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Critical text

 Subject
Subject Source: Sackner Database

Found in 3298 Collections and/or Records:

Foto-Fix / Behme, Rolf ; Ulrichs T ; Vaccari F ; Olbrich JO ; Filliou R ; Boltanski C., 1996

 Item
Identifier: CC-29379-30744
Scope and Contents

Foto-fix indicates the process where portrait photographs are automatically made and developed from the subject(s) sitting in an enclosed booth that has a slot for insertion of currency to pay for them. The photographs reproduced in this book are either straight or manipulated portraits. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Fractal Economies / Beaulieu, Derek ; Finlay IH ; Garnier P ; Wah F ; Werschler-Henry D ; Priddle R ; Gysin B ; Gomringer E ; Solt ME ; McCaffery S ; bissett b ; Nichol bp ; Riddell J., 2006

 Item
Identifier: CC-44664-46828
Scope and Contents Beaulieu comments: an afterword after words: notes towards a concrete poetic.Despite over a century of poetic innovation since Stephane Mallarme's "Un Coup de Des Jamais n'Abolira le Hasard" (1896) & almost 50 years since the publication of Eugen Gomringer's manifesto "Concrete Poetry" (1956), there is still no accepted critical vocabulary for concrete poetry. Concrete poetry is often contextualized historically & is categorized as a subgenre of radicalized praxis from its predominantly modernist period in the 1950s through to the present. By reiterating this historical precedent -- a stridently modernist activity -- criticism on concrete poetry more often than not reifies the idea that this form is still in its infancy, requiring a citation of poetic precedent in order to justify its existence. Brion Gysin remarked that "writing is fifty years behind painting," an assertionevident in the cultural & critical reception for concrete poetry. Readings based upon...
Dates: 2006
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Fragmen / Fragmentary / Fragmentation / Barron S ; Attie D ; Benes BL ; Fisher V ; Ossorio A ; Rauschenberg R ; Saari P ; Souza A ; Huebler D., 1983

 Item
Identifier: CC-48498-69527
Scope and Contents

Martha B. Scott contributes an essay on the cultural aspects of the artists' collage works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Framed and Shaped Writing / Mayer, Peter., 1968

 Item
Identifier: CC-05934-6046
Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Free. No.2 / Baroni V., 1985

 Item
Identifier: CC-11421-11637
Scope and Contents

Vittore Baroni contributes an essay on Yoko Ono, rock music, and Fluxus. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Free Verse: An Essay on Prosody / Hartman, Charles O. ; cummings ee ; Ford FM ; Ginsberg A ; Ashbery J ; Solt ME ; Pound E ; Blake W ; Creeley R ; Hollander J ; Olson C., 1980

 Item
Identifier: CC-32417-33991
Scope and Contents

The book deals with the history and critical analysis of free verse. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Freesia!. No.2/Fall., 1989

 Item
Identifier: CC-11425-11641
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Freesia!. Spr., 1990

 Item
Identifier: CC-11424-11640
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Freibord. No.77 / Gerhard Jaschke, editor., 1991

 Item
Identifier: CC-11049-11264
Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Freibord Sonderdruck: Erinnern und Vergessen. No.22 / Gerhard Jaschke., 1991

 Item
Identifier: CC-10837-11047
Scope and Contents

Edited by Gerhard Jaschke. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Freibord: Text-Bild-Music. No.41-42 / Gerhard Ruhm., 1984

 Item
Identifier: CC-10787-10997
Scope and Contents

Edited by Gerhard Jaschke. The Sackner Archive also holds the hard copy issue of this work published in an edition of 100 copies. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Freiheit ist Freiheit / Freedom is Freedom / Bulatov, Erik., 2006

 Item
Identifier: CC-54300-643189
Dates: 2006
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

French Concrete Poetry / Seaman, David William ; Albert-Birot P ; Apollinaire G ; Blaine J ; Mallarme S ; Garnier P ; Garnier I ; Isou I ; Lemaitre M ; Marinetti FT ; Mon F ; Niikuni S ; Solt ME ; Williams E ; Theocritus ; Porphyrii PO ; Maurus H ; Fraenkel E ; Cangiullo F ; Picabia F ; VanDerLinde F ; Herbert G ; Angot R ; Sterne L ; Queneau R ; Rimbaud A ; Soffici A ; Motherwell R ; Picabia F ; Tzara T ; Etiemble R., 1970

