This book includes a reproduction of a calligram by Apollinaire and a reproduction of a military formation using letters. The Sackner Archive also holds the first edition that was printed in French. This reprinted edition is an English translation. -- Source of annotation: Marvin or Ruth Sackner.

Consists mainly of advertisements. -- Source of annotation: Marvin or Ruth Sackner.

The magazine includes 5 black and white illustrations by Rene Magritte that serve as advertisements for shops in Brussels. They depict visual themes that are more fully realized in his later surrealist paintings. This copy is in very good to excellent condition. -- Source of annotation: Marvin or Ruth Sackner.

This card also served as an exhibition announcement. Stored with Tool Publications. -- Source of annotation: Marvin or Ruth Sackner.

This card also served as an exhibition announcement. Stored with Tool Publications. -- Source of annotation: Marvin or Ruth Sackner.

This card also served as an exhibition announcement. Stored with Tool Publications. It is not listed in Gerz's Catalogue Raisonne Volume III. -- Source of annotation: Marvin or Ruth Sackner.

This card also served as an exhibition announcement. Stored with Tool Publications. -- Source of annotation: Marvin or Ruth Sackner.

This card also served as an exhibition announcement. Stored with Tool Publications. -- Source of annotation: Marvin or Ruth Sackner.

This card also served as an exhibition announcement. Stored with Tool Publications. -- Source of annotation: Marvin or Ruth Sackner.

Contains a poem written by Smith in celebration of the Century Club's 150th birthday. The pamphlet details the program of the event. -- Source of annotation: Marvin or Ruth Sackner.

This book provides the history of the typewriter and a description of the world-wide models. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue, with an extensive bibliography, was published on the occasion of Houedard's retrospective exhibition held at the Laing Art Gallery, Newcastle Upon Tyne, England. The manuscripts of three essays by Houedard in this book are held by the Sackner Archive, e.g. "Kenelm Cox: Keeping Still in the Book of Change," "The Singing of Feeling," and "Introduction to the Catalogue of Arlington-Une." The book was designed by donato cincolo III. The offset-printed Illustrations were selected from work completed by Houedard from January 23 - February 8, 1971 and reproduced from original typestracts lent by The Lisson Gallery. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue, with an extensive bibliography, was published on the occasion of Houedard's retrospective exhibition held at the Laing Art Gallery, Newcastle Upon Tyne, England. The manuscripts of three essays by Houedard in this book are held by the Sackner Archive, e.g. "Kenelm Cox: Keeping Still in the Book of Change," "The Singing of Feeling," and "Introduction to the Catalogue of Arlington-Une." It is the same as the ordinary edition except for the numbering and signature. The book was designed by donato cincolo III. The offset-printed Illustrations were selected from work completed by Houedard from January 23 - February 8, 1971 and rReproduced from original typestracts lent by The Lisson Gallery. This copy is stored in the Ceolfrith box. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue, with an extensive bibliography, was published on the occasion of Houedard's retrospective exhibition held at the Laing Art Gallery, Newcastle Upon Tyne, England. The manuscripts of three essays by Houedard in this book are held by the Sackner Archive, e.g. "Kenelm Cox: Keeping Still in the Book of Change," "The Singing of Feeling," and "Introduction to the Catalogue of Arlington-Une." It is the same as the ordinary edition except for the numbering and signature. The book was designed by donato cincolo III. This copy is stored in the Archive Box of Ceolfrith 15. -- Source of annotation: Marvin or Ruth Sackner.

This catologue includes facsimile examples of Finlay's poems, a bibliography, a list of works in the exhibition together with prices, and a history of the Wild Hawthorne Press. -- Source of annotation: Marvin or Ruth Sackner.

The cards reproduced in this issue, including one in the envelope inside the back cover, originate as a reponse to Vittore Baron's call for "Obscure Actions" and are left anonymously in public spaces for people to find. -- Source of annotation: Marvin or Ruth Sackner.

The name Charles James William and the name Prinknash are typed with slashes and dashes that Cameron describes as typo-callig very nicely done, seemingly about Dante & maybe related to [other]Dante notes" -- Source of annotation: Marvin or Ruth Sackner.