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Critical text

 Subject
Subject Source: Sackner Database

Found in 3310 Collections and/or Records:

Brache di Gutenberg, Le: Cronaca: Luciano Caruso / Calligrammi e altri calligrammi. No.15 / Mario Diacono., 1990

 Item
Identifier: CC-23114-23552
Scope and Contents

Edited by Luciano Caruso and Sonia Puccetti. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Brache di Gutenberg, Le: Cronaca: MUT. No.30 / Giuliano Della Casa ; Luciano Caruso., 1984

 Item
Identifier: CC-23179-23617
Scope and Contents

Edited by Luciano Caruso and Sonia Puccetti. Drawing depicts a hand holding a smoking cigarette with a burning, smoking mound (of trash?) and a smoking chimney of a house in the background. The caption in French reads "to burn something is very easy." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Brache di Gutenberg, Le: Cronaca: Scrittura E/O Pittura. No.37 / Mario Parentela ; Luciano Caruso., 1985

 Item
Identifier: CC-22132-22549
Scope and Contents

Edited by Luciano Caruso and Sonia Puccetti. The colors of the drawing that depicts overwriting are burgundy, white, and green. Caruso provided a brief essay. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Brache di Gutenberg, Le: Storia: Cinque Manifesti Futuristi. No.16 / Luciano Caruso, editor ; Marinetti FT ; Prampolini E., 1992

 Item
Identifier: CC-23769-24216
Scope and Contents

Consists of five reprints of futurist manifestos with critical comments by Caruso. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Brache di Gutenberg, Le: Storia: Poesie futuriste. No.12 , 1990

 Item
Identifier: CC-22646-23077
Scope and Contents

This book was edited by Anna Maria Saludes. Series edited by Luciano Caruso and Sonia Puccetti. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Brache di Gutenberg, Le: Storia: Quartiere Latino (1913-1914). No.9 / Ugo Piscopo, editor., 1986

 Item
Identifier: CC-22203-22625
Scope and Contents

Edited by Luciano Caruso and Sonia Puccetti. This book is a reprint of a magazine published in 1913. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

Brache di Gutenberg, Le: Storia: Stati D'Amino Disegnati. No.15 / Giuseppe Steiner ; Caruso L., 1992

 Item
Identifier: CC-23775-24223
Scope and Contents

Edited by Luciano Caruso who also contributes a 15 page critical commentary. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Brain in the Mail / Istvan Kantor, curator ; Zack D ; Kantor I ; Erikson J ; Nielsen MO ; Larter P ; Dreva J ; Gruber H ; Below P ; DeJonge K ; Carrion U ; Klivar M ; Lisboa U ; Crozier R ; Filliou R ; Johnson R ; Martel R ; Gaglione B ; Zabala H ; Dyar M ; Lomholt N ; Wolf-Rehfeldt R ; Todorovic M ; Musicmaster ; Ackerman A ; Stake C ; Farkus AM ; Knowles A ; Hompson DD ; Colby S ; Kostelanetz R ; Spiegelman L ; Andre C ; Banana A ; Madam X ; Duch LF ; Marx Vigo GE ; Perfetti M ; Nannucci M ; Frangione N ; Danon B ; Albrecht d ; Rehfeldt R ; Rabascall J ; Blaine J ; Szombathy B ; Katalin L ; Petasz P ; Sorensen WL ; Fine AM ; Butler R ; Gibbs M., 1980

 Item
Identifier: CC-50685-71759
Scope and Contents Istvan Kantor aka Monty Cantsin was the curator. He was born August 27, 1949, in Budapest and is a Canadian performance and video artist, industrial music and electropop singer, and founder of Neoism. In the 1970s, he studied medicine, but also participated in the underground arts scene of communist Budapest around Laszlo Beke as a folk singer. In 1976, he met the American prankster and Mail Artist David Zack at Art Club Budapest who then toured through Europe with his mail art collection. Zack encouraged Kantor to join him in America; Kantor emigrated via Paris to Montreal and, in 1978, lived one year with Zack and Blaster Al Ackerman in Portland, Oregon, encountering and working with artists from Mail Art and the industrial music scene. He was one of a couple of persons to whom Zack suggested to adopt the multiple identity Monty Cantsin, but only Kantor took this proposal seriously and adopted the Cantsin identity to the extent that it became chiefly associated with him....
Dates: 1980

Brazilian Visual Poetry / Regina Vater, curator ; DeSa A ; Antunes A ; DeCampos A ; deAraujo A ; Pignatari D ; Braga E ; Silva F ; DeCampos H ; Oiticica H ; Cirne M ; Khouri O ; Bruscky P ; Miranda P ; Ribeiro P ; Menezes P ; Vater R ; Silveira W ; Dias-Pino W ; Perrone C ; Sackner MA ; Sackner RK ; Cluver C ; Vallias A ; Pontes H ; Branco J ; deBarros L ; Jungle T ; Capistrano F ; Mattoso G ; Bissier J ; Cage J., 2002

 Item
Identifier: CC-38721-40631
Scope and Contents

This exhibition was organized, designed and curated by Regina Vater. It included an excerpt written by Charles Perrrone taken from the exhibition "Brazilian Concrete & Visual Poetry from the Ruth and Marvin Sackner Archive that was hels at the University of Florida. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

Brief von Jean Tinguely an Maja Sacher / Hahnloser, Margit, editor., 1992

 Item
Identifier: CC-31831-33349
Scope and Contents

Jean Tinguely sent his patron, Maja Sacher, letters (incorporating drawings, prints, and collages) over a period of twenty years. These collages are reproduced and described in this book along with a personal biography and photographs of the artist with Paul and Maja Sacher who were heirs to Hoffamnn-La Roche Pharmaceuticals. Paul Sacher was also an important colector of music scores and a conductor as well. A signed suite of prints of these letters is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Brief von Jean Tinguely an Paul Sacher; Letters from Jean Tinguely to Paul Sacher and Common Friends / Hahnloser, Margit, editor ; Arp H ; Klee P ; Ernst M., 1996

 Item
Identifier: CC-31939-33464
Scope and Contents Jean Tinguely sent letters that incorporated drawings, prints, and collages to his patron, Paul Sacher, beginning in 1973. These collages are reproduced and described in this book along with a personal biography and photographs of the artist with Paul and Maja Sacher who were heirs to Hoffamnn-La Roche Pharmaceuticals. Paul Sacher became Chairman of the pharmaceutical firm while still conducting music at a serious level. This biography also describes the couples art collecting experiences. Paul Sacher was also an important collector of music scores and a symphonic conductor. A letter by Tinguely is reproduced as a colored photolithograph along with an analysis of its contents. The analysis is sometimes accompanied by the reply from Sacher.In addition to the letters to Sacher, the book includes letters to Pierre Boulez, the composer and Fritz Gerber, Chairman of the Board of Hoffman-La Roche. A section of the book includes colored photolithograph letter drawings to Paul Sacher from...
Dates: 1996