In his introduction, Eric Mottram writes that "Voice Prints is for voice performance, and looking or meditating performance...[The] poem-texts or poem-images continue Bob Cobbings's experimental achievements with many uses of words, word-orders and word designs." -- Source of annotation: Marvin or Ruth Sackner.

From the curators' forward essay. "The works assembled for this exhibition confront an elementary complexity behind this pastime, driving artists froamdiverse paths to explore often obsessively, a unique relationship with the sky and the vertical axis it draws." -- Source of annotation: Marvin or Ruth Sackner.

Robert Jackson participated in the Avant Garde: Second Wave symposium at Ohio State University Rare Library, July 2002. -- Source of annotation: Marvin or Ruth Sackner.

This collection enclosed in an envelope includes 1) poster entitled TOOL: richerche interlinguistiche [1971], 2) two different posters entitled, Fra Significante e Significato: La Nuova Scrittura [1975], and 3) Artescrittura. -- Source of annotation: Marvin or Ruth Sackner.

Published in conjunction with colloquium held at the time of exhibition of the work of J. Baltazar, J. Cortot, and B. Dorny. Includes abstracts of lectures delivered by Michel Butor and Kenneth White. -- Source of annotation: Marvin or Ruth Sackner.

No.24 of series "Documents Lettristes." -- Source of annotation: Marvin or Ruth Sackner.

Although known as a concrete poet, critic, translator, and artist in the art and poetry worlds, Houedard was also well versed in religious thoughts and traditions. Educated in the Christian monastic and contemplative traditions, Dom Sylvester had a deep knowledge of many forms of belief, which he saw as different expressions of a single wisdom. A pioneer of the wider ecumenism, he had active contacts with Tibetan Buddhism and the work of the great Islamic mystic Muhyddin Ibn' Arabi. In these talks given near the end of his life, Dom Sylvester illuminates the meanings embedded in six of Eckhart's greatest sermons. -- Source of annotation: Marvin or Ruth Sackner.

This is a collection of previously published essays. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts and annotates Carrega's seminal work, entitled "50 modelli d'uso" that was shown the first time at Mercato del Sale in May 1978. It was remade in 1981 with 45 pieces in an edition of three copies and the Sackner Archive holds one of these editions in a specially made box. -- Source of annotation: Marvin or Ruth Sackner.

The artist comments on the rare books and manuscripts in the library by interfacing pages from the texts with fabric threads with language-like lines that mirror the original works. These "carefully plucked lines, configured into paragraphs and columns, recall the elaborate handwriting found in the manuscripts." Another artist also in the Sackner Archive, Frances Trumbley, also uses threads to create callikgraphic markings. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds an anonymous Victorian scrapbook or commonplace book on the subjects of 1) Anagrams, 2) Charades, 3) Enigmas, 4) Epigrams, 5) Epigraphs, 6) Rebuses, 7) Conundrums, 7) Sermons, 8) Puzzles, 9) Maxims, 10) Musick, 11) Transpositions, 12) Matrimony, 13) Miscellaneous Drolleries, 14) Drawings & Prints, 15) Prose, 16) Verse, 17) Blank-Verse, and 18) Parodies. This exhibition catalogue portrayed the collection of rare books and manuscripts that was displayed at the Beinecke Rare Book and Manuscript Library from late July to September, 2001 The event was presented in two parts: (1) the meaning of "commonplace" and how it developed over the centuries and (2) how manuscripts were used in scholarly studies. Commonplace Books contains descriptions from titles such as the first modern history of commonplace books Polyhistor, literarius, philosophicus et practicus. -- Source of annotation: Marvin or Ruth Sackner.

Pawel Petasz initiated the Commonpress series of publications produced by the correspondence art network and was its first editor. Bleus discusses the etymology, grammer, spelling, meanings, practice, history, economy, psychology, sociology, art-criticism, ethics, and communication of mail art. -- Source of annotation: Marvin or Ruth Sackner.

Pawel Petasz initiated the Commonpress series of publications produced by the correspondence art network and was its first editor. Bleus discusses the etymology, grammer, spelling, meanings, practice, history, economy, psychology, sociology, art-criticism, ethics, and communication of mail art. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue prints an extensive interview of Harvey S. Shipley Miller that provides the background as to how the collection was formed. Carl Andre's typed carbon drawing entitled "words men word..." from the collection of Eileen and Michael Cohen (purchased by Shipley Miller) is depicted on page 84 of this catalogue, and is identical to the Sackner typing who have called their piece July 26... after the title at the bottom of the drawing. -- Source of annotation: Marvin or Ruth Sackner.

A collage held by the Sackner Archive is depicted on page 162. -- Source of annotation: Marvin or Ruth Sackner.