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Critical text

 Subject
Subject Source: Sackner Database

Found in 3310 Collections and/or Records:

Form. No.7/Mar / Philip Steadman, Mike Weaver, Stephen Bann, editors ; Cutts S ; Bann S ; Weaver M., 1968

 Item
Identifier: CC-11411-11627
Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Form. No.8/Sep / Philip Steadman, Mike Weaver, Stephen Bann, editors ; Bowlt J ; Albert-Birot P ; Apollinaire G ; Tzara T ; Wright B., 1968

 Item
Identifier: CC-11410-11626
Scope and Contents

John Bowlt contributes an in-depth essay titled "Russian Exhibitions, 1904 to 1922." The series on Black Mountain College is continued with "Play, Life, Illusion 1924-37," a Spectodrama by Xanti Schawinsky. An excerpt of the experimental novel, Grabinoulor, by Albert-Birot that has been translated into English by Barabara Wright is included as well as a bibliography of several small magazines. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Form. No.9/Apr / Philip Steadman, Mike Weaver, Stephen Bann, editors ; Duchamp M ; VanDoesburg T ; Cage J ; Hornick L., 1969

 Item
Identifier: CC-11418-11634
Scope and Contents

Hans Richter contributes "In Memory of Marcel Duchamp." Mark Hedden continues the series on BMC with "Notes on Theatre at Black Mountain College." The magazine Kulture, published by Lita Hornick, is indexed. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

form + zweck. No.11-12., 1995

 Item
Identifier: CC-13023-13315
Scope and Contents

All pages are perforated by 8 small holes that held rivets shipped with this issue; these were attached by the subscriber to the spine. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

form + zweck: Zur Anpassung des Designs an die digitalen Medien. No.14., 1997

 Item
Identifier: CC-29498-30863
Scope and Contents

The book is cut on the center of the spine in a rectangular shape so that the opening appears on each page. The essays deal with the digital computer influence on design, architecture, art, typography and books. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Formulazioni Non-A / Martini, Stelio Maria., 1984

 Item
Identifier: CC-38053-39939
Scope and Contents

Each page consists of fragmented, printed text accompanied by found images with most of them composed as photomontages. This is a reprint in a smaller format of a book first published by Continuum in 1963. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Foto-Fix / Behme, Rolf ; Ulrichs T ; Vaccari F ; Olbrich JO ; Filliou R ; Boltanski C., 1996

 Item
Identifier: CC-29379-30744
Scope and Contents

Foto-fix indicates the process where portrait photographs are automatically made and developed from the subject(s) sitting in an enclosed booth that has a slot for insertion of currency to pay for them. The photographs reproduced in this book are either straight or manipulated portraits. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Fractal Economies / Beaulieu, Derek ; Finlay IH ; Garnier P ; Wah F ; Werschler-Henry D ; Priddle R ; Gysin B ; Gomringer E ; Solt ME ; McCaffery S ; bissett b ; Nichol bp ; Riddell J., 2006

 Item
Identifier: CC-44664-46828
Scope and Contents Beaulieu comments: an afterword after words: notes towards a concrete poetic.Despite over a century of poetic innovation since Stephane Mallarme's "Un Coup de Des Jamais n'Abolira le Hasard" (1896) & almost 50 years since the publication of Eugen Gomringer's manifesto "Concrete Poetry" (1956), there is still no accepted critical vocabulary for concrete poetry. Concrete poetry is often contextualized historically & is categorized as a subgenre of radicalized praxis from its predominantly modernist period in the 1950s through to the present. By reiterating this historical precedent -- a stridently modernist activity -- criticism on concrete poetry more often than not reifies the idea that this form is still in its infancy, requiring a citation of poetic precedent in order to justify its existence. Brion Gysin remarked that "writing is fifty years behind painting," an assertionevident in the cultural & critical reception for concrete poetry. Readings based upon...
Dates: 2006
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Fragmen / Fragmentary / Fragmentation / Barron S ; Attie D ; Benes BL ; Fisher V ; Ossorio A ; Rauschenberg R ; Saari P ; Souza A ; Huebler D., 1983

