Furnival thanks Wakefield, a collector, for subscription to Plakats and describes other publications of the press. -- Source of annotation: Marvin or Ruth Sackner.

Mentions receipt of "Bean Train, Night Bean" from Roger & Johnny? and his own mistake with an anonymous Brazilian poem in P.O.T.H. in which he was supposed to print "Gaol" three times at the end but printed "Goal" instead. Notes that two collections of poems are in preparation, "Canal Funnel" and Telegrams De Mon Moulin" (after Daudet). -- Source of annotation: Marvin or Ruth Sackner.

Discusses loans for the Franklin Furnace exhibition on Lettrisme and mentions works that he will request from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Object consists of pant's pocket mounted on cardboard. -- Source of annotation: Marvin or Ruth Sackner.

The letter has a large watercolor of the plant, Pulmonaria Officinalis - Lungwort dominating the left half recto of the letter. Furnival describes the reason for the name of this plant and also a visit to Russia and the Ukraine. -- Source of annotation: Marvin or Ruth Sackner.

The letter was hand written on the reverse side creating an embossed appearance on the front of the page. -- Source of annotation: Marvin or Ruth Sackner.

Draft of letter regarding Curtay sending the Franklin Furnace exhibition catalogs. The card depicts a photographic image by Rodchenko. -- Source of annotation: Marvin or Ruth Sackner.

Seille writes the Sackners that she was very happy to receive the photographs of her work hung on the wall of the Sackner house. She also indicated that Cozette de Charmoy and she plan to collaborate on a book project. -- Source of annotation: Marvin or Ruth Sackner.

Reminds Steve Abrams of Albert-Birot's visit to England. -- Source of annotation: Marvin or Ruth Sackner.

Houedard comments as to why he prefers dsh as his signature over his full name. -- Source of annotation: Marvin or Ruth Sackner.

Describes his use of initials rather than a full name. Also points out that his name is pronounced 'wed-are' -- Source of annotation: Marvin or Ruth Sackner.

Concerns Chopin's design for the postcard, "I Refuse." -- Source of annotation: Marvin or Ruth Sackner.

The message has been written on the verso of a photograph b&w depicting a visual poem by Furnival done in 1964. Furnival mentions that Mike Weaver was slightly peeved by Edwin Morgan's talk which leaned heavily on his "Image" article without giving Weaver credit for it. -- Source of annotation: Marvin or Ruth Sackner.

Finch indicates that he will attend Phillips' art exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This letter from UU to Depew deals with sending him experimental poetry works including extracts from American Dream, tree poems, comic strip art, and letter pictures. These poems are now held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This letter from Harris to Depew was written to as a cover letter for poems he is sending to him. -- Source of annotation: Marvin or Ruth Sackner.

Hill acknowledges receipt of Wally Depew's books, e.g., Dream, Ocean, Flux and When as a contribution to "Score" but indicates that it would be too expensive to print them in color in his periodical "Score." -- Source of annotation: Marvin or Ruth Sackner.

Kotowitz writes Depew that he sends him four collages out of a series of 30 for publication in Poetry Newspaper. -- Source of annotation: Marvin or Ruth Sackner.

Apologizes to Inman for not sending a larger contribution. -- Source of annotation: Marvin or Ruth Sackner.