Diagram
Found in 300 Collections and/or Records:
Strange Faeces. No.12-13 / Ellen Nations, Opal L. Nations, editors ; Ben ; Nations O ; Silliman R ; Clavin H ; Cravan A ; Fisher A ; Lally M ; Horn S ; Gnazzo A ; Tavenner P., 1973
Covers were designed by Ben Vautier, e.g., 1) has Strange faces something new to show us? 2) What? -- Source of annotation: Marvin or Ruth Sackner.
Studio Brescia Exhibition Catalog: Poesia Visiva. No.9 / Eugenio Miccini ; Sarenco ; Apicella R., 1973
Sylvester / Cobbing, Bob., 1989
Synergetics 2: Further Explorations in the Geometry of Thinking / Fuller, R. Buckminster., 1979
Taboo Jadoo. No.4/Win-Sum / Javant Biarujia, editor., 1992
This issue deals with grammar, pronunciation and the alphabet of a new phonetic language, Taneraic. -- Source of annotation: Marvin or Ruth Sackner.
Taking Sides: Volume One / Crozier, Robin; Porter B., 1987
Techne, Quaderni di: Dia-Grammatica [Gray Cover]. No.36 / Eugenio Miccini, Vitantonio Russo, editors., 1973
Edited by Eugenio Miccini. The prints in this edition differ from a work of the same title, publisher and year of publication that has a red cover. In addition, the unnumbered, red cover edition has a quote from Alexis de Tocqueville printed on the first print that introduces the works. -- Source of annotation: Marvin or Ruth Sackner.
Techne, Quaderni di: Dia-Grammatica [Red Cover]. No.36 / Eugenio Miccini, Vitantonio Russo, editors., 1973
Edited by Eugenio Miccini. The prints in this edition differ from a work of the same title, publisher and year of publication that has a gray cover. In addition, this edition has a quote from Alexis de Tocqueville printed on the first print that introduces the works. -- Source of annotation: Marvin or Ruth Sackner.
Teoria Testualle Della Poesia / Bense, Max ; Elisabetta Vannucci, translator ; Lora-Totino A., 1969
The Cutting Prow / Sanders, Edward., 1981
Sanders' drawings that illustrate the poems are reminiscent of Jake Berry's ones. -- Source of annotation: Marvin or Ruth Sackner.
The Dymaxion World / Fuller, Buckminster ; Marks, Robert., 1973
First published in 1960. -- Source of annotation: Marvin or Ruth Sackner.
The Eureka Machine / Patterson, Ben., 1988
The assemblage incorporates part of a stethoscope, a chestnut, and a glass ampoule. -- Source of annotation: Marvin or Ruth Sackner.
The General Knowledge of Idiots / W. Mark Sutherland., 1989
Illustrations include among others the tip of John Cage's thumb and the end of William Burroughs penis. -- Source of annotation: Marvin or Ruth Sackner.
[The Living Theatre: Paradise Now: Collective Creation] , 1984
The Phenomenology of Revelation, 1989
2700 copies were bound in soft covers. -- Source of annotation: Marvin or Ruth Sackner.
The Pikes by Elza / Nikonova, Rea., 1992
An inscription on the verso indicates that this drawing is from a collection, "Architextura." -- Source of annotation: Marvin or Ruth Sackner.
The Principles of Alchemy: A Conceptual Outline, 1972
This a photocopied facsimile of a sketchbook. The original was in black and white rendered with ink. Laffoley notes that this facsimile is complete. -- Source of annotation: Marvin or Ruth Sackner.
The Prose Tattoo / Four Horsemen., 1983
This group is composed of Rafael Rivera-Barreto, Paul Dutton, Steve McCaffery and bp Nichol. -- Source of annotation: Marvin or Ruth Sackner.
The Road to Perdition / Chwast, Seymour; Rich, Frank., 2002
The RSVP Cycles: Creative Processes in the Human Environment / Halprin, Lawrence ; Amirkhanian C ; MacLow J ; Bremer C ; Kaprow A., 1969
The RSVP cycles are defined as resource, score, valuation and performance. Halprin demonstrates in his writings and drawings how these factors relate to the creative processes in a continuous cycle of interrelated activities, and specifically influence urban and environmental planning. He describes scores as "Symbolizations of processes that extend over time...in all fields of human endeavor... as a way of communicating over time and space to other people in other places."The author has written a book based upon futurist theory of connecting avant garde artistic activities with landscape and city planning architecture. -- Source of annotation: Marvin or Ruth Sackner.