This essay deals with the advantages of letterpress printing and the basis for design of the books published by the press that are also held by the Sackner Archive. Jarvis discusses Alasdair Gray's book 1982/Janine. -- Source of annotation: Marvin or Ruth Sackner.

The poems in this book by Darwish are about the suffering of the Palestinian people. The calligraphic illustrations done by Koraichi were also displayed as prints in the Global Conceptualism exhibition (catalogue held by the Sackner Archive). The arabic calligraphy of the poems was rendered by Massoudy. The critical text was written by Khatibi. This is the first publication of the Abdul Hameed Shoman Foundation, documenting the works of artists from the Arab world. -- Source of annotation: Marvin or Ruth Sackner.

This book is an in-depth, densely illustrated, presentation of international contemporary artists books with an emphasis on Brazilian artists. At the end of this book, the editor prints interviews of Lenir de Miranda, Neide Dias de Sa, Wlademir Dias Pino, Vera Chaves Barcellos, Iolanda Gollo Mazzotti, and Anna Moeglin-Delcroix regarding their views on artist books. Enzo Miglietta and Paulo Bruscky contribute essays on their philosophy and on book objects, respectively. -- Source of annotation: Marvin or Ruth Sackner.

From the cover, " Jonathan Williams has had a life-long interest in underdogs, strays, mavericks. For more that fifty years he has prowled the margins of the culture, writing, listening closely, photographing. 'A Palbable Elysium' is a treasure trove of his findings: poets, musicians, artists, photographers, a few tombstones, a few follies, a few gardens." Guy Davenport has contributed an opening essay. -- Source of annotation: Marvin or Ruth Sackner.

In her catalogue essay, Jennifer L. Riddell writes that "Eve Andree Laramee has dedicated her artistic career to disputing commonly held assumptions about art and science and how these views are transmitted over time, zeroing in on ambiguities, issues of authority and credibility, and unseating polarizations and tidy encapsulations of art=a, science=b." The installation consists of an apparently French rococo, late 18th century period room with specially woven tapestries and loom using Jacquard's techniques with Laramee designed images, a harp, furniture, an early computer, wall panels. The objects and images used and transformed by the artist reflect her interest in connecting art, science, poetry, culture, mechanics into a dense work of chains of meaning. -- Source of annotation: Marvin or Ruth Sackner.

This book is a review of Avant Garde Brazilian poetry from the 20's to the 60's that does not include the Noigandres group. The concrete poems have their beginning around 1966. -- Source of annotation: Marvin or Ruth Sackner.

The text was written by Janet F. Murchison, one of Finlay's nieces. The exhibition consisted mainly of Finlay's cards and books. -- Source of annotation: Marvin or Ruth Sackner.

The first portion of the text traces the historic roots of concrete and shaped poetry. The remainder deals with individual poets and includes their photographic portraits, biography, bibliograhy and reproductions of examples of their works. -- Source of annotation: Marvin or Ruth Sackner.

Introduction by Will Inman. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue consists entirely of a critical essay by Stephen Bann on Finlay's works dealing with the French Revolution. The cover is red paper stock, the end papers are blue paper stock, and the text is printed on white paper stock, e.g., the French tricolor flag. -- Source of annotation: Marvin or Ruth Sackner.

Grumman lists and describes various of types of poetry and their interconnections, such as songmode, plaintext, language, visual, mathematical, and performance poetry. -- Source of annotation: Marvin or Ruth Sackner.

Grumman lists and describes various types of poetry and their interconnections, such as songmode, plaintext, language, visual, mathematical, and performance poetry. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Isou writes an essay about Satie's work. -- Source of annotation: Marvin or Ruth Sackner.

Introductory essay by Sabine Kimpel-Fehlemann. -- Source of annotation: Marvin or Ruth Sackner.