Critical text
Found in 3308 Collections and/or Records:
Music in Art: Marguerite Gachet at the Piano / Phillips, Tom., 1997
This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the paintings are by Van Gogh and Cezanne, -- Source of annotation: Marvin or Ruth Sackner.
Music in Art: Nymphs and Satyr / Phillips, Tom., 1997
This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the paintings are by Van Poelenburgh, Fillippino Lippi, and Dioskourides of Samos. -- Source of annotation: Marvin or Ruth Sackner.
Music in Art / Phillips, Tom., 1997
Music in Art through the Ages was originally published as fifty essays in BBC Music Magazine. Tom Phillips contributes an introduction in which he describes musical themes, instruments, portraits of musicians, music lessons, musical scores, and abstract compositions. Analyzing specific works of art and relating them to musical history, Phillips presents a lively and informative insight into the two important aspects of his own creative life. He writes, Art is in love with music. I trust it has everywhere been apparent that I am in love with them both." -- Source of annotation: Marvin or Ruth Sackner.
Music in Art / Phillips, Tom., 1994
Music in Art: Portrait of Berg / Phillips, Tom., 1994
This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the painting is by Arnold Schoenberg -- Source of annotation: Marvin or Ruth Sackner.
Music in Art: The Ambassadors / Phillips, Tom., 1997
This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the paintings are by Hans Holbein and Harmen Steenwyck. -- Source of annotation: Marvin or Ruth Sackner.
Music in Art: The Attributes of Music / Phillips, Tom., 1997
This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the paintings are by Jean-Baptiste Chardin and Georges Braque. -- Source of annotation: Marvin or Ruth Sackner.
Music in Art: The Ring / Phillips, Tom., 1997
This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the paintings are by Gil Kane and Albert Pinkham Ryder. -- Source of annotation: Marvin or Ruth Sackner.
Music in Art: The Sense of Hearing / Phillips, Tom., 1994
This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the paintings are by Philippe Mercier and Johann Zoffany. -- Source of annotation: Marvin or Ruth Sackner.
Musica Piu, 1990
Musikalische Graphik / Schidlowsky, Leon., 1979
Musings on the Vernacular / Johnston, Alastair ; Marinetti FT ; Apollinaire G ; Schwitters K ; Villegle J ; Hains R., 1988
The theme of this book is photographic reproductions of textural and pictographic images of shop signs and billboards. -- Source of annotation: Marvin or Ruth Sackner.
Muster Moglicher Welten, Anthology fur Max Bense / Walther, Elisabeth, editor ; Harig, Ludwig, editor ; Becker J ; Burkhardt K ; DeCampos A ; DeCampos H ; Dohl R ; Garnier I ; Garnier P ; Gomringer E ; Grogerova B ; Hirsal J ; Grunewald JL ; Heissenbuttel H ; Jandl E ; Mayrocker F ; Mon F ; Nake F ; Ponge F ; Queneau R ; Roth D ; Schauffelen KB ; Schmidt A ; Ulrichs T ; Bense M ; Mayer HJ ; Mukai S ; Pazarkaya Y., 1970
This anthology was published to celebrate Max Bense's 60th birthday; the layout was designed by Hansjorg Mayer. In addition to including several concrete poetic works and conventional poems, the book contains several essays on asthetics and information theory, topics of great interest to Bense. -- Source of annotation: Marvin or Ruth Sackner.
My Way: Speeches and Poems / Bernstein, Charles ; Beckett T ; MacLow J ; Rothenberg J ; Pound E ; Ginsberg A ; Wittgenstein L ; Oppen G ; Bee S ; Zukofsky L ; Stein G ; Howe S ; Eigner L ; Silliman R., 1999
This is an uncorrected proof copy of the book that consists of a collection of previous published essays and interviews with Bernstein. -- Source of annotation: Marvin or Ruth Sackner.
Mysteries of the Alphabet / Ouaknin, Marc-Alain ; Josephine Bacon, translator ; Lalou F ; Massoudy H., 1999
Mystical Composer in a Magical Forest: Canadian Idyll is the Stage for R. Murrray Schafer's Magical Forrest / Eatock, Colin; Schafer RM., 2005
This article describes R. Murray Schafer's 12 music-theater works performed in a forest in Canada. The piece is called Patria and a signed copy of the score is held in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Mythologies, from Altimara to Manet an emotional analysis of art history / Romberg, Osvaldo ; Hunter S., 1981
Romberg's paintings in this period consist of collaged photoreproductions of cave paintings and old masters up to Manet along with a written analysis and color swatches used by that painter as deduced from Romberg's observations. -- Source of annotation: Marvin or Ruth Sackner.
National Book and Paper Arts Biennial, The 2nd / Carothers M ; Price R ; Bruggeman I ; Smith L ; Norman B ; Chiarlone R ; Coron B ; Carbone D., 2000
Nature over again after Poussin / Finlay, Ian Hamilton ; Bann S ; Paterson W., 1981
Wilma Paterson contributed a music score on "julie.' Finlay contributed two pages on "Unconnected Sentences on Gardening" including "A Garden is not an object but a process, Modern Sculpture is "Wilfuly" ignorant, Technology - Epic Convenience, A liberal's compost heap is his castle, and Weather is the chief content of a garden, Camouflage is the last form of classical landscape painting - It represents not 'this' tree but fields and trees, etc. -- Source of annotation: Marvin or Ruth Sackner.