Drama

Breath by Samuel Beckett / Frost, Matthew., 1991

Item

Identifier: CC-10771-10981

Scope and Contents

This print contains the text of a drama by Samuel Beckett which takes place over the course of a single breath. The modulation of inspiration and expiration is achieved by repetition of the word "breath" in different hues of blue across the letters. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Centuries of Books & Manuscripts: An Exhibition on the Occasion of the Fiftieth Anniversary of Hough / Carroll L ; Havel V ; Beckett S ; Johns J., 1992

Item

Identifier: CC-18886-19264

Scope and Contents

This catalog was printed at The Stinehour Press in Vermont and was given to the Sackners on the occasion of the Stinehours' visit to the Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Christopher Columbus / Bertin, Charles ; William Jay Smith, translator., 1992

Item

Identifier: CC-23592-24038

Dates: 1992

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

City Junket / Elmslie, Kenward., 1987

Item

Identifier: CC-13695-13999

Scope and Contents

There is a postcard collage by Elmslie laid into the back of the book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Conjunctions: The New American Theater. No. 25 / John Guare, editor., 1995

Item

Identifier: CC-20826-21234

Dates: 1995

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Das Gerausch / Harig, Ludwig., 1965

Item

Identifier: CC-08721-8895

Dates: 1965

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

das neue forum. No.2 / G.R. Sellner, Claus Bremer, editors ; Bremer C ; Roth D ; Heissenbuttel H ; Gomringer E ; Spoerri D ; Werkman HN., 1958 - 1959

Item

Identifier: CC-05650-5757

Scope and Contents

In addition to a theater review, this issue includes reprinted examples of concrete poems from Material, a periodical edited by Daniel Spoerri. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1958 - 1959

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Delfin. No.12/Jun / Zauner H., 1989

Item

Identifier: CC-14619-14932

Dates: 1989

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Die Fabelhafte Getraume Von Taifun Willi / Higgins, Dick ; Porter B., 1970

Item

Identifier: CC-31611-33110

Scope and Contents

The book includes nine photographic reproductions of collages of found images that were made by Bern Porter. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Dramatika. No.10 / John Pyros, editor ; Mew T., 1973

Item

Identifier: CC-15548-15875

Dates: 1973

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Dramatika. No.18 / John Pyros, editor ; Bukowski C., 1976

Item

Identifier: CC-15549-15876

Dates: 1976

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Drawing Legion, The: 1974/1984 , 1984

Item — Folder 63: [Barcode: 31858072537974]

Identifier: CC-26624-27094

Dates: 1984

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES

EEE: L'Ephemere Est Eternal by Michel Seuphor / Houedard, Dom Sylvester., 1964

Item

Identifier: CC-09707-9900

Dates: 1964

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Ein Griff / Czurda, Elfriede., 1978

Item

Identifier: CC-18049-18419

Dates: 1978

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

[English National Opera Program] / Phillips, Tom., 1998

Item

Identifier: CC-31232-32702

Scope and Contents

Tom Phillips is listed in this program for the ENO as the translator and designer for Verdi's opera, Otello. He also served as the stage manger. The catalogue reproduces two visual poetic drawings for the opera stage set. The loose folded sheet is a favorable review of the set design and translation by Phillips. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Entrails / Gauvreau, Claude ; Ray Ellenwood, translator., 1981

Item

Identifier: CC-52224-73346

Scope and Contents Google review: Born in Montreal, Gauvreau attended the College Ste-Marie, then studied philosophy at the Universite de Montreal. He made his literary debut at the age of thirteen, when he wrote and produced a play, Ma vacation. During the forties he became friendly with the painter Paul-Emile Borduas, through whom he acquainted himself with Dadaism, Surrealism, Automatism, and the artists, journalists, and essayists who gravitated towards this important figure of the Montreal artistic community. These associations were to have a lasting effect on Gauvreau's aesthetic choices and his personal growth as a writer. He not only co-signed Borduas's famous manifesto, Refus global, but also articulated the theoretical aspects of Automatism for the general public. A constant defender of modern art after 1948, he never hesitated to engage in polemics, against both conservative art critics and ecclesiastical authorities (who looked upon non-figurative painting as an attack against the...

Dates: 1981

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books