev I ; Nikonova R ; Konstriktor B ; Nik A ; Segay S ; Uflyand V., 1984
The cover illustration was done by Vlladimir Ufkyand. -- Source of annotation: Marvin or Ruth Sackner.
Transponance. No.25 / Rea Nikonova, Serge Segay, editors ; Nikonova R ; Kabakov I ; Konstriktor B ; Vasilev A ; Ladin L ; Nik A ; Zvezdochetov K ; Bakhterev I ; Buka F ; Segay S ; Len V ; Unksova K ; Erl V ; Kruchenykh A ; Prigov D ; Marinetti FT ; Davydov N ; Bugarev G., 1984
Genrikh Buferev is another name for Genrikh Sapgir. This issue includes the contents of issues 1-24 plus an ad for Feofan Buka's edition of 10 copies for a literary supplement to to Transponance. The latter is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Transponance. No.26 / Rea Nikonova, Serge Segay, editors ; Sapgir G ; Kropivnitsky L ; Nik A ; Segay S ; Bakhterev I ; Nikonova R ; Konstriktor B ; Len V ; Monastyrskij A., 1985
In this issue, Genrikh Sapgir uses his other name Genrikh Bufarev for his contribution, -- Source of annotation: Marvin or Ruth Sackner.
Transponance. No.27 / Rea Nikonova, Serge Segay, editors ; Bakhterev I ; Sapgir G ; Prigov D ; Nikonova R ; Segay S ; Konstriktor B ; Bogdanov L ; Al'tshuler A ; Arbenyev Y ; Vne ; Erl V ; Aleksandrov A ; Kharms D., 1985
Issue 28 that included works by Rea Nikonova, Serge Segay, Boris Konstrictor, Leonid Voytsekhov, Leon Bogdanov, Dmitry Prigov, and Vladimir Erl' was not offered to the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Transponance. No.29 / Rea Nikonova, Serge Segay, editors ; Bakhterev I ; Khardzhiev N ; Sapgir G ; Tsvel' G ; Zvezdochetov K ; Monastyrskij A ; Nikonova R ; Konstriktor B ; Segay S ; Malevich K ; Rybakov Y., 1985
The punctuation poems in this issue are dated 1960. Some of the photographs in this issue are actually photograms. -- Source of annotation: Marvin or Ruth Sackner.
Transpositions / Presser, Elena ; Sackner MA ; Sackner RK., 1988
This exhibition was composed of the Goldberg Variations, lent by Elena Presser, and, the Anna Magdalena Bach Notebook, lent by the Sackner Archive. Critical essays were contributed by Elena Presser and Rosalyn Turek, the Bach scholar and musician. The director, Elsa Weiner Longhauser, describes the Sackner Archive as "a brilliant, comprehensive collection and Presser's work a rare tour de force." -- Source of annotation: Marvin or Ruth Sackner.