Abdell stated to the Sackners that these bronze coins are applicable toward the purchase of a work of art from him. -- Source of annotation: Marvin or Ruth Sackner.

This publication is the proceedings of an Asthma symposium chaired by Marvin Sackner sponsored by Key Pharmaceuticals. Dr. Sackner commissioned the book artist, John Eric Broaddus to re-create this book in his unique and highly original style. Three copies were made by the artist; two were presented to the chairman and president of Key Pharmaceuticals and the third copy is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This a photocopied facsimile of a sketchbook. The original was in ink and color with a extensive collaging. Laffoley notes that this facsimile is incomplete. -- Source of annotation: Marvin or Ruth Sackner.

This poem is based upon Madrigal by Drummond of Hawthornden (1585 - 1649). Threefold Demonstration: 1 - By the Perpendicular 2. By the Straight Line 3. By Radial Connection -- Source of annotation: Marvin or Ruth Sackner.

A book of collages, images, dealing with numbers, letters, puzzles. -- Source of annotation: Marvin or Ruth Sackner.

These prints that have a dense text deal with the concerns of a nuclear wall. -- Source of annotation: Marvin or Ruth Sackner.

Taken from the Archive of O!!Zone 1997. -- Source of annotation: Marvin or Ruth Sackner.

The author lists 12 variations of aphorisms on the first page, listing the following words: objects, thoughts, things, words, and names. They are placed into 81 different circular diagrams that are reminiscent of Boolean algebra. -- Source of annotation: Marvin or Ruth Sackner.

Printed by Phil Gallo at the Hermetic Press. This was a New Year's gift from Steve Clay, proprietor of the Granary Books. -- Source of annotation: Marvin or Ruth Sackner.

Paula Scher contributed an Op-Art illustration titled "Diagram of a Blog." -- Source of annotation: Marvin or Ruth Sackner.

Edited by Laurie Palmer and Timothy Porges -- Source of annotation: Marvin or Ruth Sackner.

This book shows Winkler's typical working of diagramming words using a circular representation of the alphabet. -- Source of annotation: Marvin or Ruth Sackner.

Winkler's work consists of forming line constructions and geometrical shapes based upon connecting the letters of a word with straight lines to a circle of the letters of the alphabet. These shapes might be considered a semiotic representation of the word in a non-verbal language. -- Source of annotation: Marvin or Ruth Sackner.

Winkler's work consists of forming line constructions and geometrical shapes based upon connecting the letters of a word with straight lines to a circle of the letters of the alphabet. These shapes might be considered a semiotic representation of the word in a non-verbal language. The line drawings by themselves are also placed on the landscape photographs. The significance of the typings in a non-verbal language done on the verso of the pages with the colored photographs of the landscape and ancient tablet scenes is cryptic. -- Source of annotation: Marvin or Ruth Sackner.

According to the critic, Arthur Cohen, this Atlas is a masterpiece of cartographic clarity. It achieves a brillant integration of diffuse and complex information through a precisely conceived iconography unparalled in a work of such scope. None of the copies were for sale. The book is inscribed to Jose Luis Sert, born July 1, 1902, Barcelona - died March 15, 1983, Barcelona. Spanish-born American architect noted for his work in city planning and urban development. After graduation from the School of Architecture, Barcelona (1929), Sert worked with Le Corbusier and Pierre Jeanneret in Paris. From 1929 to 1937 he had his own architectural office in Barcelona; works from the period include apartment houses in Barcelona, "¦ -- Source of annotation: Marvin or Ruth Sackner.

This leaflet is also listed as Curvd H&Z No.254 and one cent No.131, both of which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

In a brief essay within this book, Sarduy critically reviews Maurice Roche's book, Compact. -- Source of annotation: Marvin or Ruth Sackner.

The translucent print is a diagram of Mythologic names with Zeus at the center of the chart. This overlays the print on papercard that depicts Zeus within a large "Y" (why?) shaped background preparing to hurl a spear. -- Source of annotation: Marvin or Ruth Sackner.