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Critical text

 Subject
Subject Source: Sackner Database

Found in 3304 Collections and/or Records:

Visible Language: Writing...In Stereo. No.1-2/Win-Spr / Rapph Sarkonak, Richard Hodgeson, editors., 1993

 Item
Identifier: CC-00871-892
Scope and Contents

Theme deals with the interplay of the inclusion of multiple languages in poetry, fictional and non-fictional texts. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Visible Vagina, The / Abakanowicz M ; Amer G ; Bellmer H ; Corinne T ; Dine J ; Duchamp M ; Evans J ; Hammond J ; Joostens P ; Maccheroni H ; Malanga G ; Ray M ; Marien M ; Masson A ; Muniz V ; Ono Y ; Picasso P ; Prince R ; Saul P ; Schneemann C ; Spero N ; Tompkins B ; Watts R ; Wilke H., 2010

 Item
Identifier: CC-51089-72171
Dates: 2010
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Visions from Brazil: The Drawings of Paulo Gomes Garcez / Garcez, Paulo Gomes., 1993

 Item
Identifier: CC-10441-10645
Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Visual Art: To Sober and Quiet the Mind by Kathan Brown / Cage, John ; Sumsion C., 2000

 Item
Identifier: CC-37954-39836
Scope and Contents

This book consists of Cage's visual prints created at the Crown Point Press. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Visual Dimensions in Ukarainian Futurist Poetry and Prose / Ilnytzkyj, Oleh S.; Semenko M., 1990

 Item
Identifier: CC-41361-43344
Scope and Contents

The author discusses the Ukrainian futurists of the early 20th century. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Visual Poems 1967-1970 / Padin, Clemente ; Harry Polkinhorn, translator., 1990

 Item
Identifier: CC-47127-49867
Scope and Contents

Several of the original poems depicted in this book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Visual Poems 1967-1970 / Padin, Clemente ; Harry Polkinhorn, translator., 1997

 Item
Identifier: CC-37692-39566
Scope and Contents

Padin writes an introduction concerning visual, concrete and alternative experimental poetry for the concrete poems that follow. Several of the original poems depicted in this book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Visual Poetries / Houedard, Dom Sylvester ; Furnival J ; Brett G ; Medalla D., 1971

 Item
Identifier: CC-31366-32843
Scope and Contents

The cover depicts a detail of a portrait of Houedard by John Furnival. The exhibition catalogue lists 50 works by Houedard including eight plastic laminate poems. The introductory essay was written by Guy Brett. There are also extracts from Houedard's writings and a letter to David Medalla printed in the catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Visual Poetry / Ancheshi G ; Below P ; Bentivoglio M ; Binga T ; Blaine J ; Blank I ; Bory JF ; Caruso L ; Cleveland B ; Costa C ; DellaCasa G ; Dencker KP ; DeRook GJ ; Etlinger A ; Ferri G ; Fontana G ; Gaglione B ; Gappmayr H ; Garnier P ; Gomringer E ; Gruber H ; Gualtieri M ; Helmes S ; Kocman JH ; Kolar J ; Kostelanetz R ; Lepage J ; Lora-Totino A ; Marcucci L ; Miccini E ; Miglietta E ; Miles ; Morrocchi G ; Nannucci M ; Niccolai G ; Ori L ; Osti M ; Partum A ; Perfetti M ; Pignotti L ; Rehfeldt R ; Wolf-Rehfeldt R ; Riddell A ; Sandri G ; Spatola A ; Takahashi S ; Tiziano F ; Valoch J ; Villa E ; Vigo EA ; Vitone G ; Xerra W., 1981

 Item
Identifier: CC-40793-42768
Scope and Contents

This is the first exhibition of visual poetry in Greece. Giovanni Fontana contributed a critical essay. A short biography of each participating artist is included. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Visual Poetry / And M ; Austin WJ ; Backonja P ; Basinski M ; Beining G ; Bennett J ; Byrum J ; Damon M ; Ernst KS ; Fritton C ; Ganick P ; Grumman B ; DeHay M ; Helmes S ; Hill C ; Huth G ; Kervinen JP ; Leftwich J ; Lipman J ; Murphy S ; Peters M ; Rosenberg MR ; Sorin W ; Stetser C ; Taylor T ; White D ; Weiss I ; Young K ; Luis C., 2005

