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Critical text

 Subject
Subject Source: Sackner Database

Found in 3310 Collections and/or Records:

Et in Arcadia Ego / Finlay, Ian Hamilton ; DeVries H., 1999

 Item
Identifier: CC-35746-37502
Scope and Contents

This book was published for the dedication of Finlay's water, wall and words work on the end of the river Hofvijver to commemorate its original pristine qualities. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

et l'enseignement des coleurs / Romberg, Osvaldo., 1979

 Item
Identifier: CC-44640-46804
Dates: 1979
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Et Tous Ils Changent le Monde / Dachy, Marc, editor ; Dachy M ; Malevich K ; Khlebnikov V ; Duchamp M ; Schwitters K ; Moholy-Nagy L ; Tzara T ; Arp H ; Iliazd ; Joyce J ; Jorn A ; Dubuffet J ; Wolfli A ; Restany P ; Maciunas G ; Mekas J ; Brecht G ; Cage J ; Beuys J ; Filliou R ; Kaprow A ; Gysin B ; Burroughs WS ; Williams E ; Kostelanetz R ; Higgins D ; DeCampos H ; DeCampos A ; Stein G ; Tinguely J ; Boetti A ; Weiner L ; Villegle J ; Messager A ; Nauman B ; Kruger B ; Arias-Misson A ; Flynt H ; Basquiat JM ; Haring K ; Armleder J ; Huelsenbeck R ; Ray M ; Mosset O ; Poynder M., 1993

 Item
Identifier: CC-27486-28534
Scope and Contents The exhibition, "Et Tous Ils Changent le Monde" ("And All of Them Change the World"), reveals, outside of major works, an ensemble of art moments that have been perceived as essential in the course of modern and contemporary art, the avant garde artists from the beginning of the century and those of today. Marc Dachy, who proposed the theme of the exhibition, writes in his preface that this biennale was to present Dada and its spirit, connections and relationships to contemporary art. Dachy gives a broad overview with reference to specific artists participating in the exhibition and describes their relationship to art movements such as Situationism, Art Brut, Conceptual and the language-art movements of concrete and visual poetry, Fluxus and Neo-Dada. The book is arranged such that each section deals with an individual artist. The section includes a reproductions of the works, a critical essay, an interview or documentation by the artists on his/her works. -- Source of...
Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Etchings 1978 - 1982 / Cage, John., 1982

 Item
Identifier: CC-16656-17011
Dates: 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Etchings l978 - l982 / Cage, John., 1982

 Item
Identifier: CC-16654-17009
Dates: 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Eternal Moment / Weores, Sandor ; Edwin Morgen, translator; William J. Smith, translator., 1988

 Item
Identifier: CC-00475-487
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Etre Artists Et Tout Plaquer / Ducorroy, Joel., 2008

 Item
Identifier: CC-50655-71729
Scope and Contents

The text of this book is by Marlene Girardin with translation by Gabrielle & Norman Clark. The book was a gift from Ducorroy when he learned from a French visitor to the Sackner Archive that a Ducorroy picture was on display in their living room. This book depicts another work by the artist held by the Archive titled "Dollar" that was purchased from the Emily Harvey Gallery in New York. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Eugen Gomringer: 70 / Riha, Karl., 1995

 Item
Identifier: CC-03669-3734
Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets

Eugen Gomringer in the UK: A celebratory tour / Concept as Concrete Form - Visual Poetry, Texts and Typography / Gomringer, Eugen ; Roger Brown, curator ; Conz F ; Zurbrugg N ; Richardson R ; Mills S ; Clark T ; Finlay IH ; Fulton H ; Furnival J ; Gardner I ; Houedard DS ; Long R ; Mayer H ; Morris S ; Richardson R ; Sackett C ; Williams J ; Voss J., 2011

