Experimental music score
Found in 133 Collections and/or Records:
Conlon Nancarrow / Nadau, Jean-Pierre., 1996
This article decribes the history and the musical inventions of Colon Nancarrow and his scores for his mechanical piano. -- Source of annotation: Marvin or Ruth Sackner.
Definizione di Grid: Per Pianoforte / Castaldi, Paolo., 1972
Dieci Discanti / Castaldi, Paolo., 1970
Dizzy Spells / Sutherland, W. Mark., 1996
Taken from Archive of O!!Zine 1996. -- Source of annotation: Marvin or Ruth Sackner.
Do Lado da Voz / Chico Mello., 2000
Dramatika: Soundings. No.29 / Malcolm Goldstein., 1981
Drawing for Oscillator-Playing Tone-Tool 1st Experiment / Grainger, Percy., 1981
Eight Songs for a Mad King / Davies, Peter Maxwell ; Stow R., 1969
Elisa / Castaldi, Paolo., 1971
Embarbussaments for Four Speaking Voices / Sublette, Ned., 1977
There are 29 different phonemes in this composition, drawn from three languages, Xhosa, Catalan, and English. Sublette presents written characters as notations for these phonemes. -- Source of annotation: Marvin or Ruth Sackner.
Epitaph For Moonlight / Schafer, R. Murray., 1968
The Sackners also hold the manuscripy of this score. -- Source of annotation: Marvin or Ruth Sackner.
Festival of Fantastics Roskilde / MacLow J ; Ben ; Knowles A ; Noel A ; Williams E ; Andersen E ; Corner P ; Hendricks G ; Koepcke A ; Watts B ; Tardos A., 1985
The page by Ann Noel resembles the "I" painting held by the Sackner Archive. No two I's are typographically repeated in this work. -- Source of annotation: Marvin or Ruth Sackner.
fonergon 79-5: for one speaker / Monach, Greta., 1979
This book consists of a sound poem with directions from Monach. -- Source of annotation: Marvin or Ruth Sackner.
Four Pieces For John Tilbury / Phillips, Tom., 1966
This is Phillips' first musical score (Opus 1). The musical notations are composed of lines and rectangles presented as a constructivitic grid. One side of the print deals with Phillips' instructions for playing the piece. Depicted in Tom Phillips: Works Texts To 1974, page 248. The number is written in red ink adjacent to Phillips' signature on the envelope. -- Source of annotation: Marvin or Ruth Sackner.
Four Pieces For John Tilbury / Phillips, Tom., 1966
This is Phillips' first musical score (Opus 1). The musical notations are composed of lines and rectangles presented as a constructivitic grid. One side of the print deals with Phillips' instructions for playing the piece. Depicted in Tom Phillips: Works Texts To 1974, page 248. This copy is unnumbered. -- Source of annotation: Marvin or Ruth Sackner.
[Gap Map] / Phillips, Tom., 1972
Golden Flower Piece for Keyboard / Phillips, Tom., 1972
This piece (Opus 5) was originally published by AIA gallery in 1966 in an edition of 100; the current copy was reprinted by Tetrad Press in 1972 in an undisclosed tirage. Depicted in Tom Phillips: Works Texts To 1974, page 250. -- Source of annotation: Marvin or Ruth Sackner.
Green Sounds / Danon, Betty., 1978 - 1986
Taken frompete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.
Harmonia Praestabilita / Phillips, Tom., 1967
This work (Opus 7) was included in Exit Magazine issue No.5-6. It is also depicted in Tom Phillips: Works Texts To 1974, page 252. -- Source of annotation: Marvin or Ruth Sackner.