 Item
Identifier: CC-43577-45655
Scope and Contents This exhibition was put together by Carlos Luis. Prior to theshow, the poets visited the Sackner Archive and put on a performance at Dorsch gallery in Miami. It was reviewed: Visual lessons for poetry translators JOSE ANTONIO EVORA The New Herald The New Herald Draw up of Man is both titled one of only notebooks exhibited in the Visual sample Poetry (visual Poetry), opened in the Durban-Segnini Gallery until the 29 of April. It is a volume of heavy laminae that seems devised to count pedigree of the exhibition, so and as one assumes that a familiarized spectator must understand less it with that current of the visual arts that with traditional techniques like the painting or the sculpture. The title is already suggestive: Tracks of man. Her author, Carol Steter, put of a same side from drawings of Altamira and hieroglyphics to transit signals and you will capitulate of the press, happening through pentagramas, images of skyscraper, maps and warnings of urban direction. When calling...
Dates: 2005
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Visual Poetry: Contemporary Art from Italy / Carter, Curtis L., editor ; Miccini E ; Chiari G ; Francia C ; Pignotti L ; Anderson S., 2005

 Item
Identifier: CC-47698-68716
Dates: 2005
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Visual Poetry / Cook, Geoffrey., 1974

 Item
Identifier: CC-18502-18874
Dates: 1974
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Visual Poetry in Ukrainian Literature / Soroka, Mykola; Higgins D; Rypson P; Cobbing B; McCarthy C; Balan J., 1994

 Item
Identifier: CC-02914-2958
Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Visual Poetry: Mezzo secolo Poesia Visiva, Poesia Concreta, Scrittura Visuale / Giosue Allegrini, curator ; Lara-Vinca Masini, curator ; Accame V ; Agrafiotis D ; Aguiar F ; Albani P ; Albrecht d ; Andolcetti F ; Arias-Misson A ; Backer H ; Balestrini N ; Banana A ; Baroni V ; Bedino D ; Belloli C ; Bentivoglio M ; Blaine J ; Oliva AB ; Bory JF ; Brossa J ; Bruscky P ; Bulatov D ; Carrega U ; Caruso L ; Chopin H ; Clavin H ; D'Ottavi C ; Danon B ; DeCampos A ; DeCampos H ; deMelo e Castro EM ; DeVree P ; Deisler G ; Desheng M ; Diacono M ; Ferrando B ; Ferrari V ; Fierens L ; Fontana G ; Francia C ; Furnival J ; Garnier I ; Garnier P ; Gomez A ; Gomringer E ; Grogerova B ; Groh K ; Hatherly A ; Havel V ; Heidsieck B ; Hirsal J ; Isgro E ; Kocman JC ; LaRocca K ; LeSidaner JM ; Lemaitre M ; Lora-Totino A ; Malquori R ; Marcucci L ; Martini SM ; Miccini E ; Miles ; Millan F ; Minarelli E ; Motoyuki I ; Mussio M ; Novak L ; Oberto A ; Oberto M ; Ori L ; Padin C ; Perfetti M ; Pignatari D ; Pignotti L ; Sabatier R ; Sanesi R ; Sarenco ; Spatola A ; Takahashi S ; Todorovic M ; Tola L ; Trinkewitz K ; Valoch J ; Verdi F ; Vigo EA ; Villa E ; Vitone R ; Williams E ; Xerra W ; Zhao B ; Agnetti V ; Algardi A ; Altamira A ; Arcand PA ; Badini P ; Balla G ; Barrile P ; Barry R ; Baruchello GF ; Battaglia X ; Bertini G ; Bertola C ; Beuys J ; bissett b ; Blank I ; Boriani D ; Boshi A ; Bove A ; Brunati P ; Bussotti S ; Cavellini GA ; Cena S ; Chiari G ; Costa C ; Ferlinghetti L ; Franceschi K ; Giorno J ; Kosuth J ; Maggi R ; Marinetti FT ; Masnata G ; Mauri F ; Monk J ; Munari B ; Oppenheim D ; Patella L ; Poyet F ; Picabia F ; Plessi F ; Poznanovic B ; Rotella M ; Schifano M ; Simonetti C ; Tilson Jo ; Ben ; Villegle J ; Kolar J., 2014

