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Documentation

 Subject
Subject Source: Sackner Database

Found in 3466 Collections and/or Records:

Ballet of the Speech Organs: On Bob Cobbing / Cobbing, Bob ; Smith, Steven Ross ; Toop D ; Cheek C ; Griffiths B ; Adler J ; Burwell P ; Hollo A ; Harwood L ; Nuttall J ; Rowan J ; Claire P ; bissett b ; Valoch J ; Ginsberg A ; Jandl E ; Nichol bp ; Dufrene F ; Kerouac J ; Beckett S ; Joyce J ; Chopin H ; Stein G ; DeVree P., 1998

 Item
Identifier: CC-44993-47169
Scope and Contents Cobbing describes the first time he used words in a non-semantic way (1959). Now does no belive that there are any distinction beween music and art and poetry and dance. He indicates that he does not notate his sound poems because "every shape one sees on a page, conjures up a sound - any sound one hears conjures up a pattern, a mark on the page. Ross asks Cobbing about his sound scores [abstract markings] and how he reads these marks. He cites Norman McLaren who drew a sound track on film. McLaren stated that "a thin line will give you a high sound, a thicker line will give you a lower sound. If you make a little tiny point it'll give you a high 'ping,' if you make it a rounder blob, a biggr blob, it'll give you a 'boom'..." Cobbing indicates than when he makes marks on paper, he writes in sound. Cobbing tells about a painting he made that was exhibited in a library entitled "Integration alone is not enough" (1962/1963) in which Margaret Thatcher, then a local representative saw...
Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Bar Stool / Dellafiora, David, editor ; Pontes H ; Klassen L ; Jensen KF ; Collins P ; Baroni V ; Bennett JM ; Cuthberson M., 2001

 Item
Identifier: CC-51377-72469
Scope and Contents

The theme of this assembling deals with drinking alcoholic beverages. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Bar Stool / Dellafiora, David, editor ; Pontes H ; Klassen L ; Jensen KF ; Collins P ; Baroni V ; Bennett JM ; Cuthberson M., 2001

 Item
Identifier: CC-41964-43960
Scope and Contents

The theme of this assembling deals with drinking alcoholic beverages. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Battle of Midway / Finlay, Ian Hamilton; Costley, Ron., 1976

 Item
Identifier: CC-12106-12330
Scope and Contents

The bee symbol in this drawing suggests the sea (bee) and hive symbolizing the aircraft carriers. The text is written in old English characters. This drawing served as preparatory drawings for a subsequently realized print that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Battle of Midway / Finlay, Ian Hamilton; Costley, Ron., 1976

 Item
Identifier: CC-57798-10001051
Scope and Contents

Finlay writes about the World War II Battle of Midway4 June 1942 in poetic terms, viz., ...the great sea hives/consumed with their choicest swarms by their own flaming honey. The bee symbol is used to suggest the sea (bee) and hive symbolizing the aircraft carriers. The text is hand written and served as preparatory texts for a subsequently realized print that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Beat Culture and the New America: 1959-1965 / Ginsberg A ; Berman W ; Herms G ; Perkoff S ; Connor B ; Hedrick W ; Ferlinghetti L ; Jess ; McClure M ; Patchen K ; Norse H ; Burroughs WS ; Gysin B ; Corso G ; Joans T ; Dine J ; Rauschenberg R ; Rivers L ; Schneeman C ; Kerouac J., 1996

 Item
Identifier: CC-27244-27740
Scope and Contents

The Beat Movement,which started in the 1940's with Jack Kerouac, Allen Ginsberg and William Burroughs, also included other avant garde poets, writers, filmmakers and visual artists on the East and West coasts.This book served as the catalogue for an exhibition at the Whitney Museum of American Art which was curated by Lisa Phillips. It contains nine essays by art, film and cultural historians, a detailed chronology of the Beat mmovement and a bibliography, Contributors include Lisa Phillips, Allen Ginsberg, Edward Sanders and Rebecca Solnit. It is heavily documented with photographs of the group. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Beauty in Breathing Visitors' Book, The, 1992

 Item
Identifier: CC-24053-24503
Scope and Contents

The viewers of The Beauty in Breathing exhibition, curated by Marvin Sackner for the ATS/ALA meeting, wrote interesting and relevant remarks after viewing the works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

Bee/Boat / Finlay, Ian Hamilton., 1997

 Item
Identifier: CC-35365-37099
Scope and Contents

The same poem from Virgil, "Georgics iv," is applied to both bees and boats; the poem reads, -- They lightly skim, And gently sip the dimply river's brim. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

BELNIKOFF As Above So Below, 1992

 Item — Folder 34: [Barcode: 31858072459930]
Identifier: CC-23393-23835
Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES / TO BE PROCESSED

Ben (Vautier) - Anton Tapies / Bound & Unbound ; Tapies A ; Ben., 1997

 Item
Identifier: CC-34249-35939
Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

Bend it like Peckham / Hoggard, Liz; Phillips T., 2003

 Item
Identifier: CC-41940-43936
Dates: 2003
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Benedicta. No.2/Spr / Reinhold Aman, editor., 1983

 Item
Identifier: CC-21094-21503
Dates: 1983
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Benedicta. No.3/Fall / Reinhold Aman, editor., 1983

 Item
Identifier: CC-21095-21504
Dates: 1983
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Benedicta. No.6/Spr / Reinhold Aman, editor., 1985

 Item
Identifier: CC-21432-21843
Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Benedicta. No.7/Sum / Reinhold Aman, editor., 1986

 Item
Identifier: CC-21431-21842
Scope and Contents

Edited by Reinhold Aman. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Benefit Fund to Aid Frances Horovitz / Anonymous., 1983

 Item
Identifier: CC-27206-27683
Scope and Contents

Notes that Frances who is ill with cancer had been married to the poet Michael Horovitz. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Bentlow Stairs / Cunnius, Ed; Kinsella, Elnor; Kirchman, Susan; Stacell, Alan., 1992

 Item
Identifier: CC-19840-20228
Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Bentlow Stairs / Cunnius, Ed; Kinsella, Elnor; Kirchman, Susan; Stacell, Alan., 1992

 Item
Identifier: CC-28166-29329
Scope and Contents

This provides selected images from a hypertext production shown at a symposium on reading held at the Getty and attended by the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Berkeley Horse, The: Ruth. No.43/Jan / bp Nichol ; McCaffery S., 1993

 Item
Identifier: CC-23600-24047
Scope and Contents

Produced by David UU. This poem was first published as Luv 5, in 1967 by Fleye Press. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Bern! Porter! Interview! Conducted by Margaret Dunbar, 1982

 Item
Identifier: CC-44597-46756
Scope and Contents

The text of the book mainly is in the form of interviews which lend an insight into Porter's multi-faceted creative life. There are also many tongue-in-cheek comments. Several pages are collaged with artist stamps designed by Carlo Pittore. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

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