 Item
Identifier: CC-54577-990023
Scope and Contents

As described by William Allen, this is a printed card folio with a printed tipped-in pocket containing 5 four pages of folded illustrated essays together with a Gomringer blue type print of "Silencio" on white paper. The essays are illustrated and informative and consist of the following: 1) Eugen Gomringer in the UK, 2011 Concept as Concrete Form: Visual Poetry, Texts and Typography; 2) Eugen Gomringer in the UK "father of concrete poetry" by Roger Brown; 3) The Conz Donation at De Montford University - Eugen Gomringer and Nicholas Zurbrugg by Robert Richardson; 4) Stuart Mills; 5) Concept as Concrete Form List of Works. Allen writes that this is a beautifully produced catalogue published at the time of Gomringer's UK tour in 2011 with useful reference information and also a section on the English concrete poet Stuart Mills.The cover is silkscreen with eg. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

European Outsiders / Wolfli A ; Wilson S., 1986

 Item
Identifier: CC-13824-14129
Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Evening / Sail / Finlay, Ian Hamilton ; Morgan E., 1991

 Item
Identifier: CC-12379-12605
Scope and Contents

Published on the occasion of the exhibition, Ian Hamilton Finlay & The Wild Hawthorn Press 1958-1991 at the Fruitmarket Gallery, Edinburgh. This book was edited and designed by Graeme Murray. Edwin Morgan contributed a critical text about Finlay's early works including P.O.T.H., Canal Stripe 4, Ocean Stripe 3, Autumn Poem, and Ocean Stripe 5.The complete text is "Evening will sail They will sew the blue sail." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Everyone Here Has His Own Bag. / Kind, Joshua; Fahlstrom O; Knowles A; Brecht G; Bauermeister M., 1968

 Item
Identifier: CC-07747-7899
Scope and Contents

Review of exhibition "Pictures to be read/Poetry to be seen". -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Everything Must Go / Shaw, Jim ; Kelly M., 1999

 Item
Identifier: CC-35039-36760
Dates: 1999
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Excursion Through Picturing Verbilizations, Verbalizing Pictures / Grumman, Bob; cummings ee; Johnson R; Deisler G; Saroyan A; Hill A; Finlay IH., 1982

 Item
Identifier: CC-49500-70546
Scope and Contents

This essay is an excellent critique and analysis of selected poems that Grumman ties together. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Exilee - Temps Morts: Selected Works, 2009

 Item
Identifier: CC-50291-71358
Scope and Contents Murray Media: In her radical exploration of cultural and personal identity, the writer and artist Theresa Hak Kyung Cha sought 'the roots of language before it is born on the tip of the tongue'. Her first book, the highly original postmodern text "Dictee", published in 1982, is considered a classic work of autobiography and is widely read by students internationally. This stunning selection of her uncollected and hitherto unpublished work at last brings together Cha's writings and text-based pieces with images spanning the period between 1976 and 1980. The volume includes two related poem sequences, "Exilee and Temps Morts", major texts incorporating autobiographical elements as well as themes of language, memory, displacement, and alienation - issues that continue to resonate with artists decades after Cha explored them. These moving works give a fuller view of the creative nexus out of which "Dictee" emerged and attest to the singular literary achievement of a major figure in...
Dates: 2009
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / BOOKS

Experiencia Neo Concreta / Anonymous; Gullar F; Jardim R; Spanudis T., 1959

 Item
Identifier: CC-26154-26617
Scope and Contents

Consists of a review of exhibition held at Museu de Arte Moderna, Rio de Janiero, March-April, 1959. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1959
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Experimental Media / Curtay, Jean-Paul., 1981

