Documentation
Found in 3466 Collections and/or Records:
Vive Lemaitre! / Cangiullo, Francesco., 1959
V.O Stomps-Award of the City of Mainz / Putz, Claudia ; Riha K., 1995
Following an introductory essay in English by Karl Riha, the remainder of this book consists of reviews of PIPS in newspapers and magazines. In the introduction, Riha notes that "PIPS is a dialect word (used in Rhineland) for a head cold or disease afflicting chicken (symptom: inflamed coating of the tongue) or: a DADAIST fantasy word!!!!"In box labeled "Pips flat periodicals." -- Source of annotation: Marvin or Ruth Sackner.
Vocali Ini / Mastacchini, Massimo., 1993
Photograph of Lemaitre flanked by four women including Laura Aga-Rossi. -- Source of annotation: Marvin or Ruth Sackner.
Voce. No.9 / Sarenco ; Arias-Misson A ; Vigo EA ; Aubertin B ; Soffici A ; Henry M ; Miccini E ; Duchamp M ; Kolar J ; Bory JF ; Manzoni P., 1990
Voice / Cobbing, Bob; Metcalfe, Hugh., 1994
Vostell Documents 1961 - 77 / Happenings, Decollage, Fluxus / Art Base ; Vostell W., 2007
Vostell. Rare publications and documents 1961 - 77 - update May 2009 / Art Base ; Vostell W ; Higgins D ; Ligeti G ; Paik NJ ; Voss J ; Mon F ; Kaprow A., 2009
Vowel Jubilee for Haddock & Rosebush, 1979
This is a variant of the title page for Adler's Vowel Jubilee; the subtitle 'For Haddock & Rosebush' was removed from the title page of the commercially distributed suite of prints. -- Source of annotation: Marvin or Ruth Sackner.
Vox 13: 1982-2000 / Rose, Peter., 2007
This document states, "The Pressures of the Text (1983, 17 min) integrates direct address, invented languages, ideographic subtitles, sign language, and simultaneous translation to investigate the feel and form of sense, the shifting boundaries between meaning and meaninglessness. A parody of art/critspeak, educational instruction, gothic n arrative, and pornography, it has been performed as a live work at major media centers and new music festivals in the US and Europe." The Sackner Archive hold a copy of this video work. -- Source of annotation: Marvin or Ruth Sackner.
[Vp=vP] / Gunther, Thomas., 1997
The photograph is of an exhibition case with the publication of Vp=Vp by Gunther. -- Source of annotation: Marvin or Ruth Sackner.
VP=VP / Gunther, Thomas, editor; Jahn S; Nikonova R; Segay S., 1995
This is part of the photodocumentation (of the artists) for Deschamp No.3. -- Source of annotation: Marvin or Ruth Sackner.
V/Search: Zines! Volume 2. No.2 / V. Vale, editor ; Craven A ; Duchamp M ; Johnson R ; Deisler G ; Petasz P ; Held Jjr., 1997
An interview with Dean who publishes a small mag, Arthur Cravan, discusses Craven's life and work and also includes a bibliography. Bruno Richard, who publishes "Elles Sont de Sortie" discusses correspondence art, rubberstamp art and Ray Johnson. He classifies zines into the following categories: found art; hybrid; assembling and multiple origins. John Held Jr., who publishes Bibliozine describes International Mail Art. -- Source of annotation: Marvin or Ruth Sackner.
Wait, Later This Will Be Nothing: Editions by Dieter Roth, 2013
Director Glenn Lowry writes in the catalogue forward that "Dieter Roth was an endlessly inventive and thought-provoking artist whose substantial body of work, made over the course of nearly five decades, is both prodigious and idiosyncratic. In his experiments with forms, materials, and language, Roth challenged the boundaries not only between mediums but between art and everyday life." Curator Sarah Suzuki writes that "it is easier to describe what he is not than what he is : Above all, he is not a propagandist, and he is not a prophet. He is neither a moralist nor an immoralist. And he is no joiner...He is a member of no ism, group or movement, although many movements, groups, and isms would like to claim him as one of their own." -- Source of annotation: Marvin or Ruth Sackner.
Warehouse / Coracle Press ; Cutts S., 1991
Water Wheel / Smith, Paul., 1965
Watercolor Text Painting / Sutro, Sarah., 1991
Watts Chapel / Furnival, John., 1970
The Watts Chapel is one of the few surviving monuments to the Arts and Crafts Movement and was designed in 1896 by Mary Watts. John Furnival made five drawings of the interior and one is reproduced here. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.