This is the maquette for pages set in bold, large typeface in Chopin's book "Le Dernier Roman Du Monde." -- Source of annotation: Marvin or Ruth Sackner.

The memorial, designed by the artist Tom Phillips, is in the Abbey's south cloister. It takes the form of an integral metal plaque inscribed with the words: Remember the men and women of the Armed and Auxiliary Forces who have lost their lives in times and places of conflict since the Second World War. the Sackner Archive contains a metal plaque of a similar style by Phillips with lines of poetry from A Humument. -- Source of annotation: Marvin or Ruth Sackner.

Gysin is interviewed by Wilson, with an introduction by William S. Burroughs. They discuss Morocco, magic, science, literature, painting and music. -- Source of annotation: Marvin or Ruth Sackner.

Contains listing of several Eastern European underground periodicals. -- Source of annotation: Marvin or Ruth Sackner.

One copy is printed in German and the other in English. Walter Siegfried in an essay, "It is hard to make someone laugh," reproduces analog recordings of the breathing pattern during laughter. -- Source of annotation: Marvin or Ruth Sackner.

One copy is printed in German and the other in English. This issue includes an illustrated essay dealing with the Bibliothek von Wolfenbuttel. -- Source of annotation: Marvin or Ruth Sackner.

This book was written as a result of Aman's incarceration in federal prisons and subsequent house arrest with electronic monitoring. As a result of this experience, he "prepares" Hillary Clinton for her eventual prison term by supplying a glossary of words, phrases, and basic survival techniques that he used during his imprisonment. The book also includes a letter to Janet Reno, the Attorney General, that demands prison reform. -- Source of annotation: Marvin or Ruth Sackner.

Cards No.20 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.

These are the installation photographs of the exhibition curated by OIlbrich with the same title . -- Source of annotation: Marvin or Ruth Sackner.

Consists of artist's personal statement of purpose for the Holocaust proposals and thirteen pages with descriptive text and brown ink drawings devoted to specific projects. Themes include Hitler's Eyes, Tunnel of Hope, Hanging Books, The Medical Block and Monument for Oklahoma City. -- Source of annotation: Marvin or Ruth Sackner.

The letter written on the verso acknowledges the Sackners' contribution to a poetry symposium held in November 1998 in Leicester, England. -- Source of annotation: Marvin or Ruth Sackner.

The letter written on the verso acknowledges the Sackners' contribution to a poetry symposium held in November 2000 in Leicester, England. -- Source of annotation: Marvin or Ruth Sackner.

The image on the cover is a line drawing of the hull of a fishing boat. Finlay notes that Henry Riviere, a French painter and printmaker, 1964-1951, had as his favorite subjects the 'chaloupes' of the Breton sardine fishery. -- Source of annotation: Marvin or Ruth Sackner.

The manuscript (stored in flat file) provides instructions to the printer for producing this work. One print with red diagonal marks overlays the other print that depicts three warships, Invincible, Inflexible and Indefatigable placed from top to bottom. The combination of the red stripes, the names of the warships, and their arrangement, two shown in left to right direction and the other right to left refer to the personality and work of the Israeli artist Agam. -- Source of annotation: Marvin or Ruth Sackner.