Documentation
Found in 3466 Collections and/or Records:
The Marcia and John Goin Ernest Hemingway Collection / Joseph the Provider., 1992
John Goin provides an introductory essay on how he and his wife became Hemingway collectors during their training periods as physicians, the pleasures of rooting out rare items, meeting other collectors world wide, and finally selling the collection. Goin gives the reason for the sale as "Since there can be no such thing as a 'complete' Hemingway collection, we have chosen to stop now." -- Source of annotation: Marvin or Ruth Sackner.
The Most Radical Gesture: The Situationist International in a Postmodern Age / Plant, Sadie ; Debord G ; Wolman G ; Aragon L ; Breton A ; Isou I ; Tzara T., 1992
The Multi-Dimensional Jew / Moss, David., 2010
Moss describes his quest to create a model institution to learn about and experience Judaism. This print is a visual representation of six questions that envision the model for this project: What is behind me? What surrounds me? What is within me? What is above me? Whom do I face? What is ahead of me?"Moss has also created a three dimensional model as a structure for a future project. -- Source of annotation: Marvin or Ruth Sackner.
The Neale M. Albert Collection of Miniature Designer Bindings / Albert, Neale M. ; Ely T ; Tarlau JO ; Allix S ; Charriere G ; Sobota J ; Smith P ; Sellars D ; D'Ambrosio J ; Glaister D ; Juvelis P., 2006
The 762 color photographs taken by Tom Grill depict 250 miniature books in designer bindings. Each book is illustrated in its actual size and is represented by several photos. The bindings are a catalogue of Neale Albert's collection that was exhibited at The Grolier Club. There is a preface by Albert and an essay by Priscilla Juvelis. This book was designed by Joe Marc Freedman at The Sarabande Press. -- Source of annotation: Marvin or Ruth Sackner.
The Need to Know / Jackman, Sandra., 2009
The New Avant Garde: issues for the art of the seventies / Muller,Gregoire ; Gorgoni, Gianfranco ; LeWitt S ; Andre C ; Smithson R ; Nauman B ; Beuys J ; Merz M., 1972
The New Long Poem Anthology / Thesen, Sharon, editor ; Blaser R ; Bowering G ; Dudek L ; Kroetsch R ; McFadden D ; McKinnon B ; Nichol bp ; Ondaatje M ; Tostevin L ; Wah F., 1991
The New National Theatre is yours / Phillips, Tom., 1977
The content of the image is mainly taken from pages of A Humument. -- Source of annotation: Marvin or Ruth Sackner.
The New Order / Worthington, Greville; Cutts S; Finlay IH; Fulton H; Clark TA; Weiner L; Holzer J; Nannucci M., 1995
Essay about home in Yorkshire of archivist and Finlay dealer, Greville Worthington. -- Source of annotation: Marvin or Ruth Sackner.
The Nomads: Winter Souvenir / Nomads, The ; Arts A ; Hainke W ; Henricks N ; Monro N ; Olbrich JO ; Poier G ; Richard AM ; Schnyder A ; Stirnemann MV ; Tivy S., 1988
Volume 1 is made up of pages created by cutting up newspapers; Volume 2 consists mainly of photographic documentation of performance pieces during a tour. -- Source of annotation: Marvin or Ruth Sackner.
The Non-Objective World / Art & Language ; Kabakov, Ilya ; Jill Silverman van Coenegrachts, curator ; Malevich K., 2016
The Notebooks / Rothenberg, Jerome ; Meltzer D ; Celan P., 1976
This book predates and includes thoughts and notes that were included in "Big Jewish Book." of 1978, also held by the Sackner Archive. The covers, end papers, and text graphics are reprinted from angelic and planetary seals. -- Source of annotation: Marvin or Ruth Sackner.
The Official Elvis Hair Button Card / Mabe, Joni., 1990
The Order of Things (An International FAX Project) / Francesca Vivenza, curator ; W. Mark Sutherland, curator ; Olbrich JO ; Danon B ; Murphy S ; Minarelli E ; Bentivoglio M ; Polkinhorn H ; Berry J ; Bertola C ; Bennett JM ; Maggi R ; bissett b ; McCaffery S ; Vitacchio A ; Gilardi P., 1993
The cover was designed by W. Mark Sutherland. -- Source of annotation: Marvin or Ruth Sackner.
The Oxygen of Truth [volume 1] / Gaze,Tim ; Leftwich J ; Michaux H ; Dotremont C ; Vleeskens C., 2001
Gaze explains in his introduction that his texts are improvised asemic texts which means no semantic content. Composed of writings from other languages and made up works by the artist, they incorporate writing and an infra-verbal level. Gaze notes that asemic texts have no writer-intended meaning. "If you the viewer perceive a meaning, you've created that meaning yourself." -- Source of annotation: Marvin or Ruth Sackner.
The Oxygen of Truth [volume 2] / Gaze,Tim ; Leftwich J., 2001
Artists response to Gaze's work is published as part of "A Symposium Emerging from Tim Gaze" is added as an afterward. It was organized by JIm Leftwich and probably wholly written by Leftwich for the "Institute for Study and Application at Kohoutenberg." -- Source of annotation: Marvin or Ruth Sackner.
The Pencil Monologues / Maggi, Marco., 2000
The works are mainly dense, pencil drawings on aluminum foil that relate to micrography. -- Source of annotation: Marvin or Ruth Sackner.
The Photocopy Project (that never was) / Nomads; Stake C; Olbrich JO; Monro N; Hainke W., 1987
The Picasso Gaglione Rubber Stamp Box Sets / Gaglione, Bill (aka Picasso Gaglione); Domel, Darlene., 2009
This tract deals with Gaglione's making of the rubber stamp sets. -- Source of annotation: Marvin or Ruth Sackner.
The Piccadillies / Roth, Dieter ; Ackerman M ; Mayer HJ ; Phillips T., 2006
All the images in this book were based upon a postcard from the collection of Rita Donagh (Richard Hamilton's wife). A postcard that it similar but with slight differences was used by Tom Phillips in hia book "The Postcard Century" to open the 1974 section. -- Source of annotation: Marvin or Ruth Sackner.