Includes photographic reproduction of Howard Wise's Time Column III 1968 that was donated to the museum by the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

This book provides instructions for making art for a kit to be executed by students of the Geelong Arts Alliance in order to welcome the new millennium. -- Source of annotation: Marvin or Ruth Sackner.

David Moss writes, "The ideas and intention and direction are fundamental Jewish notions. As direction is essential in reaching a physical destination, intention is needed to reach practical and spiritual goals. The Hebrew word kavanah brings together the ideas of direction, intention and concentration. Through kavanah we manage to stay directed and reach our desstiny in spite of life's many twists and turns. Aphysical expression of this idea is the traditional Jewish plaque known as the "Mizrach." Mizrach means 'East', and is derived from the root of 'shining', as in the shining forth of the rising, morning sun.The origin of this folk art piece was the custom of praying towards Jerusalem, which in most of the Jewish world meant facing east. Upon entering a room in which a Mizrach was hung, one would be immediately oriented for the direction of prayer." -- Source of annotation: Marvin or Ruth Sackner.

David Moss writes, "The ideas and intention and direction are fundamental Jewish notions. As direction is essential in reaching a physical destination, intention is needed to reach practical and spiritual goals. The Hebrew word kavanah brings together the ideas of direction, intention and concentration. Through kavanah we manage to stay directed and reach our desstiny in spite of life's many twists and turns. Aphysical expression of this idea is the traditional Jewish plaque known as the "Mizrach." Mizrach means 'East', and is derived from the root of 'shining', as in the shining forth of the rising, morning sun.The origin of this folk art piece was the custom of praying towards Jerusalem, which in most of the Jewish world meant facing east. Upon entering a room in which a Mizrach was hung, one would be immediately oriented for the direction of prayer." -- Source of annotation: Marvin or Ruth Sackner.

Cards No. were scanned into record. -- Source of annotation: Marvin or Ruth Sackner.

Card No.15 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.

Card No.13 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.

Card No.4 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.

The pages consist of 29 black and white photographs taken by Hannappel of Finlay's garden, Little Sparta. One page has a poem by Hoderlin translated by Harry Gilonis, opposite a photograph of a contemplative Finlay, sitting on a bench in the garden just outside his house, The poem reads, "At peace the ploughman sits outside his cottage in the shade... A drawing on the inside cover of the book provides the sites in the garden. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Ginny Lloyd. -- Source of annotation: Marvin or Ruth Sackner.

Edited and designed by Alex Finlay. Documents Lopez's clearing of land and building a home in the Pacific Northwest with text, list of animal and plant species observed, and an annotated map. -- Source of annotation: Marvin or Ruth Sackner.

Describes this Archive of Correspondence Art and its database system. The collaborators also exhibited The Image Bank Postcard Show. -- Source of annotation: Marvin or Ruth Sackner.

Moss writes,"There is something magical about mosaics...there seems to be some innate fascination with the idea that many tiny individual color segments can be blended by the eye and the mind into a continuous image...I realized I could do micro painted mosaics with the broad strokes [of a turkey feather quill pen] making the miniscule squares of color." The quote is from psalms 119 " I rejoiced when they said to me: Let us go up to the house of the Lord." -- Source of annotation: Marvin or Ruth Sackner.

The disc consists of 21 acoustic oral solos, working at the extremes of human utterances that is fashioned from sounds, textures, and even a few words. -- Source of annotation: Marvin or Ruth Sackner.

Text deals with description of women's bodies in terms of geographical locations from the Index to the Times Concise Atlas of the World. -- Source of annotation: Marvin or Ruth Sackner.