Critical text
Found in 3304 Collections and/or Records:
Visible Language: A Special Issue; An Annotated Design Research Bibliography: by and for the design community. No.2 / Sharon Helmer Poggenpohl, editor., 2002
Visible Language: After the Grave: Language and Materiality in Contemporary Art. No.1 / David Scott Armstrong, Patrick Mahon, editors ; Drucker J ; Ligon G ; Twombly C ; Bing X ; Brakhage S., 2008
Visible Language: Collaboration; User Studies; Design Methods; Design Research. No.2., 2004
This issue summarizes a meeting of an international group of designers who met in May 2003 at the Illinois Institute of Technology to discuss the four themes of the conference. The information is of a highly philosophical nature. -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: Collaboration; User Studies; Design Methods; Design Research. No.3., 2004
This issue summarizes a meeting of an international group of designers who met in May 2003 at the Illinois Institute of Technology to discuss the four themes of the conference. The information is of a highly philosophical nature. -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: Global interaction in design. No.2 / Audrey Grace Bennett, editor., 2010
Visible Language: Interactivity, Interconnectivity and Media. No.2 / Dietmar R. Winkler, editor ; Manguel A ; Poggenpohl S., 1997
Carries a review of Alberto Manguel's book, "A History of Reading." -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: New Perspectives: Critical Histories of Graphic Design: Part 1: Critiques. No.3/Jul / Andrew Blauvelt, editor ; Marinetti FT., 1994
Visible Language: New Perspectives: Critical Histories of Graphic Design: Part 2: Practices. No.4/Fall / Andrew Blauvelt, editor., 1994
The duplicate copy has printing errors. -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: New Perspectives: Critical Histories of Graphic Design: Part 3: Interpretations. No.1/Jul / Andrew Blauvelt, editor ; Lissitzky E ; Butler F., 1994
Teal Triggs contributes an essay on British small magazines (fanzines). She states that the term fanzine was first coined by Russ Chauvenet in the United States in 1941 to describe mimeographed publications devoted primarily to science fiction and super hero comic enthusiasts. Today, it has come to mean a periodical that embraces any subject faithful to the specific interests of the "fans." Frances Butler contributes an essay, "New Demotic Typography: The Search for New Indices." -- Source of annotation: Marvin or Ruth Sackner.
Visible Language. No.1., 2002
Visible Language. No.1/Win., 1996
This issue deals mainly with the background for Chinese and Japanese ideograms. -- Source of annotation: Marvin or Ruth Sackner.
Visible Language. No.1/Win., 1994
The cover illustration, an etching by Jeanine Coupe Ryding titled "Talking to Myself," consists of a figure surrounded by abstract mirror handwriting. -- Source of annotation: Marvin or Ruth Sackner.
Visible Language. No.3., 2006
This issue includes articles on children's school books, Arabic typography, and Mayan hieroglyphics, -- Source of annotation: Marvin or Ruth Sackner.
Visible Language. No.3 / Niikuni S., 1999
Min-Soo Kim contributes an essay on the work of Yi Sang, a korean poet and philosopher whose concepts and experimental poetry "go beyond Dada and concrete poetry." This poetry is oriented to a mathematical approach. Ken Friedman's book "The Fluxus Reader," and Jed Rasula and Steve McCaffery's "Imagining Language, an Anthology" are reviewed by Sharon Poggenpohl. An excerpt from Richard Kostelanetz' "A New Dictionary of the Avant-Gardes" is also included. -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: Research in Communication Design. No.3 / Poggenpohl S., 2002
This issue includes an indepth essay on preserving cuneiform titled "Communicating cuneform: the Evolution of a Multimedia Cuneiform Database." -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: Special Issue: Cultural Dimensions of Communication Design. No.2 / Byron Hamann, editor ; Poggenpohl S ; Scotford M., 2004
Includes an essay Hindi, Tamil, Marathi and related languages for concrete poetry with illustrations by Marth Scotford. -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: The Avant-Garde and The Text. No.3/4 / Stephen Foster, Estera Milman, editors ; Foster S ; Milman E ; Benson T ; Guenther P ; Runold R., 1987
This issue is oriented mainly toward the works that origninated in the various locations for Dada experimentation. -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: The Luminous Object: Video Art/Video Theory. No.2/Jul / Hans Breder, Herman Rapaport, editors ; Zurbrugg N ; Paik NJ ; Kuspit D ; Kostelanetz R ; Maciunas G ; Beuys J ; Higgins D ; Brecht G ; Ben ; Cage J ; Wilson R ; Vostell W ; Viola B ; Sherk B ; McLuhan M., 1995
Nam June Paik in his interview with Nicholas Zurbrugg points out differences between the academic and creative people in video art. The layout in this issue is highly experimental with a concrete poetic sensibility. -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: The Origin of Visible Language in the New World. No.1/Win / Denise Schmandt ; Besserat., 1991
The theme of this issue is concerned with the decipherment of early Central American scripts and pre-literate symbolic systems, including those of the Olmecs, late formative cultures, Mayas, and Mixtecs. -- Source of annotation: Marvin or Ruth Sackner.