Subtitled "explorations of an uneasy relationship." this book consists of essays related to the title. Paul Elliman's essay deals mainly with the books by Georges Perec. -- Source of annotation: Marvin or Ruth Sackner.

This article describes Laura Paresky Gould's new photographic work in a magazine "Home & Design" published by the Miami Herald. -- Source of annotation: Marvin or Ruth Sackner.

This book was edited by Dirk Dobke who contributed a introductory essay. It contains reproductions of the 524 prints made by Dieter Roth between 1947 and 1998 when he died. The works display his "inventive manuipulation of the various stages in the print making process, achieving remarkable editions in which not one print is identical." The print of this deluxe edition is "A Bunch of Flowers 3" which is also depicted on page 319. An exposition of the various printmaking techniques employed by Roth is described in the introduction. -- Source of annotation: Marvin or Ruth Sackner.

Jeffrey Helterman edited this guide to the style, symbolism, and plot of Pynchon's masterful novel. a work also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a first edition of the book. The action takes place during the Battle of Britain during WWII. The writing is deeply symbolic and difficult to comprehend without aguidance. Helterman has written a guid book to the novel that is also held by the Sackner Archive. Pynchon deals with paranoia, tarot characters, experimental pyschology, Freudian theory, calculus, comic strip mythology, and eroticism, etc. in this book. -- Source of annotation: Marvin or Ruth Sackner.

The card is a notification of a new address for the gallery and the loose sheet is a price list. -- Source of annotation: Marvin or Ruth Sackner.

The subtitle of the book is "My adventures with Homer, Rousseau, Woolf, and other indestructible writers of the Western world." The author describes his mature reaction to the Great Books course at Columbia University thirty years after studying these literary masterpieces as a college student. -- Source of annotation: Marvin or Ruth Sackner.

Perhaps the most inclusive exhibition of this period ever mounted. -- Source of annotation: Marvin or Ruth Sackner.

The works of Ian Hamilton Finlay are featured in this book especially in the chapter entitled, "Word and Image in the Garden." -- Source of annotation: Marvin or Ruth Sackner.

Contains reproduction of a drawing (p.25), "Takka-Takka," which depicts two aerosol paint spray guns and the caption, "The exhausted artists, unheeded for five and six days at a time, always hungry for fame and glory, suffering from toxic vapor inhalation, kept painting!!" -- Source of annotation: Marvin or Ruth Sackner.

This catalog celebrates the 125th anniversary of the Grolier Club with a display of work by members active in the field of printing, book design, bookbinding, print making, illustration, calligraphy, and the production of artist's books. -- Source of annotation: Marvin or Ruth Sackner.

This book is a compendium of Canadian avant garde writing from 1965 to 1985. Margaret Atwood, who contributed an over-view essay of the work produced during those years, collaborated with Bok to organize the selections of experimental fiction by the authors. John Riddell contributed "Pope Leo: El Lope" from Criss-Cross. It is a lipogram using only the letters e, o, l and p. The contribution by bp Nichol is from "Still... a novel that depicts in minute detail the scenography for a potential, but postponed , story... his words provide a kind of textual terrain across which the eye pans like a camera." Steve McCaffery's "Panopticon" is an enigmatic whodunnit...The panopticon symbolizes the maze of words through which the reader must wander, playing the role of invisible spectator." -- Source of annotation: Marvin or Ruth Sackner.

This is a reprint of an article published in Cimal No.11-12. -- Source of annotation: Marvin or Ruth Sackner.

This book is a facsimile of the Passover song published in 1919. It also includes the wraparound cover and an introduction to the book's cultural and artistic contexts, descriptions of its imagery and polyglot vocabulary, an English translation of the song from Lissitzky's Yiddish and lyrics set to music. Resouces publishes primary materials held by the Getty Research Institute. the book is edited by Arnold J. Band and Nancy Perloff contributed an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.