 Item
Identifier: CC-48498-69527
Scope and Contents

Martha B. Scott contributes an essay on the cultural aspects of the artists' collage works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Framed and Shaped Writing / Mayer, Peter., 1968

 Item
Identifier: CC-05934-6046
Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Free. No.2 / Baroni V., 1985

 Item
Identifier: CC-11421-11637
Scope and Contents

Vittore Baroni contributes an essay on Yoko Ono, rock music, and Fluxus. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Free Verse: An Essay on Prosody / Hartman, Charles O. ; cummings ee ; Ford FM ; Ginsberg A ; Ashbery J ; Solt ME ; Pound E ; Blake W ; Creeley R ; Hollander J ; Olson C., 1980

 Item
Identifier: CC-32417-33991
Scope and Contents

The book deals with the history and critical analysis of free verse. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Freesia!. No.2/Fall., 1989

 Item
Identifier: CC-11425-11641
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Freesia!. Spr., 1990

 Item
Identifier: CC-11424-11640
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Freibord. No.77 / Gerhard Jaschke, editor., 1991

 Item
Identifier: CC-11049-11264
Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Freibord Sonderdruck: Erinnern und Vergessen. No.22 / Gerhard Jaschke., 1991

 Item
Identifier: CC-10837-11047
Scope and Contents

Edited by Gerhard Jaschke. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Freibord: Text-Bild-Music. No.41-42 / Gerhard Ruhm., 1984

 Item
Identifier: CC-10787-10997
Scope and Contents

Edited by Gerhard Jaschke. The Sackner Archive also holds the hard copy issue of this work published in an edition of 100 copies. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Freiheit ist Freiheit / Freedom is Freedom / Bulatov, Erik., 2006

 Item
Identifier: CC-54300-643189
Dates: 2006
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

French Concrete Poetry / Seaman, David William ; Albert-Birot P ; Apollinaire G ; Blaine J ; Mallarme S ; Garnier P ; Garnier I ; Isou I ; Lemaitre M ; Marinetti FT ; Mon F ; Niikuni S ; Solt ME ; Williams E ; Theocritus ; Porphyrii PO ; Maurus H ; Fraenkel E ; Cangiullo F ; Picabia F ; VanDerLinde F ; Herbert G ; Angot R ; Sterne L ; Queneau R ; Rimbaud A ; Soffici A ; Motherwell R ; Picabia F ; Tzara T ; Etiemble R., 1970

 Item
Identifier: CC-02898-2942
Scope and Contents This is a copy of Seaman's Ph.D dissertation thesis that was later revised and published in the Series "Studies in fine arts. The avant-garde" by UMI Research Press in 1981, a book that is also held by the Sackner Archive. On pages 150-156, Seaman analyzes Rimbaud's "Voyelles." Seaman devotes Chapter V, pages 179-251, to Mallarme with particular attention to Un Coup de Des. Seaman provides an English translation of Tzara's recipe for making a dadaist poem in Breton's manifestos of Surrealism. Here Is Tzara's recipe:To make a dadaist poemTake a newspaper.Take a pair of scissors.Choose an article as long as you are planning to make your poem.Cut out the article.Then cut out each of the words that make up this article and put them in a bag.Shake it gently.Then take out the scraps one after the other in the order in which they left the bag.Copy conscientiously.The poem will be like you.And here you are a writer, Infinitely original and endowed with a sensibility that is charming though...
Dates: 1970
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Fresh from New York / Susan Bee, curator ; Arakawa ; Schor M ; Spero N ; Rothenberg E., 1988

 Item
Identifier: CC-11629-11845
Scope and Contents

Exhibition curated by Susan Bee. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

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