Critical text
Found in 3304 Collections and/or Records:
What I'm Doing / Hartman, Arleen., 1997
The text is an autobiographical analysis of a radical, feminist artist who is the wife of the poet/publisher John Byrum. The Sackner Archive holds a calligraphic notebook by Hartman. -- Source of annotation: Marvin or Ruth Sackner.
What is a Poet / Lazer, Hank, editor ; Anderson L ; Ashbery J ; Beckett S ; cummings ee ; Ginsberg A ; Mallarme S ; Mayakovsky V ; Perloff M ; Stein G ; Bernstein C ; Stern G ; Burke K ; Lazar H ; Altieri C., 1987
Consits of essays from the Eleventh Alabama Symposium on English and American Literature. -- Source of annotation: Marvin or Ruth Sackner.
What. No.3/Feb-Mar / Kevin Connolly, Jason Sherman, editors ; Dedora B ; Laba M ; McPherson S ; Smith J ; Venright S ; Yoshizawa S ; Kempton K., 1986
What. No.5/Jun-Aug / Kevin Connolly, Jason Sherman, editors ; Coleman V ; Evason G ; Glass Jjr ; Jirgens K ; Laba M ; Ross S ; Smith St ; Glass Jjr ; Nichol bp ; Aguiar F ; Pestana S ; Venright S ; curry jw ; Power N., 1986
What. No.8/Jan-Feb / Kevin Connolly, Jason Sherman, editors ; Jirgens K ; Ross S ; Laba M ; Bukowski C ; Dewdney C., 1987
What You'd Expect / Liversidge, Peter ; Bury S ; Dellafiora D., 2004
This profusely illustrated catalogue depicts examples of postcards sent to Cassie Howard that are similar to those sent to the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
When You Wear What You Say / Smith, Roberta., 1997
Ms. Smith reviews the exhibition at the Metropolitan Museum titled "Wordrobe," which "delves into the different ways that language has infiltrated clothing, or what the show's curator, Richard Martin, calls the reconciliation of textile and text." The article depicts two examples, viz., Pauline Trigere's "Trigiere Coat" from 1973 and a 1990 wool jersey dress by Christian Francis Roth. -- Source of annotation: Marvin or Ruth Sackner.
Where, 2013
White Black / Lax, Robert ; Bick, Andrew., 1991
Also designated A Morning Side Folio, Second Series No.2-3. -- Source of annotation: Marvin or Ruth Sackner.
WhiteWalls. No.6/Sum / Smith A., 1981
WhiteWalls. No.20/Fall / Sebastian J., 1988
Edited by Timothy Porges and Laurie Palmer. -- Source of annotation: Marvin or Ruth Sackner.
WhiteWalls: Post Wall S. No.32., 1992
Issue focuses on Eastern European artists and writers. -- Source of annotation: Marvin or Ruth Sackner.
Who's Afraid of Nothing? Absent Pictures / Tot, Endre ; Friedman K., 1999
For the most part of this exhibition catalogue, Tot's works consist of pictures with their frames by other artists in museums with the same dimensions except in Tot's pictures the images are blank or a solid color. -- Source of annotation: Marvin or Ruth Sackner.
Why Duchamp?: An Essay on Aesthetic Impact / Baruchello, Gianfranco ; Martin, Henry ; Ford CH ; Schneemann C ; Cage J ; Balla G ; Rauschenberg R ; Boccioni U ; Carroll L ; Rag M ; Paz O ; Klee P., 1985
The text includes a discussion of Duchamp's use of language. -- Source of annotation: Marvin or Ruth Sackner.
Why Duchamp?: An Essay on Aesthetic Impact / Baruchello, Gianfranco ; Martin, Henry ; Ford CH ; Schneemann C ; Cage J ; Balla G ; Rauschenberg R ; Boccioni U ; Carroll L ; Rag M ; Paz O ; Klee P., 1985
Text includes discussion of Duchamp's use of language. -- Source of annotation: Marvin or Ruth Sackner.
William Anastasi's Pataphysical Society: Jarry, Joyce, duchamp and Cage / Levy, Aaron, editor ; Rabate, Jean-Michel, editor ; McCaffery S ; Romberg O., 2005
William Burroughs: The Algebra of Need, 1971
Edited by Allen De Loach. Photograph of Eric Mottram by Jennifer Cobbing. This book is one of the 1125 of a total print run of 3500 bound in cloth. Mottram minutely examines Burroughs' life and major works, stating in Chapter 1 that Burroughs is "...a radical satirist whose indignation and disgust reach through the crust of the power games of the world into the aggressive areas of the obscene....expos[ing] the -- Source of annotation: Marvin or Ruth Sackner.