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Experimental fiction

 Subject
Subject Source: Sackner Database

Found in 561 Collections and/or Records:

Openings & Closings, 1975

 Item
Identifier: CC-48565-69596
Dates: 1975
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Oreilles Gardees / Benoit, Pierre Andre ; DuBuffet, Jean., 1962

 Item
Identifier: CC-23720-24167
Dates: 1962
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Oscar Christ and the Immaculate Conception 2nd edition / Nuttall, Jeff., 1987

 Item
Identifier: CC-45027-47203
Scope and Contents

Designated Writers Forum Poets #23. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Other Doors To Bookland / Richman, Gary., 1986

 Item
Identifier: CC-03315-3366
Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Oulipo Laboratory / Queneau, Raymond ; Calvino, Italio ; Fournel, Paul ; Jouet, Jacques ; Berge, Claude ; Harry Mathews, translator ; Ian White, translator ; Perec G ; Pastior O ; Metail M ; Duchamp M ; Arnaud N., 1995

 Item
Identifier: CC-29411-30776
Scope and Contents Oulipo is an acronym for the French word meaning "Workshop for Potential Literature." The group was formed in 1960 by Raymond Queneau, a celebrated novelist and poet who was not an inconsequential amateur mathematician and his friend, Francois Le Lionnais, a chessmaster who shared his friend's love for mathematics. Queneau had been struggling with a literary task of immense complexity, his 100 trillion poems and asked Le Lionnais for practical assistance.When they discusses this problem, their conversations turned to the possibility of incorporating mathematical structures into the process of literary creation. Queneau had ready been doing this in his novels, but no one noticed until he mentioned it. Queneau and Le Lionnais soon widened their investigations beyond mathematics to include all forms of artificial restriction in literature. As an Oulipean term, restriction means a constraining method or system or rule that can be precisely defined. All literature is limited by the...
Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Outsider, The. No.1/Fall / Jon Webb, Lou Webb, editors ; Ginsberg A ; Corman C ; McClure M ; Bukowski C ; Miller H ; Burroughs WS ; Crews J ; Eshleman C ; Kupferberg T ; Corso G ; Ferlinghetti L ; DiPrima D ; Dorn E ; Olson C ; Turnbull G ; Bremser R ; Creeley R ; McClure M ; Blackburn P., 1961

 Item
Identifier: CC-05253-5356
Scope and Contents

Includes a work in progress by Burroughs, viz., five pages of his cut-up novel, "Soft Machine." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1961
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Oversight. No.2/Spr., 1990

 Item
Identifier: CC-05076-5175
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Pa-Ra-Bu: Lektionen. No.18 / Timm Ulrichs., 1979

 Item
Identifier: CC-03992-4069
Dates: 1979
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Pad / Zultanski, Steven., 2010

 Item
Identifier: CC-56321-9999745
Scope and Contents Amazon.com: PAD is a catalog of the author's attempt to lift each and every item in his apartment with his dick. Nothing is spared his strength"”from the furniture to the walls, from the coins in the coin jar to the cards in the card decks. It is a parody of masculinity, a cheap joke, and a precise spatial mapping of an intimate space using the imprecise coordinates of a physical body. The poem serves as a voyeuristic window into the private life of one man via his private property. The exhibitionism is twofold: upon reading this book you will know how strong his dick is (sort of) and exactly which commodities from the proceedings of his daily life, though the drama of those proceedings remains absent. The dick, in its new omnipresence, is de-eroticized. Nothing could be less sexy than a dick that doesn't go away, that is never hidden, and that turns up in every place you look, even the garbage can. On the other hand, the banal contents of his apartment are suddenly re-animated by...
Dates: 2010
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Page from a Book / Hirschman, Jack A.., 1966

 Item
Identifier: CC-09486-9675
Dates: 1966
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

page / Weiner, Hannah., 2002

 Item
Identifier: CC-47755-68774
Scope and Contents

The book has three long poems, Page, Articles, and Same Page and was published posthumously. Weiner was born in 1928 and died in 1997. These poems are written in the experimental style of David Antin. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Pak For Palle Paverne / Steen, Vagn., 1968

 Item
Identifier: CC-40654-42628
Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Panopticon, 1984

 Item
Identifier: CC-38174-40069
Scope and Contents

The theme of this book is writing for an experimental film. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Panorama Do Finnegans Wake, 1971

 Item
Identifier: CC-14877-15190
Dates: 1971
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / BOOKS

Panteros / Pignatari, Decio., 1992

 Item
Identifier: CC-04766-4855
Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Papers and Reminiscenses / Doyle, Arthur Conan., 1983

 Item
Identifier: CC-15513-15840
Scope and Contents

Through a series of letters, documents, diary entries, newspapers and typed sheets, Dr. John H. Watson reveals his first case with Arthur Conan Doyle. Supposedly, the material was rediscovered in 1983. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Paragraph. No.3 / Rose D ; Saleh D., 2002

 Item
Identifier: CC-38960-40896
Scope and Contents

Dan Rose aka Jabonera Porte-Savon contributes a paragraph under his nom de plume and describes how he came to select it. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Paris Interdit? Paris Permis! / Crombie, John., 1998

 Item
Identifier: CC-46400-49125
Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets

Phinger Catalogue. No.1., 1988

 Item
Identifier: CC-03858-3931
Scope and Contents

Designed and produced by Marksteen Adamson. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Physical Language Laboratory: Listen: I know what you're thinking]. No.6 / Leda Black., 1998

 Item
Identifier: CC-29888-31275
Scope and Contents

The lift-up panels on the print depict a cartoon and an advertisement underneath them that has been collaged to the verso. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

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