 Item
Identifier: CC-02898-2942
Scope and Contents This is a copy of Seaman's Ph.D dissertation thesis that was later revised and published in the Series "Studies in fine arts. The avant-garde" by UMI Research Press in 1981, a book that is also held by the Sackner Archive. On pages 150-156, Seaman analyzes Rimbaud's "Voyelles." Seaman devotes Chapter V, pages 179-251, to Mallarme with particular attention to Un Coup de Des. Seaman provides an English translation of Tzara's recipe for making a dadaist poem in Breton's manifestos of Surrealism. Here Is Tzara's recipe:To make a dadaist poemTake a newspaper.Take a pair of scissors.Choose an article as long as you are planning to make your poem.Cut out the article.Then cut out each of the words that make up this article and put them in a bag.Shake it gently.Then take out the scraps one after the other in the order in which they left the bag.Copy conscientiously.The poem will be like you.And here you are a writer, Infinitely original and endowed with a sensibility that is charming though...
Dates: 1970
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Fresh from New York / Susan Bee, curator ; Arakawa ; Schor M ; Spero N ; Rothenberg E., 1988

 Item
Identifier: CC-11629-11845
Scope and Contents

Exhibition curated by Susan Bee. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Froissages / Kolar, Jiri., 1981

 Item
Identifier: CC-51087-72169
Scope and Contents

Gloria Picazo contributed a critical essay opening with a quote by Kolar "Someday it will be possible to make poetry out of anything." Foissage is described when "a mere piece of paper is wrinkled, then flattened down and finally set upon a support. The strange writing left in the piece of paper by the wrinkles is another of the means usedby Kolar to make a poem visible." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

From Cinema Archeology to Mail Art / Marcello Diotallevi, curator ; Gappmayr H ; Bleus G ; Fierens L ; Bruscky P ; Sevcik P ; Groh K ; Mittendorf A ; Olbrich JO ; Crozier R ; Bertola C ; Blank I ; Blissett L ; Caruso L ; Conti CM ; Crash ; Diotallevi M ; Fedi F ; Gini G ; Lora-Totino A ; Maggi R ; Martini SM ; Miglietta E ; Perfetti M ; Pignotti L ; Petasz P ; Aguiar F ; Bulatov D ; Segay S ; Toth G ; Padin C ; Dyar M ; Pittore-Eurifico C ; Jensen KF ; Daligand D ; Laszlo JN ; Lenoir P ; Suel L ; Braumuller H ; Jesch B ; A1 Waste Paper ; Bates K ; Andolcetti F ; Barrile P ; Crash ; Diamantini C ; Liuzzi O ; Martini SM ; Miglietta E ; Pavanello G ; Roffi G ; Savoi A ; Vitacchio A ; Zito R ; Shimamoto S ; DeJonge K ; Gomez A ; Toth G ; Blurr B ; Dyar M ; Bogdanovic N ; Kamperelic D., 1996

 Item
Identifier: CC-29796-31174
Scope and Contents

Marcello Diotallevi curated the Mail Art section of this exhibition and contributed an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

From Dante to the Post-Concrete: An Interview with Augusto de Campos / Greene, Roland; DeCampos A; Joyce J; Pound E; Pignatari D; Morgan E; Dante; Rose P; Hollander J; Perloff M; Cage J; Arnheim R; Mallarme S., 1989

 Item
Identifier: CC-36344-38134
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

From Dante to the Post-Concrete: An Interview with Augusto de Campos / Greene, Roland; DeCampos A; Joyce J; Pound E; Pignatari D; Morgan E; Dante; Rose P; Hollander J; Perloff M; Cage J; Arnheim R; Mallarme S., 1989

 Item
Identifier: CC-09909-10106
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

From Imagism to Concrete Poetry: Breakthrough or Blind Alley? / Cluver, Claus; Saroyan A; Solt ME; Williams E; Indiana R; DeCampos A; Gomringer E; Mallarme S., 1987

 Item
Identifier: CC-19835-20222
Scope and Contents

Cluver presents definitions of Concrete Poetry and its controversies. Robert Indiana's "LOVE" works and e.e. cummings poem "brIght" are analyzed. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

From Letters to Lettrisme: The Ancient Origins of an Avant-garde Movement / Seaman D ; Isou I ; Sabatier R ; Satie A ; Roehmer W ; Poyet F ; Broutin GP ; Apollinaire G ; Lemaitre M., 2000

 Item
Identifier: CC-33879-35550
Scope and Contents

David Seaman curated this exhibiton and contributed an essay tracing the routes of Lettrisme to the present day. The exhibition was reviewed in the Statesboro Herald. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

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