The text of the book mainly is in the form of interviews which lend an insight into Porter's multi-faceted creative life. There are also many tongue-in-cheek comments. Several pages are collaged with artist stamps designed by Carlo Pitttore. -- Source of annotation: Marvin or Ruth Sackner.

Saunders indicates on verso that photograph was taken at "Institute of Advanced Thinking." -- Source of annotation: Marvin or Ruth Sackner.

Handwritten corrections and additions were made by Max Bense. Stored together with other Archival materials for this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Elizaveta Mnatsakanjan, one of the featured poets in this book also goes under the name of Elizaveta Mncakanova as translated from the Russian. Another one of her names is Elizabeth (Elisabeth) Netzkowa and her work is catalogued in the Sackner Archive as such. The Sackner Archive holds Netzkowa's "Das Hohelied" (depicted on page 321) and "Das Buch Sabeth" (depicted on pp 351-354). -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was published for the exhibition held at the Grolier Club in New York from March 24 to May 28 2010. Several of the editioned books in this exhibition are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a database, annotated, printout of UU's works up to 1988. -- Source of annotation: Marvin or Ruth Sackner.

This essay deals with book collecting. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Cameron writes that this "letter in blue type addressed 'biencher charlequin' regarding my arrest for possession of a small quantity of hash, with 23 word handwritten dsh comments." -- Source of annotation: Marvin or Ruth Sackner.

Ruth and Marvin Sackner contributed an essay about Kostelanetz dealing with his first visit to their house in Miami Beach. This book was edited by Harry Polinhorn, Joshua Carr, and Douglas Puchowski. -- Source of annotation: Marvin or Ruth Sackner.

The booklet documents the Mail Art Exhibition curated by Olbrich, "1...2...3 Dimensionen / 1...2...3 dimensions." The theme of this show was to do a work with/in/around cubes measuring 21 x 21 x 21 cm. The exhibition catalogue of the latter is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

In this videotape, Phillips recounts the beginnings of his major bookwork, "A Humument." -- Source of annotation: Marvin or Ruth Sackner.

In this videotape, Phillips recounts the beginnings of his major bookwork, "A Humument." -- Source of annotation: Marvin or Ruth Sackner.

In addition to her conventional poetry, Derora Bernstein provides an essay, "An Afternoon with Jack Hirschman." The latter contributes an introductory essay and poem. -- Source of annotation: Marvin or Ruth Sackner.

In this book of previously published brief essays and interviews, Jonathan Williams describes his publishing in Jargon as follows: "Most of the people we've published despise ninety-five percent of the others we've done - that's probably a very healthy thing. Remember, you're dealing with a hillbilly oligarch, a crank. Whether it's poetry of photography or visionary fold-art or persons themselves, I love things that are 'bright-eyed, non-uppity, autochthonous, wacko, private, isolate, unconventional, unpaved, non-commercial, non-nice, naive, outside, fantastic, sub-aesthetic, home-style and bushy-tailed." -- Source of annotation: Marvin or Ruth Sackner.

This a compilation of a questionaire sent to mail artists along with a request for a photographic portrait. Lloyd added abstract markings to the portraits. -- Source of annotation: Marvin or Ruth Sackner.