 Item
Identifier: CC-58686-10001919
Scope and Contents Internet: Two cities and four institutional venues have more than one thousand works from various foundations and collections, with a total of one hundred and fifty Italian and foreign artists selected: these features make Visual Poetry the most important initiative dedicated to Visual Poetry, on the fiftieth anniversary of the founding of the Group 70 Florence, among the first and most effective propellers of this kind of art, who in 1964 coined the term, in fact, "Visual Poetry" in the climate of the turbulent bubbly and neo-avant-garde European Union. The Group was formed in '63 by Lamberto Pignotti and Eugenio Miccini, brought forward his artistic research in an interdisciplinary way, probing the possible relations between culture, language spoken, advertising and mass communication, between word and image, writing and painting, creating new meanings and complex systems, according to an idea of "‹"‹total art that characterized the research of various movements of the sixties...
Dates: 2014
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Visual Poetry / Peter Frank ; Arias-Misson A ; Bentivoglio M ; Blaine J ; Bory JF ; Carrega U ; Claus CF ; Finlay IH ; Miccini E ; Phillips T ; Sarenco ; Takahashi S ; Frank P ; Curtay JP., 1990

 Item
Identifier: CC-00758-777
Scope and Contents

This exhibition was curated by Peter Frank. The Sackner Archive lent 12 pages of the "First Revised Edition of A Humument" to the exhibition. The catalogue includes essays by Arias-Misson, Frank, Miccini, and Sarenco as well as a chronology dealing with visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Visual Voices: Manuscript of Book Version / Weiss, Irving; Herbert G; Herrick R; Marvell A; Mallarme S; Blake W., 1994

 Item
Identifier: CC-00612-626
Scope and Contents Weiss' book, "Visual Voices: The Poem as a Print Object," 1994 consists of poems appropriated from ancient and classic poems that have been rearranged or altered in their presentation as typed artpoe to convey new meanings mainly based mainly on concrete poetic or conceptual text expressions. He provided an explanation for each of 71 poems published in the book as well as 28 unpublished poems in the typed manuscript. He classified his styles of typed artpoe with headings such as zipperpoem, caressed and overloved poem, telegram poem, etc. He altered poems from such stalwarts as Andrew Marvell, William Wordsworth, Robert Browning , Alfred Tennyson, and John Keats among others. VISUAL POETRY BY IRVING WEISS Team Sonnet: 14 Lines by 14 Different Canonical Poets from Visual Voices: The Poem As a Print Object Appease this virtuous enemy of man (MARVELL) The way which thou so well hast learn'd below, (DRYDEN) And dwell, as in my center, as I can, (JONSON) As into air the purer...
Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Visual Voices: Manuscript of Unpublished Portion / Weiss, Irving; Blake W., 1994

 Item
Identifier: CC-00614-628
Scope and Contents

These poems constitute those that were not used for the published book of Visual Voices. They have the same format as the published version, an introductory page (listed as laser generated, typed in media description) that provides an explanation and designation followed by Weiss' typewritten rearrangement presentation of the poem taken from classics. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Visual Voices; Reverberations: Night Mind Anthology pages 2-3 / Weiss, Irving., 1994

 Item
Identifier: CC-56772-10000144
Scope and Contents

This poem appears to be a melange of Weiss' own poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Visual Voices: The Poem As a Print Object / Weiss, Irving., 1994

 Item
Identifier: CC-00664-680
Scope and Contents

This is a reprint of selected sections of the book with the same title. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets

Visual Voices: The Poem As a Print Object / Weiss, Irving ; Herbert G ; Marvell A ; Herrick R., 1994

 Item
Identifier: CC-60352-10003330
Scope and Contents

Weiss defines concrete poetry as poetry "in which the word and sometimes the letter, and even unidentifiable but vaguely pseudo-alphabetical shapes become the basic element- syntax being mostly or entirely abandoned." In this volume, Weiss has rearranged, splintered, interfaced, shaped, cancelled conventional poetry composed by classic poets thereby "creating poems intended as self-conscious utterances whose purpose is to express the relation of traditional verse to its own medium of print." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

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