Photograph depicts a panel of a screen from Furnival's language tower drawings, a work in progress. Furnival writes that Jonathan Williams will be coming to England in May and Dom Sylvester Houedard is in Scotland. -- Source of annotation: Marvin or Ruth Sackner.

Deals with a visual poetry exhibition with Furnival and Houedard at Arlington One Gallery, Gloucestershire. A printed red colored map attached has a hanwritten message from Cox that reads "Can you spare the time to do it?" -- Source of annotation: Marvin or Ruth Sackner.

Furnival writes Dowden of the financial difficulties of publishing and distributing Openings Press material and asks him to take some of the work to bookshops. This card has a geometric drawing done by a machine called a Harmonagraph which Furnival indicates that he is trying to perfect. -- Source of annotation: Marvin or Ruth Sackner.

Describes his bookbinding work at the Newberry library. Compliments Charriere on his bookbinding, "How does it feel to be the greatest Fine Binder in the United States............or for that matter the Western Hemisphere????????????? -- Source of annotation: Marvin or Ruth Sackner.

Gomringer asks de Campos for a contribution to his konkrete poesie series of books and provides the particulars. Subsequently, de Campos submits a manuscript that was not published because Gomringer ceased publication of this anthology. The typed manuscript of de Campos was acquired from Gomringer by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Gomringer states he has received De Campos' anthology and found it very complete and rich. -- Source of annotation: Marvin or Ruth Sackner.

The letter is written in a circular pattern starting from the top left corner. The paper is edged with a pinking shears and is folded in Origami fashion. Furnival discusses Chopin's visit in August and describes his various art projects. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns sending works by J. Blaine and photographs of H. Sohm to H. Chopin. -- Source of annotation: Marvin or Ruth Sackner.

Finlay indicated that "I am almost sixteen and I hope to be an artist." He provides information on his current artistic interests. He closes with "If you could write me very shortly telling me whether in your opinion I should drop out of art school do my abstracts and creative work or whether I should do my academic work." This letter was copied from the original in the Tate Archives. -- Source of annotation: Marvin or Ruth Sackner.

Proposes a performance to Jones at Washington University, St. Louis. A sound sculpture by Jones is held by the Sackner collection. -- Source of annotation: Marvin or Ruth Sackner.

Letter deals with personal matters. -- Source of annotation: Marvin or Ruth Sackner.

This letter refers to a sound poetry tape cassette that And has sent to Berry. -- Source of annotation: Marvin or Ruth Sackner.

This is a draft of an intimate letter to a lover. -- Source of annotation: Marvin or Ruth Sackner.

Houedard begins letter with "i always seem to be emptying the commode when you appear on the steamradio - the cuba scene came over well...He also writes "they are doing my ballet sometime - roundhouse? the slab? - called 'the cosmic typewriter - a somantic diversion." In a handwritten note of the margin, Houedard writes, "this is terrible invicta typewritter - not at all cosmic" -- Source of annotation: Marvin or Ruth Sackner.

Hausmann wishes Bory a Happy New Year and appreciates his comments about his book Sensoralie Excentrique (1969). -- Source of annotation: Marvin or Ruth Sackner.

Hausmann mentions that he has editied 'Courrier Dada' and is expecting a visit from Henri Chopin. -- Source of annotation: Marvin or Ruth Sackner.

Haussman thanks Bory for sending him a copy of 'Post-Scritum; and return send Bory a catalogue of his Stockholm exhibition [now held by the Sackner Archive]. -- Source of annotation: Marvin or Ruth Sackner.

Hausmann expressed happines that questions from Bory have been answered. -- Source of annotation: Marvin or Ruth Sackner.

Hausmannn mentions that the typography in Der Dada 1 cover and the cover of Der Dada 2 is his design.He alos discusses Der Dada, PIN and the Story of PIN. -- Source of annotation: Marvin or Ruth Sackner.

Hausmann provides explanations for photographs in Der Dada that he sent to Bory. -- Source of annotation: Marvin or Ruth Sackner.