Documentation
Found in 3446 Collections and/or Records:
[Exhibition Labels for V & A Library Exhibition] / Phillips, Tom., 1993
These were labels made by Phillips for his exhibition of artist books at the V&A library. -- Source of annotation: Marvin or Ruth Sackner.
[Exhibition Labels] / Phillips, Tom., 1990
[Exhibitions and Publications/Curriculum Vita] / de Charmoy, Cozette., 1984
Experimentelle Texte: Essenreste der Letzten Sternsegler. No.19 / Gerhard Jaschke., 1989
Experimentelle Texte: Thesaurus. Ein Gleiches: 24 Conceptual Gedichte. No.39 / Franzobel., 1995
Exquisite Corpse. No.5-8 / McHugh H ; Lipman J ; Queneau R ; Beltrametti F ; McClure M ; Warshawski M., 1986
Exquisite Corpse. No.8-9/Aug-Sep / DeCampos A ; DeCampos H ; Pignatari D ; Grunewald JL ; Kostelanetz R., 1983
Stefan Baciu mentions the concrete poets in his essay on para-surrealist poetry in Brazil. -- Source of annotation: Marvin or Ruth Sackner.
Extinct, 1997
Rifas indicates on the verso of the label, "This is an offshoot of a 1990's environmental piece called 'Fragile, Damaged, Extinct.' The word 'extinct,' in declining size letters, is etched into one of the open scissor blades. -- Source of annotation: Marvin or Ruth Sackner.
Extrait du Portfolio: H. Chopin, Editions Ottezec / Chopin, Henri; Lagarde F., 1977
This card depicts a photographic portrait of Chopin. -- Source of annotation: Marvin or Ruth Sackner.
ey + / Mairey, Francoise., 2000
Cards No.14 & No.15 were scanned into record. -- Source of annotation: Marvin or Ruth Sackner.
Eye. No.17/Sum / Saville P ; Heller S ; Cohen EL., 1995
Includes interview of Peter Saville, a graphic designer specializing in record covers. Heller contributes an essay dealing with "Advertising: Mother of Graphic Design." -- Source of annotation: Marvin or Ruth Sackner.
eye rhymes with why?: Bob Cobbing meets Ed Monton / curry, jw., 1998
Eyeopener. No.13/Dec / curry jw., 1995
Contains an essay "Hey, Great Caboose!" which describes a new generation of train hoppers, including john curry and Lance LaRocque, who continue the tradition started in the '30s. -- Source of annotation: Marvin or Ruth Sackner.
EyeRhymes / curry, jw; Books, Jennifer; Chirot D; Soroka M; Hoffberg J; Cobbing B; Scobie S; Barbour D; Dutton P; Miroshnychenko M; Janecek G; Balan J; Sackner MA., 1997
These photographs were taken at a Visual Poetry conference attended by Marvin Sackner at the University of Alberta, Edmonton Canada, June 18-21, 1997. -- Source of annotation: Marvin or Ruth Sackner.
Fabre / Finlay, Ian Hamilton; Hincks, Gary., 1992
Fabre was responsible for creation of the French Republican calendar with its iconography of flowers, fruits, animals, and agricultural elements. -- Source of annotation: Marvin or Ruth Sackner.
Facing the Page: British Artists' Books: A Survey 1983-1993 / Turner, Silvie, editor ; Sackner MA ; Adler J ; d'Arbeloff N ; Cobbing B ; Cutts S ; Douglas H ; Stokes T ; Finlay IH ; VanHorn E ; King R ; Langlands B ; Bell N ; Lax R ; Lijn L ; Phillips T ; Tilson Jo ; Tyson I ; Christie J ; deCharmoy C ; Campbell K., 1993
This book is the sequel to the exhibition catalogue, "British Artist's Books since 1970." Simon Ford provides a section on Definitions of Artist Books that includes a statement by Marvin Sackner from "The Altered Page" catalogue. The major portion of this book is a listing and description of the books that include among others Phillips, Dante's Inferno, The Heart of A Humument, and Where are They Now by Tom Phillips as well as Langlands and Bell's The Crisis of Western Education. -- Source of annotation: Marvin or Ruth Sackner.
Factotum-Art. No.5/Jan / Sarenco, editor ; Beuys J ; Reutersward CF ; Miccini E ; Verdi F., 1979
Factotumbook: De Brandwonden & The Street Tells the Truth. No.17/May / Paul De Vree ; Sarenco., 1979
Factotumbook: De Chirico, the conceptual, the life. No.27 / Shusaki Arakawa ; Sarenco., 1980
This issue consists of an interview of Arakawa by Sarenco. The latter posed the question "...Do you think that this century's researches begin in the experiences of the historic avant garde or do you think that only personalities - as, for example you said about De Chirico - have made a contribution to art in the twentieth century?" Arakawa responded "I think the art of our century perhaps started from poetry, from poets." -- Source of annotation: Marvin or Ruth Sackner.