Critical text
Found in 3298 Collections and/or Records:
Describing Labor / Shalev-Gerz E ; Abess M ; Lamonaca M ; Sackner RK., 2012
Esther Shalev-Gerz conceived of the exhibition and installation Matthew Abess and Marianne Lamonaca edited the catalog, curated the exhibition and contributed essays. Ruth Sackner participated in the personal selection of two prints and participated in the filming of selected interviews. -- Source of annotation: Marvin or Ruth Sackner.
Desfilada / Calleja, J.M.., 2003
Except for critical remarks, the pages consist of different typographic renditions of capital 'H's. -- Source of annotation: Marvin or Ruth Sackner.
Designed Words for Designed Worlds: The International Concrete Poetry Movement, 1955-1971 [A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy] / Hilder, Jamie ; Finlay IH ; DeCampos A ; Nichol bp ; Pignatari D ; DeCampos H ; Chopin H ; Roth D ; Williams E ; McLuhan M ; Fiore Q ; Bory JF ; Burda V ; Knowles A ; Gomringer E ; Hirsal J ; Grogerova B ; Azeredo R ; Grunewald JL ; Gappmayr H ; Garnier I ; Garnier P ; Mon F ; Solt ME ; Fernbach-Flarscheim C ; Andre C ; Mayer HJ ; Graham D ; Acconci V ; Sarenco ; Sharkey JJ ; Ferro L ; Thomkins A ; Scobie S ; Blaine J ; McCaffery S ; Sackner MA ; Sackner RK ; Watson S ; Fahlstrom O ; Dohl R ; Arp H ; VanDoesburg T ; Bill M ; Weaver M ; Kostelanetz R ; Phillips T ; Weiner L ; Ruscha E ; Cage J ; MacLow J ; Isou I ; Houedard DS ; Furnival J ; Bann S ; Bowler B ; Klonsky M ; Cook G ; Scobie S ; Chopin H ; DeVree P ; Grunewald JL ; Goldsmith K ; Kotz L ; Flynt H ; Art & Language ; LeWitt S ; Kosuth J ; Smithson R ; Graham D ; Siegelaub S ; Rosler M ; Cordeiro W ; Drucker J ; Kitasono K., 2010
Designing Modernity: The Arts of Reform and Persuation 1885-1945 / Delaunay S ; Cendrars B ; Marinetti FT ; Depero F ; Lissitzky E ; d'Albisola T ; Munari B ; Lewis WP ; Zwart P ; Duchamp M ; Sackner RK ; Sackner MA ; Kaplan W ; Lamonaca M., 1995
The catalogue edited by Wendy Kaplan was published for the inaugural exhibition of the Wolfsonian Museum, Miami Beach. The Sackner Archive lent Sonia Delaunay's "Transsiberien Railway" to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Dessins/Notes - Realisation / Clareboudt, Jean., 2001
The Sackner Archive holds an artist book by Jean Clareboudt (1944-1997). -- Source of annotation: Marvin or Ruth Sackner.
Detroit Focus Quarterly. No.1/Mar / Avadenka L., 1987
Avedenka's "The Book of Ruth," a book object held by the Sackner Archive, is depicted in an essay on her work by Vincent Carducci. -- Source of annotation: Marvin or Ruth Sackner.
Deutsche Unsinnspoesie / Dencker, Klaus-Peter, editor ; Morgenstern C ; Schwitters K ; Spoerri D ; Ruhm G ; Hausmann R ; Jandl E ; Dencker KP ; Mayrocker F ; Ball H ; Achleitner F ; Bayer K ; Bremer C ; Heissenbuttel H ; Harig L ; Pastior O ; Weiner O., 1978
This is an anthology of German "Nonesense Poetry." -- Source of annotation: Marvin or Ruth Sackner.
Deutschunterricht, Der. No.1 / Gomringer E., 1970
This issue contains essays that analyze different poetic genres. Lothar Bornscheuer contributes an essay on Eugen Gomringer's Konstellationen. -- Source of annotation: Marvin or Ruth Sackner.
Devices for Action / Urbonas, Nomeda ; Urbonas, Gediminas., 2008
Bartameu Mari contributed the introductory essay for the exhibition. He wrote that "Nomeda and Gediminas Urbonas have focused their work on grasping and making understandable the layers of meaning in which the psychological effects on society in this voyage-less emigration were lodged. Their methodology echoes the actual postion of the figure of the artist within a system of ingreasingly commercialised exchanges and in opposition to the cross-border homogenisation of aesthetics and discourses." The Urbonas live and work in Lithuania. -- Source of annotation: Marvin or Ruth Sackner.
Devil's Artisan, The. No.35., 1994
This issue deals with the illustrative engraving arts of Rosemary Kilbourn. -- Source of annotation: Marvin or Ruth Sackner.
Dialectica Das Vanguardas, 1976
Dictature Lettriste, La. No.1 / Isidore Isou, Gabriel Pomerand, editors ; Isou I ; Pomerand G ; Brasil ; Hirsch C ; Dobre C., 1946
Other than Pomerand and Isou, the listing of 22 additional contributors to this issue are unfamiliar names. However, three of these contributors, e.g., Brasil, Claude Hirsch, and Charles Dobre contributed sound poems. This is the first Lettrist periodical. -- Source of annotation: Marvin or Ruth Sackner.
Die 1950er Jahre / Bauermeister, Mary ; Schuppenhauer C., 2013
Die Bedeutung der Worte / Valoch, Jiri ; Guy Schraenen ; Schraenen G., 1992
The German title translated into English is "The Meaning of Words. The text is placed one word on each page and reads " page by page you discover the mystery of this book." -- Source of annotation: Marvin or Ruth Sackner.
Die Druckgrafik / Ulrichs, Timm ; Brehmer KP ; Hausmann R., 2003
Several editioned works in this catalogue are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Die Ernst Jandl Show / Jandl, Ernst ; Bernhard Fetz, curator ; Hannes Schweiger, curator ; Pignatari D ; Hausmann R ; Ruhm G ; Artmann HC ; Dohl R ; Gomringer E ; Furnival J ; Finlay IH ; Mayrocker F., 2010
Die Grenzen Verwischen Sich / Cobbing, Bob; Cobbing B; Houedard DS; Finlay IH; Morgan E; Furnival J; Mayer P; Chopin H; Mayer HJ., 1969
Die Perzeption / Lavater, Warja ; Arnheim R., 1991
Die Realitat Der Literatur / Bense, Max ; Harig L ; Queneau R ; Heissenbuttel H ; Mayrocker F., 1971
Also designated Pocket 26. -- Source of annotation: Marvin or Ruth Sackner.
Die unsichtbaren Zeichnungen Stephane Mallarme / Fraenkel, Ernest ; Schuldt ; Mallarme S., 1998
This work consists nine, unbound, folded prints which contains 68 plates each related to a page of Mallarme's Un Coup de Des. The interpretations are similar in concept to Marcel Broodthaers work (also held by the Sackner Archive) in which each phrase of the poem is cancelled with a solid black rectangle. In Fraenkel's interpretation, from the 1897 Cosmopolis version, the spaces between the cancelled text are reconstructed with hand-drawn markings. In the Schult modification of Fraenkel's presentation, varied colors rather than black are utilized. -- Source of annotation: Marvin or Ruth Sackner.