Critical text
Found in 3304 Collections and/or Records:
[Untitled] / Schodl, Greta., 1977
[Untitled] / Sdun, Dieter Emil ; Mon F ; Jandl E., 1992
It is mentioned that the works of Sdun are in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled] / Simonetti, Gianni-Emilio ; Diacono M ; Celant G ; Dorfles G ; Palazzoli D., 1967
Also designated Edizioni di arte contemporanea catalogo n.4. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled] / Simpson, Lorna., 2006
[Untitled] / Sitta, Carlo ; Hausmann R., 1972
[Untitled] / Torres-Llorca, Ruben., 2001
[Untitled] / Vitone, Rodolfo., 1992
Critical essay written by Carlo Romano. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled] / Werkman, Hendrik Nicolaas., 1966
The typewriter composition depicted in this pamphet is dated 1923/1929? -- Source of annotation: Marvin or Ruth Sackner.
[Untitled] / Wojnar, Jan ; Valoch J., 2009
Jiri Valoch contributed the opening essay. -- Source of annotation: Marvin or Ruth Sackner.
Uomini e Idee: Il Gesto Poetico: Antologia della Nuova Poesia d'Avanguardia. No.18 / Luciano Caruso, Corrado Piancastelli, editors ; Oberto A ; Oberto M ; D'Ottavi C ; Carrega U ; Martini SM ; Accame V ; Mussio M ; Belloli C ; Schwarz A ; Spatola A ; Bentivoglio M ; Lora-Totino A ; Xerra W ; Diacono M ; Villa E ; Marcheschi L ; Caruso L ; Vitone R ; Sitta C., 1968
This anthology organizes Italian avant-garde poets within publication groups e.g., Ana Etcetera, TOOL, Geiger, Linea Sud, Marcatre, etc. -- Source of annotation: Marvin or Ruth Sackner.
Urbi & Orbi: Crossing Time and Space / Villegle, Jacques ; Deke Dusinberre, translator ; Muller M., 2012
In the chapter titled "Spontaneous Manifestation" Villegle writes,"Paradoxically, laceration is connective: the torn, divided, destroyed parts trigger relationships with a mutilated world of harlequins, tonal medleys, untotalizable or apparently unconnected fragments. A wrenching slash, by uncovering successive layers of paper, helps to create a new, suggestive meaning that unifies the highly divergent phenomena printed thereon." -- Source of annotation: Marvin or Ruth Sackner.
Usamljenost Super-Heroja: Kapetan Nitrat / Stanojevic, Borislav., 1996
This book presents a history of American super-heros in comic strip form, e.g. Batman, Robin, Superman, etc. followed by comic strips of a Serbian super-hero, Captain Nitrate. -- Source of annotation: Marvin or Ruth Sackner.
Utterly Other Discourse: The Texts of Christine Brooke-Rose / Friedman, Ellen J., editor ; Martin, Richard, editor ; Friedman EG ; Brooke-Rose C ; Martin R ; McHale B ; Pound E ; Perec G., 1995
Vanguarda - Produto de Comunicacao / De Sa, Alvaro ; Dias-Pino W ; Padin C ; deMelo e Castro EM ; Deisler G ; Silva F ; Cirne M ; Pazos L ; DeSa N ; Vigo EA., 1977
This book documents development of concrete and visual poetry in Latin America with accentuation on semiotic poetry. -- Source of annotation: Marvin or Ruth Sackner.
Vanguarda: Um Projeto Semiologico / Cirne, Moacy., 1975
Includes a chapter on Brazilian poets who composed shaped and sound poetry prior to the Noigandres group. -- Source of annotation: Marvin or Ruth Sackner.
Variaciones - Dibujos de Johanna Calle / Calle, Johanna., 2010
Vaughan Concrete Vaughan Papers No.13 / Draper, Ronald, editor ; Fraser D ; Edmonds E., 1968
Vegetal Memory of Umberto Eco - Imagining the Book International 2007 / Horvitz SR ; Roesch R ; Attie D ; Lerner S ; Schaer M., 2007
Suzanne Reese Horvitz and Robert Roesch served as Biennale Commissioners and also exhibited their works in the Arts Center. The Sackner Archive holds a glass calligraphic book sculpture by the artists. -- Source of annotation: Marvin or Ruth Sackner.
Vente d'Ouest: Le Chant d'un Monde / Phillips T ; White K., 1983
Contains an essay by Tom Phillips entitled "Un Commentaire Visuel." He also illustrated this book. -- Source of annotation: Marvin or Ruth Sackner.
Ver Ter Ser / De Melo e Castro, E.M.., 1968
This book is also designated Separada da Revista Contravento No.2, probably signifying that this book was a supplement to the periodical. It includes a reproduction of the poet's most well known concrete poem, "Pendulo." -- Source of annotation: Marvin or Ruth Sackner.