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Critical text

 Subject
Subject Source: Sackner Database

Found in 3310 Collections and/or Records:

Bilder Zeichnungen Objekte 1941-1979 / Englert, Rudolf., 1979

 Item
Identifier: CC-13746-14050
Scope and Contents

The Sackner Archive holds Plexiglas-Object Nr.3 that is depicted in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

Bilocations, 1985

 Item
Identifier: CC-15363-15687
Scope and Contents

The bookbinding is unique. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Black List / Patterson, Simon ; Company D., 2006

 Item
Identifier: CC-50651-71725
Scope and Contents

The paintings depicted in this exhibition deal with story board credits for a movie with players having names that were involved in the Senator MacCarthy trials for communists in the movie industry after WWII. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

Blaine au MAC un tri / Blaine, Julien ; Oliva AB., 2009

 Item
Identifier: CC-49985-71044
Scope and Contents

This catalogue serves as a retrospecive of Blaine's work. Achille Bonita Oliva contributes an essay "L'art total de Julien Blaine. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Blaise Cendrars: Homer of the Transsiberian / Bochner, Jay., 1978

 Item
Identifier: CC-22442-22866
Scope and Contents

Analysis of "The Transsiberian" provided as well as a reprinting of the poem in original typography. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Blocks of Consciousness and the Unbroken Continuum / Marley, Brian, editor; Wastell, Mark, editor ; Cage J ; Cobbing B ; Marley B ; Metcalfe H ; Pike J ; Tilbury J ; Toop D., 2005

 Item
Identifier: CC-58553-10001777
Scope and Contents Modesti FReviews: Blocks of Consciousness and The Unbroken Continuum explores the work and aesthetic of various cutting edge musicians, environmental/sound artists and noise-makers. As well as profiles of Richard Chartier, The Necks, John Wall and Sachiko M, the book contains explorations of the history and changing nature of free improvisation, of Cage?s iconoclastic 4?33"³, and of where to draw the line (somewhat tentatively, to be sure) between improvisation and composition. There is, in addition, a series of personal statements by almost two dozen musicians, composers and sound artists, collected by Rhodri Davies; and in Out in the Field Bertrand Denzler and Jean-Luc Guionnet interview improvisers about their music and group the anonymised answers thematically. The authors of the principal chapters ? David Toop, Clive Bell, Brian Marley, Dan Warburton, Andy Hamilton and Will Montgomery ? are well-known and respected writers on music/sound.Machines, noise and improvisation are...
Dates: 2005

Boekkunstenares / d'Arbeloff, Natalie ; VanDerWateren J., 1992

 Item
Identifier: CC-14707-15020
Scope and Contents

Jan van der Wateren wrote and translated the exhibition catalog essay from the Dutch. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Boekmuseum Verzamelt, Een / Fisher R ; King R ; Campbell K ; Koehler R ; Crombie J., 1992

 Item
Identifier: CC-23613-24060
Scope and Contents

Exhibition consisted mainly of Dutch books with a smaller number of British books. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Boletin. No.6/Feb / Gomringer E., 1971

 Item
Identifier: CC-21490-21901
Scope and Contents

Includes article "A Poesia Concreta e Eugene Gomringer." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

Bolt bleu / Freeman, Jessica., 1995

 Item
Identifier: CC-37713-39588
Scope and Contents

Thomas Lowe Taylor, the editot of this series of Chapbooks, contributed photographic illustrations and Susan Smith Nash wrote the afterword to this book that is designated Amabasis Chapbook #1. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Bomb Culture / Nuttall, Jeff ; Burroughs WS ; Ginsberg A ; Metzger G ; Ono Y ; Lebel JJ ; Henri A ; Cobbing B ; Houedard DS ; levy da ; Nichol bp ; Musgrove K ; Sanders E., 1968

 Item
Identifier: CC-05619-5726
Scope and Contents

Nuttall writes about the youthful violence of the sixties and its relation to early 20th century artistic avant garde movements. He also describes the small press literary scene of the sixties including the Beats and the circle around Bob Cobbing and Writers Forum. Nuttall was a participant in the latter. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968