Documentation
Found in 3466 Collections and/or Records:
my dear bill / Houedard, Dom Sylvester., 1968
The name bill at the top of this letter and luv at the bottom of the letter are typed with closely spaced dashes. Bill's idenity is unknown to the Sackners. The poem typed within two separate frames consisting of apostrophes read:" could be a beauty s in even the greyness somewhere a wimd enforces the freedom of water?" -- Source of annotation: Marvin or Ruth Sackner.
[my dear cord [coyty]] / Houedard, Dom Sylvester., 1967
This is a letter to Cord [Coyty] written on a letterhead from Bon Secors Nursing Home in Wincheste Hantsr. -- Source of annotation: Marvin or Ruth Sackner.
[my dear ernest [weal]] / Houedard, Dom Sylvester., 1967
This is a letter written on a letterhead from Bon Secors Nursing Home in Winchester. Houedard has typed on the top "as from prinknash abbey." Houedard writes that he has "been frantica ly busy all year - had 12 exhibitions in last 9 months - & of course thousands of dreadful ladytourists all ariving in their mammywaggons." -- Source of annotation: Marvin or Ruth Sackner.
my dear john [furnival] (220264) / Houedard, Dom Sylvester; Finlay IH; Sharkey JJ; Wright E; Morgan E; Hollo A; Stone B; Roth D; Gomringer E; DeCampos A; Chopin H; Garnier P., 1964
The body of this letter deals with making an introduction to John Furnival and dropping names of concrete poets prominent on the international scene. The left margin has several concrete poems by Houedard typed in black ink. Houedard typed his name at the bottom of the letter by forming each letter by overtyping the letter 'e'. -- Source of annotation: Marvin or Ruth Sackner.
[my dear john: jn calder says) (190165) / Houedard, Dom Sylvester; Sharkey JJ., 1965
This is a letter to John Sharkey that concerns writing letters to appear in the Guardian newspaper. -- Source of annotation: Marvin or Ruth Sackner.
[my dear john & wendy [sharkey] (031165) / Houedard, Dom Sylvester; Sharkey JJ; Sharkey W ; Furnival J; Rawlinson A; Balestrini N; Matthews H., 1965
Houedard writes that it was a pleasure to see the Sharkeys. He discusses the public's conception of monks and their sexual orientation. He also advises John to get in touch with Andrew Rawlisnon and Robert Tait and mentions that John Furnival has been busy making harmonograph machines. He also lists and describes poetry machines made by John Furnival. -- Source of annotation: Marvin or Ruth Sackner.
My First Art Aid , 2015
My Friend's Old Barn In Oregon[CR][River Boat Scene]] / Smith, Paul., 1987
My Life in Flux - and Vice Versa, 1991
This book recounts Williams' autobiography. -- Source of annotation: Marvin or Ruth Sackner.
my + / Mairey, Francoise., 2002
Card No.2 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.
[my usual rush] / Houedard, Dom Sylvester; Sharkey JJ; Valoch J; Neame A; McCarthy C; Loncraine R; Cox K; Lijn L., 1965
This letter is addressed to johnjsharke. Houedard brings him up to date about contacting poets for exhibitions and publications. -- Source of annotation: Marvin or Ruth Sackner.
Myths / Finlay, Ian Hamilton ; Hill, Solveig., 1991
Naked by the Window by Robert Katz / Patrick, Vincent., 1990
Names on Trees / Finlay, Ian Hamilton; Stewart, Mark., 1984
Image on card is taken from Jacques Blanchard's classical painting, "Paris and Oenone" that shows the two lovers seated next to a tree with a written caption on the trunk. The caption reads, " Five oval plaques inscribed with the names of classical lovers, and five rectangular plaques naming particular species of trees, were exhibited in the 'English Garden' in the summer of 1984." -- Source of annotation: Marvin or Ruth Sackner.
Namewall II & III / Cutler-Shaw, Joyce., 1980
Namewall III / Cutler-Shaw, Joyce., 1980
This is an installation photographic reproduction of the work. -- Source of annotation: Marvin or Ruth Sackner.
Napples & Nadders / Cobbing, Bob., 1988
Nature Gives... (Priroda Daje) / Andrej Tisma, curator ; Gutierrez-Marx G ; Paz H ; Cerebral Shorts ; Bleus G ; Fierens L ; Schraenen G ; Duch LF ; Bruscky P ; Keppler Ro ; Sevcik P ; Daligand D ; Lenoir P ; Massa J ; Laszlo JN ; Suel L ; Deisler G ; Groschopp A ; Groschopp M ; Jacob S ; Tarlatt U ; Winnes F ; Baroni V ; Cavellini GA ; Colonna G ; Diotallevi M ; Fontana G ; Liuzzi O ; Lubrano C ; Maggi R ; Morandi E ; Strada G ; Lora-Totino A ; Zito R ; Shimamoto S ; Bogdanovic N ; Kamperelic D ; Kamperelic R ; Tisma A ; Todorovic M ; Duquette M ; Baik KN ; Swierkiewicz R ; Dudek-Durer A ; Petasz P ; Ropiecki W ; Aguiar F ; Figueiredo C ; Andre C ; Barbot F ; Barbot G ; Bloch M ; Cole D ; Dogfish ; Fallico A ; Gnazzo A ; Harley ; Held Jjr ; Kucharski L ; Minoy ; Pittore-Eurifico C ; Porter B ; Private World ; Rocola R ; Rutkovsky F ; Siff E ; Winkler C ; Calleja JM ; Ruch G ; Caraballo J ; Padin C ; Bates K ; Crozier R ; Jarvis D ; Pilcher BE ; Hainke W ; Mittendorf A ; Mittendorf H ; Olbrich JO ; Perneczky G ; Schnyder A ; Pawson M ; Rabascall J ; Perkins S ; Schmuel., 1992
The exhibition was curated by Andrej Tisma. -- Source of annotation: Marvin or Ruth Sackner.