 Item
Identifier: CC-20358-20755
Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Experimental - Visual - Concrete: Avant-Garde Poetry Since the 1960's / Jackson, K. David, editor ; Drucker, Johanna, editor ; Vos, Eric, editor ; Bernstein C ; Bohn W ; Cluver C ; Drucker J ; Garnier P ; Hatherly A ; Kac E ; MacLow J ; Tardos A ; deMelo e Castro EM ; Menezes P ; Minarelli E ; Perloff M ; Pignotti L ; Polkinhorn H ; Saper C ; Solt ME ; Vos E ; DeCampos H ; DeCampos A ; Sackner MA ; Sackner RK ; Sarduy S ; Gomringer E ; Higgins D ; McCaffery S ; Minarelli E ; Berry J ; Doctorovich F ; Basinski M ; Foley J ; Young K ; Walther E ; Claus CF ; Fahlstrom O ; Williams E ; Spacagna J ; Schwitters K ; Ruhm G ; Pound E ; Pignatari D ; Phillips T ; Mon F ; Marinetti FT ; Mallarme S ; Kostelanetz R ; Higgins D ; Gomringer E ; Heissenbuttel H ; Bense M ; Apollinaire G ; Balestrini N., 1996

 Item
Identifier: CC-54520-989985
Scope and Contents This book is number 10 of Avant Garde Critical Studies and is based on the Yale Symphosophia held in April 1995 which was originally conceived to honor the Brazilian Concrete poet Haroldo de Campos on his 75th birthday. The symposium brought together over forty poets and performers and produced this volume of review and critical appraisal of an international perspective of avant garde poetic production. The volume includes the scholarly papers delivered at Yale and is divided into the following themes: Experimentation and Its Historical Moment; Experimentation in the Language Arts; Concrete and Neo-Concrete Poetry including Memoirs of Concrete; The Yale Symphosymposium on Contemporary Poetics and Concretism - A World View from the 1990s. The Sackners were invited to attend the symposium and were noted in the preface as follows: The Symposophia benefited from the perspectives of Ruth and Marvin Sackner, professional collectors representing the most extensive and complete archive of...
Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Experimental - Visual - Concrete: Avant-Garde Poetry Since the 1960's / Jackson, K. David, editor ; Drucker, Johanna, editor ; Vos, Eric, editor ; Bernstein C ; Bohn W ; Cluver C ; Drucker J ; Garnier P ; Hatherly A ; Kac E ; MacLow J ; Tardos A ; deMelo e Castro EM ; Menezes P ; Minarelli E ; Perloff M ; Pignotti L ; Polkinhorn H ; Saper C ; Solt ME ; Vos E ; DeCampos H ; DeCampos A ; Sackner MA ; Sackner RK ; Sarduy S ; Gomringer E ; Higgins D ; McCaffery S ; Minarelli E ; Berry J ; Doctorovich F ; Basinski M ; Foley J ; Young K ; Walther E ; Claus CF ; Fahlstrom O ; Williams E ; Spacagna J ; Schwitters K ; Ruhm G ; Pound E ; Pignatari D ; Phillips T ; Mon F ; Marinetti FT ; Mallarme S ; Kostelanetz R ; Higgins D ; Gomringer E ; Heissenbuttel H ; Bense M ; Apollinaire G ; Balestrini N., 1996

 Item
Identifier: CC-27838-28971
Scope and Contents This book is number 10 of Avant Garde Critical Studies and is based on the Yale Symphosophia held in April 1995 which was originally conceived to honor the Brazilian Concrete poet Haroldo de Campos on his 75th birthday. The symposium brought together over forty poets and performers and produced this volume of review and critical appraisal of an international perspective of avant garde poetic production. The volume includes the scholarly papers delivered at Yale and is divided into the following themes: Experimentation and Its Historical Moment; Experimentation in the Language Arts; Concrete and Neo-Concrete Poetry including Memoirs of Concrete; The Yale Symphosymposium on Contemporary Poetics and Concretism - A World View from the 1990s. The Sackners were invited to attend the symposium and were noted in the preface as follows: The Symposophia benefited from the perspectives of Ruth and Marvin Sackner, professional collectors representing the most extensive and complete archive of...
Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Experimentelle Texte: Flugspuren/Skulpturen. No.8 / Gerhard Jaschke., 1986

 Item
Identifier: CC-13992-14297
Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

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